Notes of a Camp-Follower on the Western Front. Hornung Ernest William
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At last the smarter and tarter of the two orderlies, he who compounded the contents of the urns, sidled without ceremony to the commander's elbow.
'It wants a minute to the 'alf-hour, sir.'
Gramophone alone could give the husky tone of chronic injury, palette and brush the red eyes of resentment turned upon his kind beyond the counter. Our leader consulted his wrist-watch with a brisk gesture.
'I'll serve the next six men,' he ultimated, and the seventh man knocked at his heart in vain. Green curtains closed the counter in the wistful faces of the rest; if I can see them still, it is the heavenly music of those curtain-rings that I hear! The mind's eye peeps through once more, and spies the last gobblers at the splashed tables littered with mugs and empty tins; the last dawdlers on a floor ankle-deep in the envelopes of twopenny and half-franc packets of biscuits; and a little man broom-in-hand at the open door, spoiling to sweep all the lot into outer darkness.
In the kitchen, while both orderlies fell straight to work upon this Augean scene, our versatile leader, as little daunted by the hour, gave further expression to his personality in an omelette worthy of the country, and in lashings of Suchard cocoa made with a master hand. I remember with much gratitude that he also made my yawning bed, and that we turned in early to the tune of rain:
A fusillade upon the roof,
A tattoo on the pane.
Only the pane was canvas, and the fusillade accompanied by some local music from the guns outside the town.
A HANDFUL OF MEN
As 'the true love-story commences at the altar,' so the real work of a hut only begins at the counter. You may turn out to be the disguised prince of salesmen, and yet fail to deliver the goods that really matter. I am not thinking of 'goody' goods at all, but of the worker's personality such as it may be. It is not more essential for an actor to 'get across the footlights' than it is for the Y.M.C.A. counter-jumper to start by clearing that obstacle, and mixing with the men for all he can show himself to be worth.
The Ark was such a busy canteen that all this is easier said than it was done. Every morning we were kept at it as continuously from eleven to one as ever we were from four-thirty to eight-thirty. Those were our business hours; and though it was never quite such fierce shopping in the forenoon, it was then that the leader would go off in quest of fresh supplies and I was apt to be left in charge. This happened my very first morning. Shall I ever forget the intimidating multitude of Army boots seen under the door before we opened! And there was another of the early days, when the Somersets stormed our parapet in full fighting paraphernalia, with only me to stand up to them. Not much chance of foregathering then; but never an hour, seldom a single transaction within the hour, but brought me from the other side some quaint remark, some adorable display of patience, courtesy, or homely fun. The change difficulty was chronic, and mutually most exasperating; it was over that stile the men were always helping each other or helping me, with never a trace of the irritation I felt myself. They were the most delightful customers one could wish to serve. But that made it the more tantalising to have but a word with them on business. My young chief was once more my better here; he had only to be behind the counter to 'get across' as much as he liked, and in as few words. But I required a slack half-hour when I could take my pipe down the hut and seek out some solitary, or make overtures to the man at the piano.
It was generally the man's chum who responded in the first instance; for every Æneas in the new legions has his staunch Achates, who collects the praise as for the firm, adding his own mite in a beaming whisper. 'He has his own choir in Edinburgh,' said one Jock of another who was playing and singing the Scottish songs with urgent power. The piano is the surest touchstone in a hut. It brings out the man of talent – but also the bore who hammers with one thick-skinned finger – but also the prevailing lenience that puts up with the bore. I have been entreated to keep my piano locked and the key in the till; and once on the counter I found an anonymous notice, with a line requesting me to affix it to the instrument without delay: 'If you do play, do play – If you don't play, don't!' But a pianist of any pretensions has a crowd round him in a minute; and a splendid little audience it always is. The set concert, as I heard it, was not a patch on these unpremeditated recitals.
One night the hut was full of Riflemen, one of whom was strumming away to his own contentment, but with only the usual trusty chum for audience. I brought my pipe to the other side of the piano, and the performer got up and talked across to me for nearly an hour. He was a dark little garrulous fellow of no distinction, and he talked best with his eyes upon the keyboard, but the chum's broad grin of eager admiration never ceased to ply between us. The little Rifleman had borne a charmed life indeed, especially on Passchendaele Ridge, the scene of his latest misadventures. He was as idiomatic as Ortheris in his generation, but I only remember: 'I looked a fair Bairnsfather, not 'alf!' He was the nearest approach to a 'Bairnsfather' I ever encountered in the flesh, but the compliment to the draughtsman is no smaller for that. A third Rifleman, less demonstratively uncritical than the chum, joined the party; and at the end I ventured to ask all three in turn what they had been doing before the war.
'I,' said the little man, 'was a house-painter at Crewe.'
'And I,' said the grinning chum, 'was conductor of a 28 motor-'bus. I expect we've often dropped you at the Y.M.C.A. in Tottenham Court Road, sir.'
'And you?' – I turned to the last comer – 'if it isn't a rude question?'
'Oh, I,' said he, with the pride that would conceal itself, 'I'm in the building line. But I operate a bioscope at night!'
The historic present put his attitude in a nutshell. He might have been operating that bioscope the night before, be due back the next, and just having a look at things in France on his night off. His expert eye was not perceptibly impressed with the spectacle of war as he was seeing it off the films; but the house-painter seemed to be making the most of his long holiday from house-painting, and my old friend the conductor did not sigh in my hearing for his 28.
I took the party back with me to the counter, where they honoured me by partaking of cocoa and biscuits as my guests. It was all there was to do for three such hardy and mature philosophers; and I never saw or heard of them again, long as their cap-badge set me looking for one or other of their pleasant faces underneath. It was always rather sad when we had made friends with a man who never came near us again. In times of heavy fighting it was no wonder, but in the winter it seemed in the nature of a black mark against the hut.
There were two other Riflemen who were in that night, and hit me harder in a softer spot. They were both tragically young, one of them a pretty boy in a muffler that might have been knitted by any mother in the land. They were not enjoying their war, these two, but they smiled none the less as they let it out; they had come in of their own free will, as soon as ever their tender years allowed, and survived all the carnage of the Somme and of Passchendaele. They could afford to smile; but they had also outlived their romantic notions of a war, and were too young to bear it willingly in any other spirit. They had honest shudders for the horrors they had seen, and they frankly loathed going back into the mud or ice of the December trenches.
'Every time,' said the pretty boy, as they took cocoa with me, 'it seems worse.'
'But for the Y.M.C.A.,' said the other, with simple feeling, 'I believe I should have gone mad.'
That was something to hear. But what was there to say to such a pair? One had been a clerk in Huddersfield; the other, a shade less gentle, but, to equalise the appeal, an only child, foreman of