Guy Deverell. Volume 1 of 2. Le Fanu Joseph Sheridan
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Last Sunday she had driven, in her accustomed state, with Beatrix, to Wardlock church. The church was hardly five hundred yards away, and the day bright and dry. But Lady Alice always arrived and departed in the coach, and sat in the Redcliffe seat, in the centre of the gallery. She and Beatrix sat face to face at opposite sides of the pew.
As Lady Alice looked with her cold and steady glance over the congregation in the aisle, during the interval of silence that precedes the commencement of the service, a tall and graceful young man, with an air of semi-foreign fashion, entered the church, accompanied by an elderly gentleman, of whom she took comparatively little note.
The young man and his friend were ushered into a seat confronting the gallery. Lady Alice gazed and gazed transfixed with astonishment and horror. The enamelled miniature on her bosom was like; but there, in that clear, melancholy face, with its large eyes and wavy hair, was a resurrection. In that animated sculpture were delicate tracings and touches of nature's chisel, which the artist had failed to represent, which even memory had neglected to fix, but which all now returned with the startling sense of identity in a moment.
She had put on her gold spectacles, as she always did on taking her seat, and opened her "Morning Service," bound in purple Russia, with its golden clasp and long ribbons fringed with the same precious metal, with the intent to mark the proper psalms and lessons at her haughty leisure. She therefore saw the moving image of her dead son before her, with an agonizing distinctness that told like a blight of palsy on her face.
She saw his elderly companion also distinctly. A round-shouldered man, with his short caped cloak still on. A grave man, with a large, high, bald forehead, a heavy, hooked nose, and great hanging moustache and beard. A dead and ominous face enough, except for the piercing glance of his full eyes, under very thick brows, and just the one you would have chosen out of a thousand portraits, for a plotting high-priest or an old magician.
This magus fixed his gaze on Lady Alice, not with an ostentation of staring, but sternly from behind the dark embrasure of his brows; and leaning a little sideways, whispered something in the ear of his young companion, whose glance at the same moment was turned with a dark and fixed interest upon the old lady.
It was a very determined stare on both sides, and of course ill-bred, but mellowed by distance. The congregation were otherwise like other country congregations, awaiting the offices of their pastor, decent, listless, while this great stare was going on, so little becoming the higher associations and solemn aspect of the place. It was, with all its conventional screening, a fierce, desperate scrutiny, cutting the dim air with a steady congreve fire that crossed and glared unintermittent by the ears of deceased gentlemen in ruffs and grimy doublets, at their posthumous devotions, and brazen knights praying on their backs, and under the eyes of all the gorgeous saints, with glories round their foreheads, in attitudes of benediction or meekness, who edified believers from the eastern window.
Lady Alice drew back in her pew. Beatrix was in a young-lady reverie, and did not observe what was going on. There was nothing indeed to make it very conspicuous. But when she looked at Lady Alice, she was shocked at her appearance, and instantly crossed, and said —
"I am afraid you are ill, grandmamma; shall we come away?"
The old lady made no answer, but got up and took the girl's arm, and left the seat very quietly. She got down the gallery stairs, and halted at the old window on the landing, and sate there a little, ghastly and still mute.
The cold air circulating upward from the porch revived her.
"I am better, child," said she, faintly.
"Thank Heaven," said the girl, whose terror at her state proved how intensely agitated the old lady must have been.
Mrs. Wrattles, the sextoness, emerging at that moment with repeated courtesies, and whispered condolence and inquiries, Lady Alice, with a stiff condescension, prayed her to call her woman, Mason, to her.
So Lady Alice, leaning slenderly on Mason's stout arm, insisted that Beatrix should return and sit out the service; and she herself, for the first time within the memory of man, returned from Wardlock church on foot, instead of in her coach. Beatrix waited until the congregation had nearly disgorged itself and dispersed, before making her solitary descent.
When she came down, without a chaperon, at the close of the rector's discourse, the floured footman in livery, with his gold-headed cane, stood as usual at the coach door only to receive her, and convey the order to the coachman, "home."
The churchyard gate, as is usual, I believe, in old places of that kind, opens at the south side, and the road to Wardlock manor leads along the churchyard wall and round the corner of it at a sharp angle just at the point where the clumsy old stone mausoleum or vault of the Deverell family overlooks the road, with its worn pilasters and beetle-browed cornice.
Now that was a Sunday of wonders. It had witnessed Lady Alice's pedestrian return from church, an act of humiliation, almost of penance, such as the memory of Wardlock could furnish no parallel to; and now it was to see another portent, for her ladyship's own gray horses, fat and tranquil beasts, who had pulled her to and from church for I know not how many years, under the ministration of the careful coachman, with exemplary sedateness, on this abnormal Sabbath took fright at a musical performance of two boys, one playing the Jew's harp and the other drumming tambourine-wise on his hat, and suadente diabolo and so forth, set off at a gallop, to the terror of all concerned, toward home. Making the sharp turn of the road, where the tomb of the Deverells overhangs it from the churchyard, the near-gray came down, and his off-neighbour reared and plunged frightfully.
The young lady did not scream, but, very much terrified, she made voluble inquiries of the air and hedges from the window, while the purple coachman pulled hard from the box, and spoke comfortably to his horses, and the footman, standing out of reach of danger, talked also in his own vein.
Simultaneously with all this, as if emerging from the old mausoleum, there sprang over the churchyard fence, exactly under its shadow, that young man who had excited emotions so various in the Baronet and in Lady Alice, and seized the horse by the head with both hands, and so cooperated that in less than a minute the two horses were removed from the carriage, and he standing, hat in hand, before the window, to assure the young lady that all was quite safe now.
So she descended, and the grave footman, with the Bible and Prayer-book, followed her steps with his gold-headed rod of office, while the lithe and handsome youth, his hat still in air which stirred his rich curls, walked beside her with something of that romantic deference which in one so elegant and handsome has an inexpressible sentiment of the tender in it.
He walked to the door of Wardlock Manor, and I purposely omit all he said, because I doubt whether it would look as well in this unexceptionable type as it sounded from his lips in Beatrix Marlowe's pretty ear.
If the speaker succeed with his audience, what more can oratory do for him? Well! he was gone. There remained in Beatrix's ear a music; in her fancy a heaven-like image – a combination of tint, and outline, and elegance, which made every room and scene without it lifeless, and every other object homely. These little untold impressions are of course liable to fade and vanish pretty quickly in absence, and to be superseded even sooner. Therefore it would be unwarranted to say that she was in love, although I can't deny that she was haunted by that slightly foreign young gentleman.
This latter portion of the adventure was not divulged by old Lady Alice, because Beatrix, I suppose, forgot to tell her, and she really knew nothing about it. All the rest, her own observation and experience, she related with a grim and candid particularity.
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