My toy! Ow!" he screamed.
Fritz stopped. He looked at the child, who was very ragged and dirty and poor. The youngster's little shoes were torn.
"Here. Take it," said Fritz, handing the elephant to the youngster. "Go home, now," he added, "before that great clumsy one snatches it away from you again."
The delighted tot ran home. The bully limped away in the opposite direction. Fritz rubbed his cheek where the fellow had struck him. Then he started to go into the house.
But as he turned, he almost ran into a great burly figure, which had planted itself in his way. It was his father!
CHAPTER II
THE TOYMAKERS
Mitzi sat upon a high stool in the kitchen, nibbling a radish. Her mother was cooking. In the workshop was Fritz being scolded by his father.
Mitzi could hear the rumbling voice of the toy maker saying, "How often must I tell you to keep your hands off that violin in working hours? If you had not been fiddling today, this never would have happened!"
There was a moment's silence, and then Mitzi again heard the angry voice: "See! I take the violin away and I hide it! Now you cannot play it ever again!"
Mitzi jumped down from her stool. She nearly stepped upon Frank, who leaped into the air with his ears waving. She burst into the workshop.
"Father!" she cried. "Wait, please!"
The toy maker was holding the violin in his hands, and there were tears in Fritz's eyes.
"I asked you to stay out of here, Mitzi," said the toy maker.
"Oh, but, Father," said the little girl, "do not take the violin away. Let me have it. I'll keep it. I'll never again allow him to play it while he is working."
But still the toy maker held the violin.
Now he turned once more to Fritz and boomed, "Do you think one makes toys to be given away to every beggar on the streets? Each time I go out, something happens. Toys are ruined or given away or stolen! And all the time you must fiddle, fiddle, fiddle!"
"Yes, yes, Father, you are right," agreed clever Mitzi. "Fritz is a stupid little donkey! But now it is Mitz who will keep the violin. You can trust me, Father. Come! Let me have the violin."
She reached up her chubby hands, and slowly a smile spread over the toy maker's red face. The toy maker had a bristly mustache that made him look like a fierce walrus. But under all his fierceness he loved his children.
"Very well," he said. "Mitzi shall keep the violin. But," he shook his finger at Fritz, "if ever I find you playing upon it again when you should be working, I shall sell it!"
At these words, Fritz looked as if the toy maker had struck him. The violin had been sent to Fritz by his mother's brother in Mittenwald, a town of violin makers. It was the little boy's dearest possession.
When their father had left the room, Fritz said, "Oh, Mitz, you are so good!"
Mitzi decided that she was hungry again, so she began digging about in the cupboard.
She said, "You are a stupid little donkey! And I am not good to you. I am not!"
"Oh, Mitz!" said her brother.
"No, I am never good to you," said Mitzi. She had found a big pickle and was beginning to gnaw at it. "And never, never will I give you the violin. Never!"
"Oh, Mitz!" said Fritz again.
"Never!" repeated Mitzi. Then she added with a smile, "Unless there is no work to be done!"
Fritz laughed.
"Come! Eat a pickle," said Mitzi.
They sat together, very happy, eating pickles. Ever since Mitzi had been a small child, she had been up to tricks and full of fun. And always, always had she been hungry!
That night when the children were in bed the toy maker and his wife talked late into the night. The toy maker was worried. He was not selling his toys. Soon there would not be money enough in the house with which to buy food. He was telling his wife that they were very poor.
"I am tired of this life, anyway," said the toy maker. "I want to go away from Nuremberg. Here people buy only modern toys that are made by machines. In big towns people do not like the old-fashioned handmade toys."
"Where would we go?" asked his wife.
The toy maker replied, "We can wander from place to place. When towns are having fairs, all the country people come to buy. We can go from one fair to the other, selling our toys in the market squares."
"But how would we travel?" asked Mrs. Toymaker.
"Ah!" Her husband raised his finger mysteriously. "I have a secret."
Now, for a long time Mr. Toymaker had been thinking of a wandering life. He was clever with his hands and had been making a wagon, which he planned to use as a home for his family and himself on their wanderings. He told his wife about it now.
"We shall travel through Germany like gypsies," he said. "There is a saying that if you cut a gypsy in ten pieces you have not killed him. You have only made ten gypsies. Theirs is a healthful life."
Mrs. Toymaker thought the plan a good one. She usually agreed with her husband. In fact, there was only one question over which the toy maker and his wife really disagreed. That was the question of Fritz and his violin. Mrs. Toymaker thought it beautiful for people to make music. Mr. Toymaker did not. He thought it a waste of time.
He said, "One cannot touch tunes nor eat them nor play with them as one can with toys. No, Fritz shall make good, solid toys as I do, not silly, flimsy tunes, which nobody will pay to hear."
But still Mrs. Toymaker did not agree. She believed that sometimes people will pay for things, even if they cannot touch them. It was Mrs. Toymaker who had given Mitz and Fritz their books about German musicians.
It was Mrs. Toymaker who had said, "In our Germany some of the world's greatest composers of music were born. Many of them played cleverly when they were little boys. Perhaps – who knows? – my Fritz may grow to be a great musician."
But she did not say this to the stubborn toy maker.
CHAPTER III
GOODBYE TO NUREMBERG
The day before the toy maker and his family were to start on their journey, Mitz and Fritz went to the market place. They walked through the quaint old streets of Nuremberg where they had lived all their lives. Frank, the dog, followed at their heels.
They stood looking up at an ancient clock on an ancient church. Under the face of the clock sat the figure of Emperor Charles the Fifth.
When the clock struck twelve, a little door at the side opened. A row of toy knights came marching out, followed by seven electors. Each figure bowed stiffly to the Emperor as it sailed past. Then it disappeared into a door at the opposite side of the clock.
Every day this performance took place. Every day Nuremberg children gathered below to watch it. Fritz sighed when it was over.
"That
