bring the blight of disorder and lawlessness upon the Niquoia project and everything connected with it, he made no manner of doubt. How was he to hold a camp of several hundred men in decent subjection if the temptations and allurements of a boomers' city were to be brought in and set down within arm's reach of the work on the dam? It seemed blankly incredible that the department heads in Washington should sanction such an invasion if they knew the full meaning of it.
The "if" gave him an idea. What if the boomers were taking an unauthorized ell for their authorized inch? He had taken a telegraph pad from the desk stationery rack and was composing his message of inquiry when the door opened and Quinlan, the operator, came in with a communication fresh from the Washington wire. The message was an indirect reply to Hosford's telegraphed appeal to the higher powers. Brouillard read it, stuck it upon the file, and took a roll of blue-prints from the bottom drawer of his desk.
"Here are the drawings for your power installation, Mr. Hosford," he said, handing the roll to the man in the chair. And a little later he went out to smoke a pipe in the open air, leaving the message of inquiry unwritten.
V
Symptomatic
For some few minutes after the gray-bearded, absent-eyed old man who had been working at the mine forge had disappeared in the depths of the tunnel upon finishing his job of drill pointing, the two on the cabin porch made no attempt to resume the talk which had been broken by the blacksmithing. But when the rumbling thunder of the ore-car which the elder Massingale was pushing ahead of him into the mine had died away in the subterranean distances Brouillard began again.
"I do get your point of view – sometimes," he said. "Or perhaps it would be nearer the truth to say that I have had it now and then in times past. Civilization, or what stands for it, does have a way of shrinking into littleness, not to say cheapness, when one can get the proper perspective. And your life up here on Chigringo has given you the needful detached point of view."
The trouble shadows in the eyes of the young woman who was sitting in the fish-net hammock gave place to a smile of gentle derision.
"Do you call that civilization?" she demanded, indicating the straggling new town spreading itself, map-like, in the valley below.
"I suppose it is – one form of it. At least it is civilization in the making. Everything has to have some sort of a beginning."
Miss Massingale acquiesced in a little uptilt of her perfectly rounded chin.
"Just the same, you don't pretend to say that you are enjoying it," she said in manifest deprecation.
"Oh, I don't know. My work is down there, and a camp is a necessary factor in it. You'd say that the more civilized the surroundings become, the less need there would be for me to sit up nights to keep the lid on. That would be the reasonable conclusion, wouldn't it?"
"If you were really trying to make the fact fit the theory – which you are not – it would be a sheer, self-centred eye-shutting to all the greater things that may be involved," she continued. "Don't you ever get beyond that?"
"I did at first. When I learned a few weeks ago that the boomers had taken hold of us in earnest and that we were due to acquire a real town with all the trimmings, I was righteously hot. Apart from the added trouble a wide-open town would be likely to give us in maintaining order in the camp, it seemed so crudely unnecessary to start a pigeon-plucking match at this distance from Wall Street."
"But now," she queried – "now, I suppose, you have become reconciled?"
"I am growing more philosophical, let us say. There are just about so many pigeons to be plucked, anyway; they'd moult if they weren't plucked. And it may as well be done here as on the Stock Exchange, when you come to think of it."
"I like you least when you talk that way," said the young woman in the hammock, with open-eyed frankness. "Do you do it as other men do? – just to hear how it sounds?"
Brouillard, sitting on the top step of the porch, leaned his head against the porch post and laughed.
"You know too much – a lot too much for a person of your tender years," he asserted. "Which names one more of the charming collection of contradictions which your father or mother or somebody had the temerity to label 'Amy,' sweetest and most seraphic of diminutives."
"If you don't like my name – " she began, and then she went off at another tangent. "Please tell me why I am a 'collection of contradictions.' Tig never says anything like that to me."
"'Tig,'" said Brouillard, "'Tig' Smith. Speaking of names, I've often wondered how on earth our breezy friend of the Tri'-Circ' ever got such a handle as that."
"It's his own name – or a part of it. His father was a country preacher back in Tennessee, and I imagine he had the Smith feeling that the surname wasn't very distinctive. So he named the poor boy Tiglath-Pileser. Just the same, it is not to laugh," she went on in friendly loyalty. "Tig can't help his name, and, anyway, he's the vastest possible improvement on those old Assyrian gentlemen who were the first to wear it."
Brouillard's gaze went past the shapely little figure in the string hammock to lose itself in the far Timanyoni distances.
"You are a bundle of surprises," he said, letting the musing thought slip into speech. "What can you possibly know about the Assyrians?"
She made a funny little grimace at him. "It was 'contradictions' a moment ago and now it is 'surprises.' Which reminds me, you haven't told me why I am a 'collection.'"
"I think you know well enough," he retorted. "The first time I saw you – down at the Nick-wire ford with Tig, you remember – I tried to recall which Madonna it is that has your mouth and eyes."
"Well, did you succeed in placing the lady?"
"No. Somehow, I haven't cared to since I've come to know you. You're different – always different, and then – oh, well, comparisons are such hopelessly inadequate things, anyway," he finished lamely.
"You are not getting on very well with the 'contradictions,'" she demurred.
"Oh, I can catalogue them if you push me to it. One minute you are the Madonna lady that I can't recall, calm, reposeful, truthful, and all that, you know – so truthful that those childlike eyes of yours would make a stuttering imbecile of the man who should come to you with a lie in his mouth."
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