"These old trees are to me so sacred! When I walk under their great branches I always think of the dove bringing the leaf to the ark, of the olive boughs of the entry into Jerusalem, and of the Mount of Olives."
The Professor: "Olives are interesting because their manner of growth allows them to attain an almost indefinite age. The trunk decays and splits, but the bark, which still retains its vigor, grows around the dissevered portions, making, as it were, new trunks of them, although curved and distorted, so that three or four trees seem to be growing from the same root. It is this which gives the tree its characteristic knotted and gnarled appearance. This species of olive attains a very fine development in the neighborhood of Mentone; there are said to be trees still alive at Cap Martin which were coeval with the Roman Empire."
Verney: "The light in an old olive grove is beautiful and peculiar; it is like nothing but itself. It is quite impossible to give on canvas the gray shade of the long aisles without making them dim, and they are not in the least dim. I have noticed, too, that the sunshine never filters through sufficiently to touch the ground in a glancing beam, or even a single point of yellow light; and yet the leaves are small, and the foliage does not appear thick."
Baker: "Olives and olive oil, the groundwork of every good dinner! I wonder how much a grove would cost?"
Mrs. Trescott: "How they murmur to us – like doves! My one regret now is that I did not name my child Olive. She would then have been so Biblical."
Inness: "I should think more of the groves if I did not know that they were fertilized with woollen rags, old boots, and bones."
Janet: "The inside tint of the leaves would be lovely for a summer costume. I have never had just that shade."
Miss Graves: "Live-oak groves draped in long moss are much more imposing."
Miss Elaine: "It is so jolly, you know, to sit under the trees with one's embroidery, and have some one read aloud – something sweet, like Adelaide Procter."
Margaret: "Sitting here is like being in a great cathedral in Lent."
Lloyd: "Shall we go quietly on, Miss Severin?"
And Lloyd, I think, had the best of it. I mean that he knew how to derive the most pleasure from the groves. This English use of "quietly," by-the-way, always amused Margaret and myself greatly. Lloyd and Verney were constantly suggesting that we should go here or there "quietly," as though otherwise we should be likely to go with banners, trumpets, and drums. The longer one remains in Mentone, the stronger grows attachment to the olive groves. But they do not seem fit places for the young, whose gay voices resound through their gray aisles; neither are they for the old, who need the cheer and warmth of the sun. But they are for the middle-aged, those who are beyond the joys and have not yet reached the peace of life, the poor, unremembered, hard-worked middle-aged. The olives of Mentone are small, and used only for making oil. We saw them gathered: men were beating the boughs with long poles, while old women and children collected the dark purple berries and placed them in sacks, which the patient donkeys bore to the mill. The oil mills are venerable and picturesque little buildings of stone, placed in the ravines where there is a stream of water. We visited one on the side hill; its only light came from the open door, and its interior made a picture which Gerard Douw might well have painted. The great oil jars, the old hearth and oven, the earthen jugs, hanging lamps with floating wicks, and the figures of the men moving about, made a picturesque scene. The fruit was first crushed by stone rollers, the wheel being turned by water-power; the pulp, saturated with warm water, was then placed in flat, round rope baskets, which were piled one upon the other, and the whole subjected to strong pressure, which caused the clear yellow oil to exude through the meshes of the baskets, and flow down into the little reservoir below.
"Our manners would become charmingly suave if we lived here long," said Inness. "It would be impossible to resist the influence of so much oil."
The lemon terraces were as unlike the olive groves as a gay love song is unlike a Gregorian chant. The trees rose brightly and youthfully from the grassy hill-side steps, each leaf shining as though it was varnished, and the yellow globes of fruit gleaming like so much imprisoned sunshine. Here was no shade, no weird grayness, but everything was either vivid gold or vivid green. Janet said this.
"I am the latter, I think," said Baker, "to be caught here again on these terraces. I don't know what your experience has been, but for my part I detest them; I have been lost here again and again. You get into them and you think it all very easy, and you keep going on and on. You climb hopefully from one to the next by those narrow sidling little stone steps, only to find it the exact counterpart of the one you have left, with still another beyond. And you keep on plunging up and up until you are worn out. At last you meet a man, and you ask him something or other beginning with 'Purtorn' – "
"What in the world do you mean?" said Janet, breaking into laughter.
"I am sure I don't know; but that is what you all say."
"Perhaps you mean 'Peut-on,'" suggested Margaret.
"Well, whatever I mean, the man always answers 'Oui,' and so I am no better off than I was before, but keep plunging on," said Baker, ruefully.
But the Professor now opened a more instructive subject. "Lemons are the most important product of Mentone," he began. "As they can be kept better than those of Naples and Sicily, they command a large price. The tree flowers all the year through, and the fruit is gathered at four different periods. The annual production of lemons at Mentone is about thirty millions."
"Thirty millions of lemons!" I said, appalled. "What an acid idea!"
"The idea may be acid, but the air is not," said Margaret. "It is singularly delicious, almost intoxicating."
And in truth there was a subtle fragrance which had an influence upon me, although no doubt it had much more upon Margaret, who was peculiarly sensitive to perfumes.
"Have you heard the legend of the Mentone lemons?" said Verney.
"No; what is it? We should be very pleased to hear it," said Miss Elaine, throwing herself down upon the grass in what she considered a rural way. She was bestowing her smiles upon Verney that day; she had mentioned to me on the way up the hill that she did not approve of giving too much of one's attention "to one especial gentleman exclusively" – it was so "conspicuous." I was smiling inwardly at this, since the only "conspicuous" person among us, as far as attention to "the gentlemen" was concerned, was Miss Elaine herself, when I caught her glance directed towards Margaret and Lloyd. This set me to thinking. Could she be referring to them? They had been much together, without doubt, for Margaret liked him, and he was very kind to her. My poor Margaret, she was very precious, to me; but to others she was only a pale, careworn woman, silent, quiet, and no longer young. With the remembrance of Miss Elaine's words in my mind, I now looked around for Margaret as we sat down on the grass to hear Verney's legend; but she had strolled off down the long green and gold aisle with Lloyd.
"Miss Severin is so well informed that she does not care for our simple little amusements," said Miss Elaine, in her artless way.
"Once upon a time, as we all know," began Verney, "Adam and Eve were banished from the garden of Paradise. Poor Eve, sobbing, put up her hand just before passing through the gate and plucked a lemon from the last tree beside the angel. The two then wandered through the world together, wandered far and wide, and at last, following the shores of the Mediterranean, they came to Mentone. Here the sea was so blue, the sunshine so bright, and the sky so cloudless, that Eve planted her treasured fruit. 'Go, little seed,' she said; 'grow and prosper. Make another Eden of this enchanting spot, so that those who come after may know at least something of the tastes and the perfumes of Paradise.'"
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