Nan of Music Mountain. Spearman Frank Hamilton

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with friendliness or enmity to the Morgans of Morgan’s Gap.

      The yellow-haired man riding on the left, with a red face and red-lidded, squinting eyes, was in stature something between the two Morgans, and about the age of the elder cousin. His shoulders slouched, and he showed none of the blood of his companions. But this man, David Sassoon, the Calabasas gambler, quondam cowboy, and chronic brawler, stood in some way close to the different Morgans, and was reputed to have got each of them, at different times, out of more than one troublesome affair, either by sheer force of arms, or through his resourceful cunning.

      These men were followed by a younger man riding with a very young woman. De Spain knew none of the front-rank men, but he knew well Nan Morgan and her dancing partner.

      They were talking together, and Nan seemed from her manner at odds with her companion. He appeared to be trying to laugh the situation off when he caught sight of de Spain pausing for them to pass. Gale’s face lighted as he set eyes on him, and he spoke quickly to Nan. De Spain could not at first hear his words, but he needed no ears to interpret his laugh and the expression on his face. Nan, persistently importuned, looked around. She saw de Spain, much closer, it would seem, than she had expected to see a man looking directly at her, and her eyes rested on him only a moment. The substance of her cousin’s words she apparently had not caught, and he repeated them in a louder voice: “There’s your handsome Medicine Bend gunman!”

      Nan, glancing again toward de Spain, seemed aware that he heard. She looked away. De Spain tightened up with a rage. The blood rushed to his face, the sarcasm struck in. If the birthmark could have deepened with humiliation it would have done so at the instant of the cold inspection of the girl’s pretty eyes. But he cared less for Nan’s inspection, cold as it was, than for the jibe of her satisfied cousin. Not content, Gale, calling ahead to the others, invited their attention to the man on the street corner. De Spain felt minded to hurl an insult at them in a body. It would have been four to one–rather awkward odds even if they were mounted–and there was a woman. But he only stood still, returning their inspection as insolently as silence could. Each face was faithfully photographed and filed in his memory, and his steady gaze followed them until they rode down the hill and clattered jauntily out on the swaying suspension bridge that still crosses the Rat River at Grant Street, and connects the whole south country–the Spanish Sinks, the Thief River gold-fields, the saw-toothed Superstition Range, Morgan’s Gap, and Music Mountain with Sleepy Cat and the railroad.

      De Spain, walking down Grant Street, watched the party disappear among the hills across the river. The encounter had stirred him. He already hated the Morgans, at least all except the blue-eyed girl, and she, it was not difficult to divine from her expression, was, at least, disdainful of her morning rival.

      Reaching the station platform while still busy with his thoughts, de Spain encountered Jeffries and Lefever.

      “When are you coming up to take my job, Henry?” demanded the superintendent without any parley.

      “I am not coming up,” announced de Spain bluntly.

      “Not coming up, eh? All right, we’ll find somebody that will come up,” retorted Jeffries. “John,” he added, “wire Medicine Bend to send Farrell Kennedy here in the morning to see me.”

      “What’s the reason that fellow sticks so close to Medicine Bend?” demanded Jeffries, when Lefever joined him later in his office.

      “Don’t ask me,” frowned Lefever perplexed. “Don’t ask me. Henry is odd in some ways. You can’t tell what’s going on inside that fellow’s head by looking at the outside of it.” Jeffries grunted coldly at this bit of wisdom. “I’ll tell you what I should think–if I had to think: Henry de Spain has never found out rightly who was responsible for the death of his father. He expects to do it, sometime; and he thinks sometime he’s going to find out right there in Medicine Bend.”

      While they were talking the train was pulling out for Medicine Bend with de Spain on board.

      It was a tedious ride, and de Spain was much too engaged with his thoughts to sleep. The Morgans were in his head, and he could not be rid of them. He recalled having been told that long ago some of these same Morgans lived on the Peace River above his father’s ranch. Every story he had ever heard of their wild lives, for they were men sudden in quarrel and reckless of sequel, came back to his mind. He wondered what sort of a young girl this could be who lived among them–who could live among them–and be what she seemed at a glance to be–a fawn among mountain-wolves.

      It was late when he reached Medicine Bend, and raining–a dismal kind of a night. Instead of going to his room, just across the street from the station, he went up-stairs and sat down with the train-despatchers. After an hour of indecision, marked by alternative fits of making up and unmaking his mind, he went, instead of going to bed, into the telegraph-room, where black-haired Dick Grady sat at a key.

      “How about the fight to-night at Sleepy Cat?” Grady asked at once.

      “What fight?” demanded de Spain perfunctorily.

      “The Calabasas gang got to going again up there to-night. They say one of the Morgans was in it. Some town, that Sleepy Cat, eh, Henry?”

      “What Morgan was in it?”

      “Gale Morgan. A lot of stuff came in on it an hour ago. Was there anything started when you left?”

      “I didn’t hear of anything,” responded de Spain. But his indifference to the subject was marked.

      “What’s the matter?” demanded the operator. “Aren’t you well to-night?”

      “Perfectly.”

      “Sleepy?”

      De Spain roused himself. “Dick, have you got a Sleepy Cat wire open?”

      “What do you want?”

      “Tell Jeffries I’ll take that Thief River stage job.”

      CHAPTER III

      THE SPANISH SINKS

      From a car window at Sleepy Cat may be seen, stretching far down into the southwest a chain of towering peaks, usually snow-clad, that dominate the desert in every direction for almost a hundred miles. In two extended groups, separated by a narrow but well-defined break, they constitute a magnificent rampart, named by Spaniards the Superstition Mountains, and they stretch beyond the horizon to the south, along the vast depression known locally as the Spanish Sinks. The break on the eastern side of the chain comes about twenty miles southwest of Sleepy Cat, and is marked on the north by the most striking, and in some respects most majestic peak in the range–Music Mountain; the break itself has taken the name of its earliest white settlers, and is called Morgan’s Gap. No railroad has ever yet penetrated this southern country, despite the fact that rich mines have been opened along these mountains, and are still being opened; but it lies to-day in much of the condition of primitive savagery, and lawlessness, as the word is conventionally accepted, that obtained when the first rush was made for the Thief River gold-fields.

      It is not to be understood that law is an unknown equation between Calabasas and Thief River, or even between Calabasas and Sleepy Cat. But as statute law it suffers so many infractions as to be hardly recognizable in the ordinary sense. Business is done in this country; but business must halt everywhere with its means of communication, and in the Music Mountain country it still rests on the facilities of a stage line. The stage line is a big and vigorous affair, a perfectly organized railroad adjunct with the best horses, the best wagons, the best freighting outfits that money can supply.

      But

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