Joan Thursday: A Novel. Vance Louis Joseph
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"No reason!" she echoed, wondering if she had misjudged him after all.
Without warning the man tilted the green lamp-shade until a broad, strong glow flooded her face. A spark of indignation kindled in the girl while she endured his brief, impersonal, silent examination. Sheer fatigue alone prevented her from rising and walking out of the room – that, and curiosity.
He replaced the shade, and got out of the chair with a swift movement that seemed not at all one of haste.
"I see no reason," he announced coolly. "I've got to run along now – I merely dropped in to get a manuscript. I think you'll be quite comfortable here – and there's a good bolt on the door. Of course, it's very unconventional, but I hope you'll be kind enough to overlook that, considering the circumstances. And tomorrow, after a good rest, you can make up your mind whether it would be wiser to stick to your first plan or – go home."
He smiled with a vague, disinterested geniality, and added a pleading "Now don't say no!" when he saw that the girl had likewise risen.
"How do you know I've left home?" she demanded hotly.
"Well" – his smile broadened – "deductive faculty – Sherlock Holmes – Dupin – that sort of tommyrot, you know. But it wasn't such a bad guess – now was it?"
"I don't see how you knew," she muttered sulkily.
He ran his long fingers once or twice through his hair in a manner of great perplexity.
"I can't quite tell, myself."
"It wasn't my fault," she protested with a flash of passion. "I lost my job today, and because I said I wanted to go on the stage, my father put me out of the house."
"Yes," he agreed amiably; "they always do – don't they? I fancied it was something like that. But there isn't really any reason why you shouldn't go home tomorrow and patch it up – or is there?"
She gulped convulsively: "You don't understand – "
"Probably I don't," he conceded. "Still, things may look very much otherwise in the morning. They generally do, I notice. One goes to bed with reluctance and wakes up with a headache. All that sort of thing… But if you'll listen to me a moment – why, then if you want to go, I shan't detain you… My name is John Matthias. My trade is writing things – plays, mostly: I know it sounds foolish, but then I hate exercise. I live – sleep, that is – ah – elsewhere – down the street. This is merely my work-room. So your stopping here won't inconvenience me in the least…"
He snatched up a mass of papers from the table, folded them hastily and thrust them into a coat pocket.
"That manuscript I was after. Good night. I do hope you'll be comfortable."
Before the amazed girl could collect herself, he had his hat and handbag and was already in the hallway.
She ran after him.
"But, Mr. Matthias – "
He glanced hastily over his shoulder while fumbling with the night-latch.
"I can't let you – "
"Oh, but you must – really, you know."
He had the door open.
"But why do you – how can you trust me with all your things?"
"Tut!" he said reprovingly from the vestibule – "nothing there but play 'scripts, and they're not worth anything. You can't get anybody to produce 'em. I know, because I've tried."
He closed the inner door and banged the outer behind him.
Joan, on the point of pursuing to the street, paused in the vestibule, and for a moment stood doubting. Then, with a bewildered look, she returned slowly to the back room, shut herself in, and shot the bolt…
On the platform of the stoop, Mr. Matthias delayed long enough to turn up his coat-collar for the better protection of his linen, and surveyed with a wry grin the slashing rush of rain through which he now must needs paddle unprotected.
"Queer thing for a fellow to do," he mused dispassionately…
"Daresay I am a bit of an ass… I might at least have borrowed my own umbrella… But that would hardly have been consistent with the egregious insanity of the performance…
"I wonder why I do these awful things?.. If I only knew, perhaps I could reform…"
Running down the steps, he set out at a rapid pace for the Hotel Astor; which in due time received and harboured him for the night.
V
Awakening at a late hour in a small bedroom bright with sunlight, Mr. Matthias treated himself to a moment of incredulity. Such surroundings were strange to his drowsy perceptions, and his transitory emotions on finding himself so curiously embedded might be most aptly and tersely summed up in the exclamation of the old lady in the nursery rhyme: "Lack-a-mercy, can this be I?"
Being, however, susceptible to a conviction of singular strength that he was himself and none other; and by dint of sheer will-power overcoming a tremendous disinclination to do anything but lie still and feel perfectly healthy, sound, and at peace with the world: he induced himself to roll over and fish for his watch in the pocket of the coat hanging on a nearby chair.
The hour proved to be half-past ten.
He fancied that he must have been uncommonly tired to have slept so late.
Then he remembered.
"One doesn't need to get drunk to be daft," was the conclusion he enunciated to his loneliness.
"I hope to goodness she doesn't go poking through my papers!"
The perturbation to which this thought gave rise got him out of bed more promptly than would otherwise have been the case. None the less he forgot it entirely in another moment, and had bathed and dressed and was knotting his tie before a mirror when the memory of the girl again flitted darkly athwart the glass of his consciousness.
"Wonder what it was that made me turn myself out of house and home for the sake of that girl, anyway? Something about her…"
But try as he might he could recall no definite details of her personality. She remained a shadow – a hunted, tearful, desperate wraith of girlhood: more than that, nothing.
He wagged his head seriously.
"Something about her!.. Must've been good-looking … or something…"
With which he drifted off into an inconsequent and irrelevant reverie which entertained him exclusively throughout breakfast and his brief homeward walk: in his magnificent, pantoscopic, protean imagination he was busily engaged in writing the first act of a splendid new play – something exquisitely odd, original, witty, and dramatic.
A vague smile touched the corners of his mouth; his eyes were hazily lustrous; his nose was in the air. He had forgotten his guest entirely. He ran up the steps of Number 289, let himself in, trotted down the hall and burst unceremoniously into