to speak plainly; and the strong interest the case has excited will be our excuse if our comments are more lengthy than those in which we generally indulge in our editorial columns. The elements of mystery surrounding the awful murder were sufficiently complicated without the assistance of the police. Their proceedings with respect to the man calling himself Antony Cowlrick have rendered the task of bringing the murderer to justice one of enormous difficulty.
Our business at present is not so much with the murder itself as it is with Antony Cowlrick and the police; but a brief recapitulation of the circumstances of the murder is necessary for the proper understanding of what is to follow.
On Tuesday, the 1st of July, a gentleman engaged a back room on the first floor of the house No. 119, Great Porter Square. There was a piano in the room. The landlady of that house, who has undergone more than one lengthy examination, has stated that she “reckoned him up” as a man who had just come from a voyage, and that there was something superior “in the looks of him.” When she asked him for his name he said it did not matter, and he handed her four weeks’ rent, telling her at the same time not to trouble herself about a receipt. This was sufficient for the landlady; she received the stranger as a tenant, and he took possession of the room.
He led a remarkably quiet life. He did not trouble the landlady to cook a meal for him, although “attendance” was included in the sum charged for the rent of the room. He had but one visitor, a lady, who came so closely veiled that no person in the house caught a glimpse of her face. She called three times, and when the street door was opened, asked for “the gentleman on the first floor,” and went up to him without waiting for an answer. This lady has not come forward, and she has not been tracked. After the 10th of July no female resembling in the slightest the vague description given of her has called at No. 119, Great Porter Square.
It happened, singularly enough, that on the 9th of July the house was almost empty. The landlady’s niece was married on that day, and the landlady was at the wedding; there was to be a dance in the evening, and she did not expect to be home until very late. Invitations had not only been given to the landlady, but to three of her lodgers, two of whom were married. Another lodger, a violin player, was engaged for the music. It was a kind of happy family affair, arranged by Fate. Only the general servant and the stranger were left.
The servant was human, and took advantage of the golden opportunity. If we had been in her place, and had “a young man,” we should probably have done the same. She did not have many holidays, and knowing that her services would not be required, and that her mistress and the lodger would not be home till early in the morning, she made an appointment with her “young man,” who treated her to the Alhambra. When the performances at the Alhambra were concluded, this young person and her young man indulged in supper, and, tempted to daring by the opportunity, she did not return to the house until an hour past midnight. She noticed nothing unusual when she entered; conscience-stricken at the late hour she did not light a candle, but thankful that her mistress had not returned, she crept down to her bedroom in the basement, and went to bed in the dark. She fell asleep at once, and we have the testimony of her mistress that the girl is an exceedingly heavy sleeper, and most difficult to wake. We ourselves have a servant – a most desirable creature, whom we are ready to part with on moderate terms – similarly afflicted. Thus it may be said that, for many mysterious hours, the only occupant of the house was the stranger who occupied the front drawing-room.
It was nearly four in the morning before the wedding guests, jaded with pleasure, found themselves in Great Porter Square. The wedding had been a jolly affair, and dancing had been prolonged beyond the anticipated hour of breaking up. Jaded as they were, the spirits of the little knot of merrymakers were not quite exhausted, and as they paused before the door of No. 119, with the morning’s sweet fresh light upon them, they laughed and sang, and so inspired the musician that he took his violin from its green baize bag and struck up a jig. With their tired feet moving to the measure they entered the house, the door of which was opened by the landlady with her private key; they tripped up the steps and lingered in the passage, dancing to the music. Exhilarated by the occasion they wound in and out along the narrow passage, until the wife of one of the lodgers suddenly uttered a shriek which drove the colour from their flushed faces.
“My God!” shrieked the terrified woman, “we are dancing in blood!”
CHAPTER VII
IN WHICH THE “EVENING MOON” CONTINUES TO SPEAK ITS MIND
IT was fatally true. They were dancing in blood. The woman who made the awful discovery had white satin shoes on. As she uttered the appalling words she looked down at her feet, and, with a wild shudder, sank into her husband’s arms. He, overwrought with excitement, had scarcely sufficient strength to support her, and he would have allowed her to slip to the floor had he not, also, cast his eyes earthwards. Quickly he caught her to his breast, and, trembling violently, proceeded upstairs. The weight of his burden compelled him to hold on to the balustrade; but the moment he placed his hand on the polished rail, he screamed, “There’s been Murder done here!” And, shaking like a leaf, he retreated in haste till he reached the street door. Flinging it open, he rushed with his wife into the Square, and stood in the light of the sunrise, a picture of terror.
The other actors in the scene had borne appropriate parts in the tragic situation. For a little while they were paralyzed, and incapable of action. The streaming in of the daylight aroused them, and they looked about timidly. On the floor, stairs, and balustrade were marks of blood not yet quite dried, and they traced the crimson stains to the end of the passage, where it dipped into the narrow staircase which led to the basement. There being no natural means of lighting the stairway, this part of the house was usually lit up by a thin, funereal jet of gas, which burnt as sadly as if its home were a tomb. At present it was in darkness, the gas being turned off.
The thought that had been put into words by the man who had rushed out of the house now took its place in the minds of those who remained within. There had been murder done. But who was murdered, and where was the murderer?
“That comes,” said the violinist to the landlady, “of letting a man into the house who refuses to give his name.”
The landlady wrung her hands. She saw ruin staring her in the face.
“He’s off, of course,” continued the violinist, “and Mary” (the name of the servant) “lies downstairs, murdered in cold blood.”
A sound sleeper, indeed, must Mary have been to have slept through the music, and the dancing, and the cries of terror. The silence that reigned below was confirmation of the violinist’s assumption. Of all suppositions, it was the most reasonable. Who would go downstairs to corroborate it? Not one had sufficient courage.
Meanwhile, events progressed in front of the house. A policeman, attracted by the sounds of music, was drawn thitherwards, and, seeing a man kneeling on the pavement, supporting a woman, he quickened his steps.
“What’s up?” demanded the policeman.
“Murder! murder!” gasped the man.
The woman’s white shoes, bedabbled in blood, met the policeman’s eye.
“There! there!” cried the man, pointing to the passage.
The policeman was immediately encompassed by the other frightened faces.
“You’re just in time,” said the violinist. “There’s been murder done.”
“Who’s been murdered?” asked the policeman.
“That’s to be found out,” was the answer. “It’s a girl, we believe.”
“Ah,” remarked the policeman, with a certain
