properly considered his friend's last remark an indication that he was feeling rather inclined to, and just possibly might, make or try to make (for often failure is salvation) a fool of himself. The man of unshaken sobriety of purpose needs no such protests. Ashley strolled on to his rooms, decidedly amused, somehow also a little vexed. Nothing had happened except a further and needless proof that he had been right in putting Ora in the first division of his classification. The vexation, then, remained unaccounted for, and it was not until he had reached home, lit his pipe, mixed his whiskey and water, and settled in his arm-chair, that he discovered that he was a little annoyed just because Lord Bowdon was apparently afraid of making a fool of himself. It was a thing that Bowdon or any other man had a perfect right to do, so far as the rest of the world was concerned. This sounded like a platitude; Ashley was surprised to find in his own soul an indefinite but not weak opposition to it. The instinct of exclusive possession was stirring in him, that resentment of intrusion which is the forerunner of a claim to property. Well, he was not forty-three but just thirty. His theory of life did not forbid a certain amount of making a fool of himself; his practice had included a rather larger quantity. Perturbation had been the ruling factor in Bowdon, in Ashley a pleasurable anticipation was predominant. In his case there were no very obvious reasons why he should not make a fool of himself again, if he were so disposed; for, dealing dispassionately with the situation and with his own standards, he could not treat this Jack Fenning as a very obvious reason. He went to bed with a vague sense of satisfaction; the last few days had brought to birth a new element in life, or at least a new feature of this season. It was altogether too soon to set about measuring the dimensions of the fresh arrival or settling to what it might or might not grow.
His anticipation would have been much heightened and the development of his interest quickened had he been able to see what was at this time happening to the lady who had made so abrupt and resolute an entry into his thoughts as well as into Lord Bowdon's. Her distress would have been sun and water to the growth of his feelings. For Mr. Sidney Hazlewood, an accomplished comedian and Ora Pinsent's Manager, had urged that she should try, and indeed must force herself, to regard a certain business arrangement from a purely business point of view. To Ora, still charged with the emotions of her performance in addition to her own natural and large stock of emotions, this suggestion seemed mere brutality, oblivious of humanity, and dictated solely by a ruthless and unhallowed pursuit of gain. So she burst into tears, and a weary wrinkle knitted itself on Mr. Hazlewood's brow. Lady Kilnorton had been blaming herself for judging genius from the stand of common-sense; Mr. Hazlewood did not theorise about the matter; that eloquent wrinkle was his sole protest against the existence and the ways of genius. The wrinkle having failed of effect, he observed that an agreement was an agreement and spoke, as a man who contemplates regrettable necessities, of his solicitor. Ora defied Mr. Hazlewood, the law, and the world, and went home still in tears. She was not really happy again until she had got into her dressing-gown, when quite suddenly she chanced on the idea that Mr. Hazlewood had a good deal to say for himself. Then she began to laugh merrily at the scene which had passed between them.
"He's very stupid, but he likes me and he's a good old creature," she ended in a charitable way.
CHAPTER III
AN ARRANGEMENT FOR SUNDAY
"Elizabeth Aurora Pinsent; that's it. But Elizabeth was too solemn, and Betty was too familiar, and Aurora too absurd. So I'm just Ora."
Lord Bowdon nodded gravely.
"And I think," she went on, lying back on the sofa, "that the world's rather dull, and that you're rather like the world this afternoon."
He did not dispute the point. A man who wants to make love, but is withheld by the sense that he ought not, is at his dullest. Bowdon's state was this or even worse. Ora was a friend of Irene Kilnorton's; how much had she guessed, observed, or been told? Would she think loyalty a duty in herself and disloyalty in him a reproach? That would almost certainly be her mood unless she liked him very much; and she gave no sign of such a liking. On all grounds he was clear that he had better go away at once and not come back again. He thought first of Irene Kilnorton, then of his own peace and interest, lastly of Mr. Jack Fenning; but it must be stated to his credit that he did think quite perceptibly of Jack Fenning. Yet he did not go away immediately.
"You live all alone here?" he asked, looking round the bright little room.
"Yes, I can, you see. That's the advantage of being married."
"I never looked at marriage in that light before."
"No," she laughed. "You've not looked at it in any light, you know; only from the outer darkness."
As his eyes rested on her lying there in graceful repose, he felt a grudge against the way fate was treating him. He wished he were ten or fifteen years younger; he wished he had nothing to lose; he wished he had no conscience. Given these desirable things, he believed that he could break down this indifference and banish this repose. Ora had done nothing to create such a belief; it grew out of his own sturdy and usually justifiable self-confidence.
"Have you a conscience?" he asked her suddenly.
"Oh, yes," she answered, "afterwards."
"That's a harmless variety," he said wistfully.
"Tiresome, though," she murmured with her eyes upturned to the ceiling as though she had forgotten his presence. "Only, you see, something else happens soon and then you don't think any more about it." Ora seemed glad that the cold wind of morality was thus tempered.
Such a remedy was not for the solid-minded man: he did think more about it, notwithstanding that many things happened; and his was not merely the harmless variety of conscience. Ora nestled lower on her cushions, sighed and closed her eyes; she did not treat him with ceremony, if any comfort lay in that. He rose, walked to the window, and looked out. He felt intolerably absurd, but the perception of his absurdity did not help him much. Again he complained of fate. This thing had come just when such things should cease to come, just also when another thing had begun to seem so pleasant, so satisfactory, so almost settled. He was ashamed of himself; as he stood there he regretted his midnight confidence to Ashley Mead a fortnight before. Since then he had made no confidences to Ashley; he had not told him how often he came to this house, nor how often he wished to come. Ora Pinsent's name had not been mentioned between them, although they had met several times over the initial business of launching their Commission.
He turned round and found her eyes on him. She began to laugh, sprang up, ran across the room, laid a hand lightly on his sleeve, and looked in his face, shaking her head with an air of determination.
"You must either go, or be a little more amusing," she said. "What's the matter? Oh, I know! You're in love!"
"I suppose so," he admitted with a grim smile.
"Not with me, though!"
"You're sure of that? Nothing would make you doubt it?"
"Well, I thought it was Irene Kilnorton," she answered; her eyes expressed interest and a little surprise.
"So it was; at least I thought so too," said Bowdon.
"Well, if you think so enough, it's all right," said Ora with a laugh.
"But I'm inclined to think differently now."
"Oh, I shouldn't think differently, if I were you," she murmured. "Irene's so charming and clever. She'd just suit you."
"You're absolutely right," said Bowdon.
"Then why don't you?" She looked at him for a moment and he met her gaze; a slight tint of colour
