it.
Then she told me why. Babe is very unfortunate in her family life, having a stepfather which complicates matters. All her brothers and sisters are either steps or halves. She has no whole ones. And they are all socialists in a way, believing in a community of interests, such as wearing each other's clothes without asking, and using each other's things. Right while Babe was talking to me she had on one of her half-brother Jim's outing shirts, turned in V at the neck instead of her own middy blouse, because Viola had walked off with her last clean one.
With everybody free to root through her bureau drawers, and with no locks in the house that work, of course she has absolutely no privacy, and she had several letters that she wouldn't have the family read for worlds. They were too sacred, and she couldn't bear to destroy them, for they breathed devotion in every line, and were her first of the kind. She thought of burying them under the garden hedge, but that would have necessitated digging them up every time she wanted to re-read them, and there was danger of the puppy trailing her and unearthing them if she went too often to that hallowed spot.
One night just before she and Viola went to Yarmouth for a visit, she found, quite by accident, that the brass balls on her bedposts were screwed on and were hollow. So she folded the letters up small and stuffed them into one, with a dried rose and a broken cuff-link that had associations, and screwed it back tight.
What was her horror when she came home two weeks later to find that her mother had had the room done over in their absence as a surprise for her and Viola. She had bought twin beds of bird's-eye maple and given one old bed to a Salvation Army man who was going through town collecting junk, and sent the other to a camp up in the White Mountains where her mother's people go every year. She didn't know which went where.
Now there's no telling how, when or where those letters will next see the light of day. It was bad enough to lose the letters, but Babe says she'll simply die if they fall into her Aunt Mattie's hands. She's the prim, cold kind who makes you feel that anything sentimental should never be mentioned. It's something to be ashamed of. Tippy's that kind.
I have written all this out not because it's important in itself, but because it's a link in a chain. If I hadn't happened to meet Babe and go with her to hunt for that bedstead, I wouldn't have been at the auction when my ideal girl came along, or when Richard drove by and I hailed him to borrow a quarter, and he stopped and saw her. What she said and what he said, and what happened afterward was like a game of "Consequences."
All sorts of stuff lay around on the grass – dishes and bed-slats and odd andirons. There was a beaded mat and a glass case of wax flowers, and a motto, "The Lord is my Shepherd," cross-stitched in pink and gray worsted, sitting right out on the grass. Babe said probably it was the work of hands long dead and gone, and didn't it seem sad that they should come to this end? But the tide was in and she'd have to go. She might have known she'd not find that bedstead. Would I walk up to the beach with her?
But I told her no, I'd just rummage around awhile longer to see what else there was for sale. Maybe I could get some "local color" that way. Babe knows about my writing. She is one of the girls I read my novel to, and she respects my talent. So she left me. I did get some local color by staying, and took out my pencil and pad, which I always carry around in my knitting bag, and made a note of it.
An old-fashioned hoop-skirt was thrown across a rose-bush, and a black silk bonnet lay under it, beside a pair of worn shoes. Both the bonnet and the shoes had what Tippy calls a "genteel" air, and made me think they must have belonged to a prim maiden lady with proud nose and slender feet, probably called "Miss Althea." The name came to me like an inspiration, I could almost see her standing by the rose-bush.
Just then some boys, who were wrestling around, bumping into everything, upset a barrel on the grass, and a great pile of framed photographs came rolling out. Some of them were comical enough for a Sunday supplement, women in tight basques and little saucer hats, and men with whiskers – beards or perfectly ridiculous bushy "burnsides." A crowd of summer people began making joking remarks about them to set each other to laughing.
But there was one in an oval walnut frame that I couldn't bear to have them make fun of, the photograph of a lady with a little boy leaning against her shoulder. She had a strong, kind face, with such steadfast eyes looking straight at you, that you just knew everybody went to her with their troubles. The boy was a dear little fellow, serious as a judge, with his hair brushed in a long roll on the top of his head in one of those old-fashioned coxcomb curls.
One of the girls from the hotel picked it up and began declaiming a verse from "Somebody's Darling," that's in one of our school readers.
"Kiss him once for somebody's sake.
One bright curl from its fair mates take —
They were somebody's pride you know."
It came over me in a great wave how I would feel if it were Barby's picture thrown out that way for strangers to ridicule and step on, or the one I've always loved of Father, when he was a little boy, hugging his white rabbit. I felt that I simply must save it from further desecration. The only way was to buy it. The man said I could have any frame in the barrel, picture thrown in free, for twenty-five cents, without waiting for it to be put up at auction. They were in a hurry to get through. I told him I'd take it, then I discovered I hadn't a penny left in my knitting bag. I'd spent my last one on the way down, treating Babe to a soda water.
It was right while I was standing there with the frame in my hands, uncertain whether to go to the bakery and borrow a quarter or ask the man if he'd take my note for it till next day, that Judith Gilfred came into the yard with a girl I'd never seen before. I knew at a glance that it must be the cousin she'd been expecting from the South. She's talked about her for a month, and said such gushing things that I was prepared to see quite a pretty girl, but not the most beautiful one I had ever seen in my life. That's what she is, and also my ideal of all that is gracious and lovely and sweet.
She's a blonde with the most exquisite hair, the color of amber or honey, with little gold crinkles in it. And her eyes – well, they make you think of clear blue sapphires. I loved her from the moment Judith introduced us. Loved her smile, the way it lights up her face, and her voice, soft and slow, blurring her r's the way Barby does. From her little white-slippered feet to the jewelled vanity box on a slender chain around her neck, she looks exactly as I'd choose to look if I could make myself over. Her name is Esther Gilfred.
Judith must have told her as much about me as me about her, for she was so cordial and dear. Judith has been my most intimate friend ever since I started to school. Esther was so interested in the auction. One of her greatest charms I think is her enthusiasm for whatever you happen to be interested in. She made the picture I was carrying around seem doubly desirable, just by saying in that indescribably charming way of hers that antique frames are quite the rage now. There is such a fad for them in her town.
We must have spent more than half an hour poking around among all the queer old things being auctioned off, when I heard the honk of an automobile horn, which I recognized as Richard's. He was signaling me. He had slowed down as he came opposite the place, to see why such a crowd was gathered in there, and, as he did so, caught sight of us.
He stopped when I waved to him, and I ran out and asked him to loan me a quarter. As he fished one out of his pocket, he told me he'd take me home if I was ready to go.
So I ran back to pay for the frame, and ask the girls what time they'd be ready to go rowing next morning. While Judith was answering, Esther laid her hand on my arm in her enthusiastic way and exclaimed in a low tone, "Who is that young Apollo you spoke to? He has the most gorgeous dark eyes I ever saw, and the shoulders of an athlete. He's simply stunning!"
On the way home I told Richard what Esther said about him. He looked so pleased and conscious,
