Over There with the Canadians at Vimy Ridge. Ralphson George Harvey

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Over There with the Canadians at Vimy Ridge - Ralphson George Harvey

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later was aboard a transport on a zig-zag, submarine-dodging course for England. After their arrival in France, Irving because of his training in certain technical lines was put in the engineering service, but shortly before the occurrence of the events already related herein, he succeeded in getting a transfer back to his regiment on the plea that he wished to do some real fighting.

      Then for the first time he learned that his cousin had been severely wounded and sent back to Canada incapacitated for further service several months before. This information came in a letter from Bob written at home. Two weeks later, while Irving was in the hospital recovering from the injury he received in the listening pit in No Man's Land, another letter came from his cousin, communicating a seemingly innocent but strange bit of news which was destined to have an important bearing on Private Ellis's future experiences as a soldier.

      CHAPTER VII

      TOURTELLE APOLOGIZES

      But something remarkable and of great importance, affecting Irving's soldier career, took place between the time when he entered the hospital and the time when he received the second letter from his cousin at home. The deep significance of the event did not develop at once, but the novelty of the thing kept the attention of interest upon it until the real meaning was uncovered. From that time on the young American soldier's war experiences were a succession of thrills, surprises, and dangerously interesting work.

      The field hospital to which he was taken consisted in part of a group of farm buildings that might have served as the nucleus of a village a short distance behind the rear battle line. Everything was slow and uninteresting to him during his first two days at this place. Then came the first incident in the chain of events that was to mean so much to Private Ellis as an American fighter in France.

      He received a message from one of the guards patrolling the grounds that a wounded officer in one of the buildings wished to see him. No explanation as to why he had been sent for was given by the bearer of the message. The head nurse of the building would direct him to the man who wished to see him, he was informed.

      Wondering a little who the officer could be and what was the nature of his interest in him, Irving hastened to answer the call. He was conducted by a nurse upstairs in a former rural residence and into a small room, little larger than a closet and occupied by a single patient on an army cot.

      On the way he ran over, in his mind, the list of officers with whom he could claim anything in the nature of a personal acquaintance and found it very small. Moreover, he had not known that any of these had been wounded. In this review of acquaintances of both commissioned and non-commissioned rank, however, he missed one who should not have been disregarded, although their intimacy had been of anything but friendly nature. This officer he found lying on the cot in the little room which he now entered. It was Second Lieut. Tourtelle.

      The surprise became almost startling when Irving saw the face of the "shavetail" brighten up with a look of apparent eagerness as he recognized the caller. The nurse withdrew immediately and the American soldier was left alone with his strange "comrade enemy" of No Man's Land.

      "Hello, Ellis," the "second looie" greeted, extending his right hand to his visitor and making an effort to smile pleasantly. "I sent for you because I wanted to have a talk with you. Sit down on the edge of the cot. Sorry there's no chair here, but I'm not the housekeeper."

      This latter "breath of levity" didn't sound bad at all, and Irving began to have a vague suspicion that there might be an intelligent side to the nature of this young officer who had behaved so brutally toward him. However, he indicated that he preferred to stand and waited patiently for Tourtelle to continue.

      "I called you to ask you to do me a favor," the wounded officer continued; "but first I want to apologize for the way I treated you. I won't attempt to explain why I did it because I don't know. But I acted like a bum scoundrel and ought to have been reported for it. The fact that you made no complaint against me shows that you're a real man and makes me feel ashamed of myself."

      Irving was rather embarrassed by this unexpected speech on the part of his supposed "comrade-enemy." He could not well reject the profession of humility, and yet he was uncertain just how to take it. Lieut. Tourtelle apparently desired to convey the impression that he was suffering from pangs of deep regret, but although the "pangs" twisted the muscles of his countenance the visitor was unable to convince himself as to the depth of the patient's mental suffering.

      "I hope you will forgive me, Ellis," the injured soldier said after a few moments' silence. "I had a spell of very bad temper that night and have regretted nay actions ever since. If there's anything I can do to make it right, I'll do it."

      This seemed to be as much as any reasonable person could ask under the circumstances; so Irving replied:

      "I'm sure I don't bear you any ill will under the circumstances, lieutenant. I admit I was pretty much offended by what you did, but I'm sure, after what you've just said, I can let bygones be bygones. We must remember that we are fighting a common enemy and it is ridiculous for us to be fighting one another. We ought rather to be helping one another."

      "That's an excellent idea," Tourtelle declared. "Now what would you say if I should ask you to do something for me? Would you resent it?"

      "I couldn't very well, after the principle I just laid down," Irving answered with the shadow of a smile; "provided it were reasonable," he added.

      "Oh, I don't see how there's anything unreasonable in it," the officer replied quickly. "The only thing is, you may think it a very odd request, freakish perhaps. But I think I can explain it satisfactorily. First, let me enlist your sympathy a little by informing you that my wound is more severe than was thought at first. I'm going to lose my left arm. One of the doctors told me today that it would have to be amputated between the elbow and the shoulder."

      "That's too bad," Irving said with evidence of fellow feeling for the second lieutenant. "If there were anything I could do to save your arm for you I'd surely do it. But what's the matter?"

      "A bad compound fracture and gangrene. The doctor said he'd have to cut it off today or my whole system might be poisoned. But here's the favor I want you to do for me:

      "When the doctor told me my arm would have to be cut off, I asked him if it would be possible to save the limb, so I could take it back home with me."

      Irving interrupted this statement with a start of surprise.

      "That's what the doctor did when I suggested the idea to him," Tourtelle continued, noting the effect of his suggestion. "He wanted to know why I wished to save the arm, and I replied that it was for two reasons: first, because I thought it would make an excellent souvenir; second, because it was tattooed in a very artistic manner and I don't want to lose the art. I'm of an artistic temperament, and it would break my heart more to lose that bit of tattooing on my arm than to lose the arm and keep the art."

      "I think I get you," said Irving with a smile. "You want me to put the arm in alcohol and preserve it, tattooing and all?"

      "That's a clever inference, but not quite to the point," Tourtelle commented without much change of expression on his face. "The doctor offered a substitute suggestion, and that's what I'm going to put to you now."

      The patient paused a moment or two, and Irving waited expectantly for the next development in the strange narrative of novel events.

      CHAPTER VIII

      CUBIST ART

      "Yes, I am of an artistic temperament," Lieut. Tourtelle continued in a sort of dreamy way, which tended rather to give his audience-of-one "the creeps" than to "soften

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