Arundel took the flaming tallow-candle from the table in the painting-room, and went up the steps into the pavilion. The girl followed, but she did not try to restrain him, or to interfere with him. She followed him with her mouth open, staring at him after the manner of her kind, and she looked the very image of rustic stupidity.
With the flaring candle shaded by his left hand, Edward Arundel examined the two chambers in the pavilion. There was very little to reward his scrutiny. The two small rooms were bare and cheerless. The repairs that had been executed had only gone so far as to make them tolerably inhabitable, and secure from wind and weather. The furniture was the same that Edward remembered having seen on his last visit to the Towers; for Mary had been fond of sitting in one of the little rooms, looking out at the slow river and the trembling rushes on the shore. There was no trace of recent occupation in the empty rooms, no ashes in the grates. The girl grinned maliciously as Mr. Arundel raised the light above his head, and looked about him. He walked in and out of the two rooms. He stared at the obsolete chairs, the rickety tables, the dilapidated damask curtains, flapping every now and then in the wind that rushed in through the crannies of the doors and windows. He looked here and there, like a man bewildered; much to the amusement of Miss Betsy Murrel, who, with her arms crossed, and her elbows in the palms of her moist hands, followed him backwards and forwards between the two small chambers.
"There was some one living here a week ago," he said; "some one who had the care of a – "
He stopped suddenly. If he had guessed rightly at the dark secret, it was better that it should remain for ever hidden. This girl was perhaps more ignorant than himself. It was not for him to enlighten her.
"Do you know if anybody has lived here lately?" he asked.
Betsy Murrel shook her head.
"Nobody has lived here – not that oi knows of," she replied; "not to take their victuals, and such loike. Missus brings her work down sometimes, and sits in one of these here rooms, while Muster Poll does his pictur' paa-intin'; that's all oi knows of."
Edward went back to the painting-room, and set down his candle. The mystery of those empty chambers was no business of his. He began to think that his cousin Olivia was mad, and that her outbursts of terror and agitation had been only the raving of a mad woman, after all. There had been a great deal in her manner during the last year that had seemed like insanity. The presence of the child might have been purely accidental; and his cousin's wild vehemence only a paroxysm of insanity. He sighed as he left Miss Murrel to her scouring. The world seemed out of joint; and he, whose energetic nature fitted him for the straightening of crooked things, had no knowledge of the means by which it might be set right.
"Good-bye, lonely place," he said; "good-bye to the spot where my young wife first told me of her love."
He walked back to the cottage, where the bustle of packing and preparation was all over, and where Mr. Morrison was entertaining a select party of friends in the kitchen. Early the next morning Mr. Arundel and his servant left Lincolnshire; the key of Kemberling Retreat was given up to the landlord; and a wooden board, flapping above the dilapidated trellis-work of the porch, gave notice that the habitation was to be let.
CHAPTER III
TAKING IT QUIETLY
All the county, or at least all that part of the county within a certain radius of Marchmont Towers, waited very anxiously for Mr. Paul Marchmont to make some move. The horsewhipping business had given quite a pleasant zest, a flavour of excitement, a dash of what it is the fashion nowadays to call "sensation," to the wind-up of the hunting breakfast. Poor Paul's thrashing had been more racy and appetising than the finest olives that ever grew, and his late guests looked forward to a great deal more excitement and "sensation" before the business was done with. Of course Paul Marchmont would do something. He must make a stir; and the sooner he made it the better. Matters would have to be explained. People expected to know the cause of Edward Arundel's enmity; and of course the new master of the Towers would see the propriety of setting himself right in the eyes of his influential acquaintance, his tenantry, and retainers; especially if he contemplated standing for Swampington at the next general election.
This was what people said to each other. The scene at the hunting-breakfast was a most fertile topic of conversation. It was almost as good as a popular murder, and furnished scandalous paragraphsad infinitum for the provincial papers, most of them beginning, "It is understood – ," or "It has been whispered in our hearing that – ," or "Rochefoucault has observed that – ." Everybody expected that Paul Marchmont would write to the papers, and that Edward Arundel would answer him in the papers; and that a brisk and stirring warfare would be carried on in printer's-ink – at least. But no line written by either of the gentlemen appeared in any one of the county journals; and by slow degrees it dawned upon people that there was no further amusement to be got out of Paul's chastisement, and that the master of the Towers meant to take the thing quietly, and to swallow the horrible outrage, taking care to hide any wry faces he made during that operation.
Yes; Paul Marchmont let the matter drop. The report was circulated that he was very ill, and had suffered from a touch of brain-fever, which kept him a victim to incessant delirium until after Mr. Arundel had left the county. This rumour was set afloat by Mr. Weston the surgeon; and as he was the only person admitted to his brother-in-law's apartment, it was impossible for any one to contradict his assertion.
The fox-hunting squires shrugged their shoulders; and I am sorry to say that the epithets, "hound," "cur," "sneak," and "mongrel," were more often applied to Mr. Marchmont than was consistent with Christian feeling on the part of the gentlemen who uttered them. But a man who can swallow a sound thrashing, administered upon his own door-step, has to contend with the prejudices of society, and must take the consequences of being in advance of his age.
So, while his new neighbours talked about him, Paul Marchmont lay in his splendid chamber, with the frisking youths and maidens staring at him all day long, and simpering at him with their unchanging faces, until he grew sick at heart, and began to loathe all this new grandeur, which had so delighted him a little time ago. He no longer laughed at the recollection of shabby Charlotte Street. He dreamt one night that he was back again in the old bedroom, with the painted deal furniture, and the hideous paper on the walls, and that the Marchmont-Towers magnificence had been only a feverish vision; and he was glad to be back in that familiar place, and was sorry on awaking to find that Marchmont Towers was a splendid reality.
There was only one faint red streak upon his shoulders, for the thrashing had not been a brutal one. It was disgrace Edward Arundel had wanted to inflict, not physical pain, the commonplace punishment with which a man corrects his refractory horse. The lash of the hunting-whip had done very little damage to the artist's flesh; but it had slashed away his manhood, as the sickle sweeps the flowers amidst the corn.
He could never look up again. The thought of going out of this house for the first time, and the horror of confronting the altered faces of his neighbours, was as dreadful to him as the anticipation of that awful exit from the Debtor's Door, which is the last step but one into eternity, must be to the condemned criminal.
"I shall go abroad," he said to his mother, when he made his appearance in the western drawing-room, a week after Edward's departure. "I shall go on the Continent, mother; I have taken a dislike to this place, since that savage attacked me the other day."
Mrs. Marchmont sighed.
"It will seem hard to lose you, Paul, now that you are rich. You were so constant to us through all our poverty; and we might be so happy together now."
The artist was walking up and down the room, with his hands in the pockets of his braided velvet coat. He knew that in the conventional costume of a well-bred gentleman he showed to a disadvantage amongst
