John Marchmont's Legacy. Volume 1 of 3. Braddon Mary Elizabeth
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CHAPTER V.
MARCHMONT TOWERS
There is a lapse of three years and a half between the acts; and the curtain rises to reveal a widely-different picture: – the picture of a noble mansion in the flat Lincolnshire country; a stately pile of building, standing proudly forth against a background of black woodland; a noble building, supported upon either side by an octagon tower, whose solid masonry is half-hidden by the ivy which clings about the stonework, trailing here and there, and flapping restlessly with every breath of wind against the narrow casements.
A broad stone terrace stretches the entire length of the grim façade, from tower to tower; and three flights of steps lead from the terrace to the broad lawn, which loses itself in a vast grassy flat, only broken by a few clumps of trees and a dismal pool of black water, but called by courtesy a park. Grim stone griffins surmount the terrace-steps, and griffins' heads and other architectural monstrosities, worn and moss-grown, keep watch and ward over every door and window, every archway and abutment – frowning threat and defiance upon the daring visitor who approaches the great house by this, the formidable chief entrance.
The mansion looks westward: but there is another approach, a low archway on the southern side, which leads into a quadrangle, where there is a quaint little door under a stone portico, ivy-covered like the rest; a comfortable little door of massive oak, studded with knobs of rusty iron, – a door generally affected by visitors familiar with the house.
This is Marchmont Towers, – a grand and stately mansion, which had been a monastery in the days when England and the Pope were friends and allies; and which had been bestowed upon Hugh Marchmont, gentleman, by his Sovereign Lord and Most Christian Majesty the King Henry VIII, of blessed memory, and by that gentleman-commoner extended and improved at considerable outlay. This is Marchmont Towers, – a splendid and a princely habitation truly, but perhaps scarcely the kind of dwelling one would choose for the holy resting-place we call home. The great mansion is a little too dismal in its lonely grandeur: it lacks shelter when the dreary winds come sweeping across the grassy flats in the bleak winter weather; it lacks shade when the western sun blazes on every window-pane in the stifling summer evening. It is at all times rather too stony in its aspect; and is apt to remind one almost painfully of every weird and sorrowful story treasured in the storehouse of memory. Ancient tales of enchantment, dark German legends, wild Scottish fancies, grim fragments of half-forgotten demonology, strange stories of murder, violence, mystery, and wrong, vaguely intermingle in the stranger's mind as he looks, for the first time, at Marchmont Towers.
But of course these feelings wear off in time. So invincible is the power of custom, that we might make ourselves comfortable in the Castle of Otranto, after a reasonable sojourn within its mysterious walls: familiarity would breed contempt for the giant helmet, and all the other grim apparitions of the haunted dwelling. The commonplace and ignoble wants of every-day life must surely bring disenchantment with them. The ghost and the butcher's boy cannot well exist contemporaneously; and the avenging shade can scarcely continue to lurk beneath the portal which is visited by the matutinal milkman. Indeed, this is doubtless the reason that the most restless and impatient spirit, bent on early vengeance and immediate retribution, will yet wait until the shades of night have fallen before he reveals himself, rather than run the risk of an ignominious encounter with the postman or the parlour-maid. Be it how it might, the phantoms of Marchmont Towers were not intrusive. They may have perambulated the long tapestried corridors, the tenantless chambers, the broad black staircase of shining oak; but, happily, no dweller in the mansion was ever scared by the sight of their pale faces. All the dead-and-gone beauties, and soldiers, and lawyers, and parsons, and simple country-squires of the Marchmont race may have descended from their picture-frames to hold a witches' sabbath in the old mansion; but as the Lincolnshire servants were hearty eaters and heavy sleepers, the ghosts had it all to themselves. I believe there was one dismal story attached to the house, – the story of a Marchmont of the time of Charles I, who had murdered his coachman in a fit of insensate rage; and it was even asserted, upon the authority of an old housekeeper, that John Marchmont's grandmother, when a young woman and lately come as a bride to the Towers, had beheld the murdered coachman stalk into her chamber, ghastly and blood-bedabbled, in the dim summer twilight. But as this story was not particularly romantic, and possessed none of the elements likely to insure popularity, – such as love, jealousy, revenge, mystery, youth, and beauty, – it had never been very widely disseminated.
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