Mohawks: A Novel. Volume 3 of 3. Braddon Mary Elizabeth
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"Unhappily she has caught the infection of that accursed house, and plays as deep as a lady of fashion," said Fétis ruefully.
"My good Fétis, a young woman must have some kind of diversion. If she does not gamble, she will play you a worse turn. See how indulgent I am to her ladyship on that score. 'Tis only when her losses become outrageous that I venture a gentle remonstrance. And so your pretty little French wife has learnt the trick of the town, and dreams of spadillo and codille, like a woman of fashion. By the way, I hear Lord Lavendale is in London again. Pray does he ever use your house?"
"No, sir, I have never seen him there. He is not in my set."
"And yet I take it your set is a wild one, and likely to suit his lordship."
"Nay, sir, they tell me Lavendale has sobered down since his return from the Continent, and neither drinks nor plays as deep as he did before he went abroad."
"Is it so? Well, he is a mighty pretty fellow, and a prime favourite with the women. Some one told me the other day that he was in a consumption. You may begin to dress my head. Is that true, d'ye think?"
"The consumption, sir. Nay, I fancy 'tis an idle story got up by his lordship to make him more interesting to the sex. Women love a man who is reported to be dying. I have known men whose lives have been despaired of for ten years at a stretch, and who have wound up by marrying fortunes, having very little but their bad health to recommend them. A fellow who has no other capital may marry a rich widow on the strength of a consumption or a heart complaint."
"I am told Lord Lavendale is looking younger and handsomer than ever," pursued Topsparkle; "but I thought it might be the hectic of disease which imparted a delusive beauty."
"I doubt, sir, the fellow is well enough, and will outlive us all," said Fétis, with a malicious pleasure in blighting his master's hopes.
He finished his work of art upon Topsparkle's countenance, putting in every minute touch as carefully as a miniature painter. He fitted the stately wig upon the bald pate, and then Mr. Topsparkle put his head into the powdering closet for the last sprinkle of maréchale, and emerged therefrom in all the perfection of artificial grace and court fashion. His coat and waistcoat were marvels of the tailor's and embroideress's art; his cravat was a miracle of Roman point worked by Ursuline nuns in a convent amidst the Apennines; his diamond shoe-buckles were of an exquisite neatness and elegance; his red-heeled shoes set off to perfection the narrow foot and arched instep.
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