Days and Nights in London: or, Studies in Black and Gray. James Ewing Ritchie

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means of my ruin;” and the way in which that speech was received by his mates evidently testified to the fact that the experience of many was of a similar character. I said to him afterwards that I knew the music-hall to which he referred, and that I had calculated that on an average each man spent there two shillings a night. “Oh sir,” was the reply, “I spent a great deal more than that of a night.” If so, I may assume that he spent as much as four shillings a night – and that, as the place was his favourite haunt after office-hours, he was there every night in the week, this would make an expenditure of one pound four shillings – a sum, I imagine, quite as much as his wages as a poor clerk. What wonder is it that the silly youth became a thief, especially when the devil whispers in his ear that theft is easy and the chance of detection small? The one damning fact which may be charged against all music-halls is that their amusements are too high in price, and that every device is set to work to make people spend more money than the cost of the original admission. In the theatre you may sit – and most people do sit all the evening – without spending a penny. In the music-hall a man does not like to do that. He drinks for the sake of being sociable, or because the waiter solicits him, or because he has drunk already and does not like to leave off, or because he meets doubtful company at the bar, or because the burden of every song is that he must be a “jolly pal” and that he must enjoy a cheerful glass. I can remember when at one time the admission fee included the cost of a pint of beer or some other fluid. Now drink is an extra, and as the proprietor of the music-hall, to meet the competition all round him, has to beautify his hall as much as possible, and to get what he calls the best available talent, male or female – whether in the shape of man or ass, or dog or elephant, or monkey – he is of course put to a considerable extra expense; and that of course he has to get out of the public the best way he can. No one loves to work for nothing, and least of all the proprietor of a music-hall.

      Talking of “pals” and “a cheerful glass” reminds me of a scene which made me sick at the time, and which I shall not speedily forget. On the night of the Lord Mayor’s Show, I entered a music-hall in the north of London – in a region supposed to be eminently pious and respectable, and not far from where Hick’s Hall formerly stood. As I saw the thousands of people pushing into the Agricultural Hall, to see the dreary spectacle of an insane walking match, and saw another place of amusement being rapidly filled up, I said to myself: “Well, there will be plenty of room for me in the place to which I am bound;” and it was with misgiving that I paid the highest price for admission – one shilling – to secure what I felt, under the circumstances, I might have had at a cheaper rate. Alas! I had reckoned without my host. The hour for commencing had not arrived, and yet the place was full to overflowing. Mostly the audience consisted of young men. As usual, there were a great many soldiers. It is wonderful the number of soldiers at such places; and the spectator would be puzzled to account for the ability of the private soldier thus to sport his lovely person did not one remember that he is usually accompanied by a female companion, generally a maid-of-all-work of the better class, who is too happy to pay for his aristocratic amusements, as she deems them, on condition that she accompanies him in the humble capacity of a friend. Soldiers, I must do them justice to say, are not selfish, and scorn to keep all the good things to themselves. As soon as they find a neighbourhood where the servant “gal” is free with her wages, they generally tell each other of the welcome fact, and then the Assyrian comes down like the wolf on the fold.

      Well, to continue my story. On the night, and at the place already referred to, they were a very jolly party – so far as beer and “baccy” and crowded company and comic singing were concerned. They had a couple of Brothers, who were supposed to be strong in the delineation of Irish and German character, but as their knowledge of the language of the latter seemed simply to be confined to the perpetually exclaiming “Yah, yah!” I had misgivings as to their talents in that respect, which were justified abundantly in the course of the evening. Dressed something in the style of shoeblacks, and wearing wooden shoes, which made an awful noise when they danced, the little one descries his long-lost elder brother, to whom his replies are so smart and witty that the house was in a roar of laughter, in which I did not join, as I had heard them twice already.

      After they had finished we had a disgustingly stout party, who was full of praise of all conviviality, and who, while he sang, frisked about the stage with wonderful vivacity and with as much grace as a bull in a china-shop, or a bear dancing a hornpipe. As he sang, just behind me there was all at once a terrible noise; the chairman had to call out “Order,” the spectators began howling, “Turn him out;” the singer had to stop, the roughs in the gallery began to scream and cheer, and the bars were for a wonder deserted. In so dense a crowd it was so difficult to see anything, that it was not at once that I discovered the cause of the disorder; but presently I saw in one of the little pews, into which this part of the house was divided (each pew having a small table in the middle for the liquor) a couple of men quarrelling. All at once the biggest of them – a very powerful fellow of the costermonger type – dealt his opponent – a poor slim, weedy lad of the common shop-boy species – a tremendous blow. The latter tried to retaliate, and struggled across the table to hit his man, but he merely seemed to me to touch his whiskers, while the other repeated his blow with tremendous effect. In vain the sufferer tried to get out of the way; the place was too crowded, and with a stream of blood flowing from his nose he fell, or would have fallen, to the earth had not some of the bystanders dragged him a few yards from his seat. Then as he lay by me drunk, or faint, or both, unable to sit up or to move, with the blood pouring down his clothes and staining the carpet all round, I saw, as the reader can well believe, a commentary on the singer’s Bacchanalian song of a somewhat ironical character; but business is business, and at the music-hall it will not do to harrow up the feelings of the audience with such sad spectacles. Perfectly insensible, the poor lad was carried out, while a constable was the means of inducing his muscular and brutal-looking opponent to leave the hall. Order restored, the stout party bounded on to the stage, and the hilarity of the evening – with the exception of here and there a girl who, evidently not being used to such places, was consequently frightened and pale and faint for awhile – was as great as ever. The comic singer made no reference to the unfortunate incident; all he could do was to say what he had got by heart, and so he went on about the cheerful glass and the fun of going home powerfully refreshed at an early hour in the morning, and much did the audience enjoy his picture of the poor wife waiting for her husband behind the door with a poker, assisting him upstairs with a pair of tongs, and after she had got him sound asleep meanly helping herself to what cash remained in his pocket.

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