The Curate in Charge. Oliphant Margaret
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At this moment Cicely burst in again breathless, her hair streaming behind her, her dress catching in the door, which she slammed after her. “Look here!” she cried; “look here, before you say Mab has no talent!” and she tossed down on the table the square blue-lined book, which her sister by this time had almost filled. She stood before them glowing and defiant, with flashing eyes and flowing hair; then she recollected some guilty recent pages, and quailed, putting out her hand for the book again. “Please it is only the beginning, not the end, you are to look at,” she said, peremptory yet appealing. Had Miss Blandy alone been in the seat of judgment, she would, I fear, have paid but little attention to this appeal; but the old drawing-master was gentle and kind, as old professors of the arts so often are (for Art is Humanity, I think, almost oftener than letters), and besides, the young petitioner was very pretty in her generous enthusiasm, which affected him both as a man and an artist. The first page at once gave him a guess as to the inexpediency of examining the last; and the old man perceived in a moment at once the mistake he had made, and the cause of it. He turned over the first few pages, chuckling amused approbation. “So these are your sister’s,” he said, and laughed and nodded his kind old head. When he came to a sketch of Hannah, the maid-of-all-work at the rectory, the humour of which might seem more permissible in Miss Blandy’s eyes than the caricatures of ladies and gentlemen, he showed it to her; and even Miss Blandy, though meditating downright slaughter upon Cicely, could not restrain a smile. “Is this really Mabel’s?” she condescended to ask. “As you say, Mr. Lake, not at all bad; much better than I could have thought.”
“Better? it is capital!” said the drawing-master; and then he shut up the book close, and put it back in Cicely’s hands. “I see there are private scribblings in it,” he said, with a significant look; “take it back, my dear. I will speak to Miss Mabel to-morrow. And now, Miss Blandy, we will finish our business, if you please,” he said benevolently, to leave time for Cicely and her dangerous volume to escape. Miss Blandy was vanquished by this stratagem, and Cicely, beginning to tremble at the thought of the danger she had escaped, withdrew very demurely, having first piled up on the table the books she had thrown down in her impetuosity. I may add at once that she did not escape without an address, in which withering irony alternated with solemn appeal to her best feelings, and which drew many hot tears from poor Cicely’s eyes, but otherwise so far as I am aware did her no harm.
Thus Mab’s gifts found acknowledgment at Miss Blandy’s. The old drawing-master shook his fine flexible old artist hand at her. “You take us all off, young lady,” he said; “you spare no one; but it is so clever that I forgive you; and by way of punishment you must work hard, now I know what you can do. And don’t show that book of yours to anybody but me. Miss Blandy would not take it so well as I do.”
“Oh, dear Mr. Lake, forgive me,” said Mab, smitten with compunction; “I will never do it again!”
“Never, till the next time,” he said, shaking his head; “but, anyhow, keep it to yourself, for it is a dangerous gift.”
And from that day he put her on “the figure” and “the round” – studies, in which Mab at first showed little more proficiency than she had done in the humbler sphere of landscape; for having leapt all at once into the exercise of something that felt like original art, this young lady did not care to go back to the elements. However, what with the force of school discipline, and some glimmerings of good sense in her own juvenile bosom, she was kept to it, and soon found the ground steady under her feet once more, and made rapid progress. By the time they had been three years at school, she was so proficient, that Mr. Lake, on retiring, after a hard-worked life, to well-earned leisure, recommended her as his successor. So that by seventeen, a year before Mrs. St. John’s death, Mab had released Miss Maydew and her father from all responsibility on her account. Cicely was not so clever; but she, too, had begun to help Miss Blandy in preference to returning to the rectory and being separated from her sister. Vague teaching of “English” and music is not so profitable as an unmistakable and distinct art like drawing; but it was better than setting out upon a strange world alone, or going back to be a useless inmate of the rectory. As teachers the girls were both worse off and better off than as pupils. They were worse off because it is a descent in the social scale to come down from the level of those who pay to be taught, to the level of those who are paid for teaching – curious though the paradox seems to be; and they were better off, in so far as they were free from some of the restrictions of school, and had a kind of independent standing. They were allowed to keep their large attic, the bare walls of which were now half covered by Mab’s drawings, and which Cicely’s instinctive art of household management made to look more cheery and homelike than any other room in the house. They were snubbed sometimes by “parents,” who thought the manners of these Miss St. Johns too easy and familiar, as if they were on an equality with their pupils; and by Miss Blandy, who considered them much too independent in their ways; and now and then had mortifications to bear which are not pleasant to girls. But there were two of them, which was a great matter; and in the continual conversation which they carried on about everything, they consoled each other. No doubt it was hard sometimes to hear music sounding from the open windows of the great house in the square, where their old schoolfellow, Miss Robinson, had come to live, and to see the carriages arriving, and all the glory of the ball-dresses, of which the two young governesses got a glimpse as they went out for a stroll on the beach in the summer twilight, an indulgence which Miss Blandy disapproved of.
“Now, why should people be so different?” Cicely said, moralizing; “why should we have so little, and Alice Robinson so much? It don’t seem fair.”
“And we are not even prettier than she is, or gooder – which we ought to be, if there is any truth in compensation,” said Mab, with a laugh.
“Or happier,” said Cicely, with a sigh. “She has the upper hand of us in everything, and no balance on the other side to make up for it. Stay, though; she has very droll people for father and mother, and we have a very fine gentleman for our papa.”
“Poor papa!” said Mab. They interchanged moods with each other every ten minutes, and were never monotonous, or for a long time the same.
“You may say why should people be so different,” said Cicely, forgetting that it was herself who said it. “There is papa, now; he is delightful, but he is trying. When one thinks how altered everything is – and those two little babies. But yet, you know, we ought to ask ourselves, ‘Were we happier at home, or are we happier here?’”
“We have more variety here,” said Mab decisively; “there is the sea, for one thing; there we had only the garden.”
“You forget the common; it was as nice as any sea, and never drowned people, or did anything dangerous; and the forest, and the sunset.”
“There are sunsets here,” said Mab, – “very fine ones. We are not forgotten by the people who manage these things up above. And there is plenty of work; and the girls are amusing, and so are the parents.”
“We should have had plenty of work at home,” said Cicely; and then the point being carried as far as was necessary the discussion suddenly stopped. They were walking along the sands, almost entirely alone. Only here and there another group would pass them, or a solitary figure, chiefly tradespeople, taking their evening stroll. The fresh sea-breeze blew in their young faces, the soft dusk closed down over the blue water, which beat upon the shore at their feet in the softest whispering cadence. The air was all musical, thrilled softly by this hush of subdued sound. It put away the sound of the band at Miss Robinson’s ball out of the girls’ hearts. And yet balls are pleasant things at eighteen, and when two young creatures, quite deprived of such pleasures, turn their backs thus upon the enchanted place where the others are dancing, it would be strange if a touch of forlorn sentiment did not make itself felt in their hearts, though the soft falling of the dusk, and the hush of the great sea, and the salt air in their faces, gave them a pleasure, had they