Rodman the Keeper: Southern Sketches. Woolson Constance Fenimore

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up their part with low-down clouds and steady pattering on the roof. "If there was a river here, we should have a flood," thought the keeper, drumming idly on his window-pane. Memory brought back the steep New England hillsides shedding their rain into the brooks, which grew in a night to torrents and filled the rivers so that they overflowed their banks; then, suddenly, an old house in a sunken corner of a waste rose before his eyes, and he seemed to see the rain dropping from a moldy ceiling on the straw where a white face lay.

      "Really, I have nothing else to do to-day, you know," he remarked in an apologetic way to himself, as he and his umbrella went along the old road; and he repeated the remark as he entered the room where the man lay, just as he had fancied, on the damp straw.

      "The weather is unpleasant," said the man. "Pomp, bring a chair."

      Pomp brought one, the only one, and the visitor sat down. A fire smoldered on the hearth and puffed out acrid smoke now and then, as if the rain had clogged the soot in the long-neglected chimney; from the streaked ceiling oozing drops fell with a dull splash into little pools on the decayed floor; the door would not close; the broken panes were stopped with rags, as if the old servant had tried to keep out the damp; in the ashes a corn-cake was baking.

      "I am afraid you have not been so well during these long rainy days," said the keeper, scanning the face on the straw.

      "My old enemy, rheumatism," answered the man; "the first sunshine will drive it away."

      They talked awhile, or rather the keeper talked, for the other seemed hardly able to speak, as the waves of pain swept over him; then the visitor went outside and called Pomp out. "Is there any one to help him, or not?" he asked impatiently.

      "Fine fambly, befo' de war," began Pomp.

      "Never mind all that; is there any one to help him now – yes or no?"

      "No," said the old black with a burst of despairing truthfulness. "Miss Bettina, she's as poor as Mars' Ward, an' dere's no one else. He's had noth'n but hard corn-cake for three days, an' he can't swaller it no more."

      The next morning saw Ward De Rosset lying on the white pallet in the keeper's cottage, and old Pomp, marveling at the cleanliness all around him, installed as nurse. A strange asylum for a Confederate soldier, was it not? But he knew nothing of the change, which he would have fought with his last breath if consciousness had remained; returning fever, however, had absorbed his senses, and then it was that the keeper and the slave had borne him slowly across the waste, resting many times, but accomplishing the journey at last.

      That evening John Rodman, strolling to and fro in the dusky twilight, paused alongside of the other Rodman. "I do not want him here, and that is the plain truth," he said, pursuing the current of his thoughts. "He fills the house; he and Pomp together disturb all my ways. He'll be ready to fling a brick at me too, when his senses come back; small thanks shall I have for lying on the floor, giving up all my comforts, and, what is more, riding over the spirit of the place with a vengeance!" He threw himself down on the grass beside the mound and lay looking up toward the stars, which were coming out, one by one, in the deep blue of the Southern night. "With a vengeance, did I say? That is it exactly – the vengeance of kindness. The poor fellow has suffered horribly in body and in estate, and now ironical Fortune throws him in my way, as if saying, 'Let us see how far your selfishness will yield.' This is not a question of magnanimity; there is no magnanimity about it, for the war is over, and you Northerners have gained every point for which you fought. This is merely a question between man and man; it would be the same if the sufferer was a poor Federal, one of the carpet-baggers, whom you despise so, for instance, or a pagan Chinaman. And Fortune is right; don't you think so, Blank Rodman? I put it to you, now, to one who has suffered the extreme rigor of the other side – those prison-pens yonder."

      Whereupon Blank Rodman answered that he had fought for a great cause, and that he knew it, although a plain man and not given to speech-making; he was not one of those who had sat safely at home all through the war, and now belittled it and made light of its issues. (Here a murmur came up from the long line of the trenches, as though all the dead had cried out.) But now the points for which he had fought being gained, and strife ended, it was the plain duty of every man to encourage peace. For his part he bore no malice; he was glad the poor Confederate was up in the cottage, and he did not think any the less of the keeper for bringing him there. He would like to add that he thought more of him; but he was sorry to say that he was well aware what an effort it was, and how almost grudgingly the charity began.

      If Blank Rodman did not say this, at least the keeper imagined that he did. "That is what he would have said," he thought. "I am glad you do not object," he added, pretending to himself that he had not noticed the rest of the remark.

      "We do not object to the brave soldier who honestly fought for his cause, even though he fought on the other side," answered Blank Rodman for the whole fourteen thousand. "But never let a coward, a double-face, or a flippant-tongued idler walk over our heads. It would make us rise in our graves!"

      And the keeper seemed to see a shadowy pageant sweep by – gaunt soldiers with white faces, arming anew against the subtle product of peace: men who said, "It was nothing! Behold, we saw it with our eyes!" – stay-at-home eyes.

      The third day the fever abated, and Ward De Rosset noticed his surroundings. Old Pomp acknowledged that he had been moved, but veiled the locality: "To a frien's house, Mars' Ward."

      "But I have no friends now, Pomp," said the weak voice.

      Pomp was very much amused at the absurdity of this. "No frien's! Mars' Ward, no frien's!" He was obliged to go out of the room to hide his laughter. The sick man lay feebly thinking that the bed was cool and fresh, and the closed green blinds pleasant; his thin fingers stroked the linen sheet, and his eyes wandered from object to object. The only thing that broke the rule of bare utility in the simple room was a square of white drawing-paper on the wall, upon which was inscribed in ornamental text the following verse:

      "Toujours femme varie,

      Bien fou qui s'y fie;

      Une femme souvent

      N'est qu'une plume au vent."

      With the persistency of illness the eyes and mind of Ward De Rosset went over and over this distich; he knew something of French, but was unequal to the effort of translating; the rhymes alone caught his vagrant fancy. "Toujours femme varie," he said to himself over and over again; and when the keeper entered, he said it to him.

      "Certainly," answered the keeper; "bien fou qui s'y fie. How do you find yourself this morning?"

      "I have not found myself at all, so far. Is this your house?"

      "Yes."

      "Pomp told me I was in a friend's house," observed the sick man, vaguely.

      "Well, it isn't an enemy's. Had any breakfast? No? Better not talk, then."

      He went to the detached shed which served for a kitchen, upset all Pomp's clumsy arrangements, and ordered him outside; then he set to work and prepared a delicate breakfast with his best skill. The sick man eagerly eyed the tray as he entered. "Better have your hands and face sponged off, I think," said Rodman; and then he propped him up skillfully, and left him to his repast. The grass needed mowing on the parade-ground; he shouldered his scythe and started down the path, viciously kicking the gravel aside as he walked. "Wasn't solitude your principal idea, John Rodman, when you applied for this place?" he demanded of himself. "How much of it are you likely to have with sick men, and sick men's servants, and so forth?"

      The "and so forth," thrown in as a rhetorical climax, turned into reality and arrived bodily upon the scene – a climax indeed. One afternoon, returning late to the

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