Merkland: or, Self Sacrifice. Oliphant Margaret

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but now, within hearing of the sounds of pleasure and rejoicing, his heart again sank within him. There was no place for him – homeless and hopeless, there. As he listened, a simple voice began to sing – words chiming strangely in with his changed fortunes.

      “Like autumn leaves upon the forest ways,

      The gentle hours fall soft, the brightest days

      Fade from our sight.

      A dimness steals upon the earth and heaven,

      Blended of gloom and light;

      Shuts its soft eyelid o’er day’s azure levin,

      And shades with its soft tints the glories of sweet even

      To sober-toned night.

      “From his deep cradle the woods among

      His russet robes waving free,

      The Oran with his kindly tongue,

      Is travelling to the sea.

      He rushes to the ocean old,

      In sparkling wave and foam,

      And out into that trackless wold

      Bears the kind voice of home.

      Wayfaring man, far, on the sea

      Listen how he calls to thee!

      “Warm household lights are shining out

      His rugged channel o’er.

      Ill plants of malice, and guile, and doubts

      Ne’er blossom on his shore.

      There is Peace in her matron’s gown and hood.

      Her footsteps never roam,

      And Hope is in pleasant neighborhood

      And strength is strongest at home

      Thy foot is weary, thy cheek is wan,

      Come to thy kindred, wayfaring man

      “Oran’s ringing voice he hears,

      The great sea waves among,

      To yon far shore the ripple bears

      The Oran’s kindly tongue.

      Yet he labors on, and travels far,

      For years of toil must glide,

      Before he sees the even star

      Rise calm on Oranside.

      Speed thy labor o’er land and sea,

      Home and kindred are waiting for thee!

      “The gentle hours fall soft, the brightest days,

      Like autumn leaves upon the forest ways,

      Fade from our sight.

      And night and day he labors as he can,

      Far from home’s kindly light.

      His foot is weary, and his cheek is wan,

      Ah! pray, young hearts, for the sad wayfaring man

      Laboring this night.”

      The air was very simple beginning and ending in a low pathetic strain, and with a quicker measure for the intervening verses – but the music was but a soft chiming breath, bearing along the words. Archibald Sutherland leaned his head upon his hands, the burden floating dizzily through his mind. Alas! for him, beginning his wayfaring so painfully, neither home nor kindred waited. He heard a step approach – a hand gently open the door of communication, and raised his head, a sad calmness possessing him. – Among the gay hearts, divided from him only by that wall, there might be some one, whose prayer of gentle pity, would indeed rise for the wayfaring man.

      CHAPTER IX

      ANNE Ross was seated near Mrs. Catherine’s piano when Alice Aytoun took her place at it timidly, and placing a sheet of manuscript music before her, began her song. Anne started in tremulous wonder as it commenced. Most strange to hear these words repeated by a living voice at all – stranger still that they should fall from Alice Aytoun’s. With breathless interest she listened as the lines flowed on. The wayfaring man in toil, and danger, and sorrow, hearing in the ripple of the great sea, far away in some strange country, the kindly call of the Oran to home and kindred. Her cheeks grew pale – her lips quivered. How could this be twined into Norman’s history? – or was Alice unconsciously murmuring out the low, sad prayer of its conclusion for her father’s murderer?

      The tears were swelling in Anne’s eyes as the song concluded; and Ralph Falconer who stood near had addressed to her some sneering compliment on her sensibility, when Jacky stole behind her chair, and whispered something in her ear. Anne recollected herself instantly, and, approaching Mrs. Catherine, communicated to her Jacky’s intelligence. Mrs. Catherine started – rose from her seat – wavered a moment, and then restraining her emotions, sat resolutely down again.

      “See, Anne, there is the key of the little room. Take the dyvour there – I will come myself when I can. Tell him that – .” Anne turned to obey. “And, child, – bid Euphan Morison have a good fire kindled in the red room, and tell Andrew he is to hold himself ready to wait on Mr. Archibald – and, child – be kindly to the unhappy youth. It behoves me to be stern myself, but there is no such bondage upon you.”

      When Archibald Sutherland lifted his head it was Anne Ross who stood before him, her eyes shining wet, her face full of sympathetic sorrow. She held out her hand, and advanced towards him.

      “Mr. Sutherland – Archibald.”

      “Anne!” said the broken man. They shook hands; there needed no more speech; perfect and cordial sympathy, of no exaggerated sort, but such as does sometimes, and should always subsist between those who have passed childhood and early youth together, was between them in a moment. There was no story told – no compassion claimed; but, in the pressure of Anne’s hand, and the subdued kindness of her look, the full heart felt itself eased, and leaned upon the unexpressed sympathy as with the confidence of nearest kindred. There were no words; but Anne knew how Archibald’s spirit was wading like the moon in clouds and darkness; and Archibald felt that Anne, in the confidence of ancient kindness, was ready to hope and believe all things for his final deliverance and welfare.

      “You will not go in,” said Anne, gently. “There is a large party, and some strangers.”

      “No – no,” said Archibald. “I regret now that I came at all to-night. I would be a strange spectre, disturbing your merrymaking, Anne.”

      “Merrymaking! With some of us, at least, there is not much of that,” said Anne. “Lewis is home, Archibald; you must see him. But now will you come with me to the little room? Mrs. Catherine will come herself immediately.”

      “To the little room?”

      “Yes; the house is full, and all the other apartments are occupied,” said Anne; “that is all. Mrs. Catherine has been looking for you, Archibald.”

      They left the room together, and, to the great wonder of the congregated listeners in the hall, descended the stair, and turned through a dark passage to Mrs. Catherine’s place of especial retirement – the little room. Archibald entered, and Anne, leaving him, hastened to Mrs. Euphan Morison’s apartment, to convey to her Mrs. Catherine’s orders, in immediate execution of which a reluctant maid was hurried up stairs.

      And Archibald Sutherland seated himself alone, fearing the interview which Mrs. Catherine made still more important and solemn by ordaining that it should take place there. The firm, dark face of Sholto Douglas looked down upon him from the wall, and fascinated his restless eyes. There seemed a lofty purity of reproof in those fine lineaments, over which the pallor of death had fallen, before Mrs. Catherine’s only brother had told out an equal

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