and Master Asquith. "What do you know about the Mediterranean?" he asks, and Master Churchill replies: "Well, it looks a nice place for ships; but, to tell you the truth, we've been concentrating our attention on the North Sea lately, haven't we, Herbert?" and Master Asquith replies: "That is so."
The appointment of Baron Marschall von Bieberstein as German Ambassador in London was well received. He was Germany's strongest diplomatist. He had raised the prestige of his country to an unexampled pitch at Constantinople without losing the respect of his British colleagues, and was credited with the desire to promote a better understanding with England. Unfortunately he died suddenly before Punch's expectations could be realized. Meanwhile Mr. Haldane at the War Office had "turned turtle (dove)" to such an extent that in Punch's view his occupation was nearly gone. Yet the travesty of Dicksee's "Harmony," with the Kaiser playing on a Krupp organ to a stout and adoring Germany, is by no means reassuring. Consols were steadily "slumping," and the organized resistance of Ulster was already regarded as serious. Punch's views in the course of the next few years underwent a good deal of modification, but he was never sympathetic to Sir Edward Carson. When the old cry, "Ulster will fight," was raised to discredit the son of the statesman who had invented the phrase, Punch called it "a silly game. If Ulster fights against free speech, then Ulster will be wrong." When the "Covenant" of Resistance to Home Rule was signed by the Ulster Loyalists in September, 1912, Punch satirized their action under the heading "Ulster will write," with General Carson on horseback, waving a pen and crying, "Up, nibs, and at 'em!"
Punch, it is to be feared, did not credit the Balkan League with exalted ideals in entering on the conflict with Turkey in 1912. Bulgaria, in his cartoon of August 28, challenges Turkey, at grips with Italy, to mortal combat, and Turkey replies: "Certainly," adding to Italy, "I hope you won't think me discourteous if I cannot continue to give you my undivided attention." Two months later we are shown the Great Powers all sitting on the seething pot of "Balkan troubles" but unable to keep the lid down. By November a "New Eagle" with four heads – Bulgaria, Serbia, Montenegro and Greece – is seen approaching the door of the Council of Europe. More acute in its reading of the signs of the times is the picture of Turkey, a sinister figure, rubbing his hands as he reads the placard: "Austria threatens Serbia. European Crisis," and saying, "Good! If only all those other Christian nations get at one another's throats, I may have a dog's chance yet" – a situation realized by the launching of the Austrian ultimatum to Serbia in July, 1914. Early in December an armistice was agreed to, and by the middle of the month a conference of Balkan delegates assembled in London. The deliberations of the Peace Conference continued till the end of the year, but in the Christmas cartoon of "Prince Charming and the Sleeping Beauty," Sir Edward Grey has not yet succeeded in inducing Peace to wake up. As a matter of fact, the Conference was suspended on January 6, 1913, on the 26th the Balkan delegates broke off further negotiations with the Porte, and on February 3 war was resumed. Punch's comment on the threatened intervention of Roumania was severe but not unmerited; the "Bayard of Bukharest" observes politely to Bulgaria, "I am sure, dear old friend, you will wish to recompense me for not stabbing you in the back from behind in the previous bout, and I am therefore proposing to anticipate your kindness by making off with your coat (Silistria)." Sir Edward Grey's hope, expressed in the House of Commons in March, that Turkey would now confine its energies to "consolidating" itself in Asia Minor, met with ironical approval from Punch, who in the following month represented Turkey responding to Europa's complacent assurance that the war was "practically over" with the still more complacent comment: "My felicitations, Madam. Everything seems to point to the outbreak of a sanguinary peace." And unfortunately the cynical anticipation was only too well verified in the sequel. King Nicholas's defiance marked the opening stages of the new conflict – typified in the Montenegrin bantam blocking the road for the great Powers, but getting out of the way at the last moment. Skutari was occupied by troops of the Powers on May 14, and on May 30 the Treaty of Peace between the Allies and the Porte was signed at St. James's Palace. But Punch, in his cartoon of "Peace comes to Town," was not unfair in making Sir Edward Grey adjure the fair damsel riding behind him to sit close and not slip off as on the last occasion they fared that way together. So many outstanding questions remained unsettled that a pacific solution was impossible; the Balkan war was resumed on June 30. Bulgaria put up a great fight against the Serbians and Greeks, but the advance of the fresh Roumanian army into her territory rendered her position desperate. Punch had already shown Turkey offering its services as benevolent mediator to the Balkan "allies." Before the end of the month the Turks had re-entered the field and re-occupied Adrianople only three months after they had been driven out. "Quite like old times, being back here," the Turk says to Dame Europa in Punch's cartoon, and when Europa replies, "Ah! but you'll be kicked out, you know," he retorts calmly, "Well, that'll be like old times too." An armistice was signed on July 31, and the second Treaty of Peace was signed by Bulgaria, Greece, Montenegro and Serbia on August 10. Bulgaria, whose losses in the two wars had been very heavy, was seriously penalized by the new adjustment of boundaries and the consequent loss of territory. Roumania was cordially congratulated by the Kaiser for her "wise and statesmanlike policy," and Greece, who gained a vast acquisition of territory around Salonika, expressed through the mouth of King Constantine – King George had been assassinated at Salonika in March – her indebtedness to Germany for the war training of her officers. Punch's comment was sardonic. In "Deutschland über Alles" the King of the Hellenes observes to the Kaiser, "Our success, as you know, was entirely due to you," and the Kaiser replies: "Thanks, thanks," adding, aside, "I suppose he can't be referring to our organization of the Turkish army."
The Balkan Cockpit
The attitude of the Concert of Powers over the question of Adrianople is indicated in the cartoon in which Sir Edward Grey tells the Turk, the man in possession, that he will have to go, but that the Powers haven't decided who was to turn him out. European intervention proving hopeless, the matter was left for direct negotiations between Bulgaria and Turkey, with the result that the new frontier gave Turkey about one hundred square miles more territory together with Adrianople. Punch, on the eve of the signature of the treaty, anticipated the triumph of Turkey, who is seen pasting up, on the door of the Hotel Adrianople, a notice, "Under the same old management," over a previous notice, "Under entirely new management," and expressing regret at being unable to oblige Europa by retiring. Europa, with the Treaty of London in her hand, saves her face by replying with dignity: "Not at all. You may remember that at the very start I strongly insisted on the status quo." The Powers had decided at the close of 1912 that Albania was to receive autonomy, but the International Commission of Control was unable to check guerrilla fighting between Serbians and Albanians. Europa found it, in Punch's phrase, a very difficult task to hush the infant Albania; and Prince William of Wied, chosen by the Powers as sovereign, or "Mpret" of Albania in November, 1913, excited more ridicule than sympathy during his brief and troubled tenure of office.
The Balkan wars, which began in an organized attempt to liberate Christians from the Turkish yoke, developed into an internecine struggle for aggrandisement amongst the members of the League. The Balkan Peninsula unhappily justified its description as "the cockpit of Europe," or, to quote the words of a traveller who visited it between the first and second wars: "one vast madhouse, where sanity seems ridiculous and folly wisdom." The Treaty of Bukharest, so far from allaying discord, only fomented the ambitions which precipitated the world conflict.
Ulster Bars the Way
France's reversion to three years' service – applauded by Punch in his cartoon "Pour la Patrie" – had been countered by the German Army Bill introduced by the new German Chancellor, Bethmann-Hollweg, in a somewhat ominous speech in April. Punch had already symbolized the acceleration of the armament race in his picture of Hans and Jacques, each bowed down under a tremendous burden of warlike equipment, exclaiming in rueful unison: "And I hear there's more to come."
Mr. Churchill's scheme of a naval holiday inspired hopes which were partially shared by Punch, but damped by the German Chancellor's speech on the ground that the idea had not been taken up as practical in England either by Parliament or public opinion. The renewal of Mr. Churchill's suggestion later
