wrist, —Pink as dawn-tinted mist.
And paw-paw buds, whose dark
Deep auburn blossoms shake
On boughs, – as 'neath the bark
A dryad's eyes awake, —
Brown as a midnight lake.
These, with symbolic blooms
Of wind-flower and wild-phlox,
I found among the glooms
Of hill-lost woods and rocks,
Lairs of the mink and fox.
The beetle in the brush,
The bird about the creek,
The bee within the hush,
And I, whose heart was meek,
Stood still to hear these speak.
The language, that records,
In flower-syllables,
The hieroglyphic words
Of beauty, who enspells
The world and aye compels.
THE WIND AT NIGHT
Not till the wildman wind is shrill,
Howling upon the hill
In every wolfish tree, whose boisterous boughs,
Like desperate arms, gesture and beat the night,
And down huge clouds, in chasms of stormy white
The frightened moon hurries above the house,
Shall I lie down; and, deep, —
Letting the mad wind keep
Its shouting revel round me, – fall asleep.
Not till its dark halloo is hushed,
And where wild waters rushed, —
Like some hoofed terror underneath its whip
And spur of foam, – remains
A ghostly glass, hill-framed; whereover stains
Of moony mists and rains,
And stealthy starbeams, like vague specters, slip;
Shall I – with thoughts that take
Unto themselves the ache
Of silence as a sound – from sleep awake.
AIRY TONGUES
I hear a song the wet leaves lisp
When Morn comes down the woodland way;
And misty as a thistle-wisp
Her gown gleams windy gray;
A song, that seems to say,
"Awake! 'tis day!"
I hear a sigh, when Day sits down
Beside the sunlight-lulled lagoon;
While on her glistening hair and gown
The rose of rest is strewn;
A sigh, that seems to croon,
"Come sleep! 'tis noon!"
I hear a whisper, when the stars,
Upon some evening-purpled height,
Crown the dead Day with nenuphars
Of dreamy gold and white;
A voice, that seems t' invite,
"Come love! 'tis night!"
Before the rathe song-sparrow sings
Among the hawtrees in the lane,
And to the wind the locust flings
Its early clusters fresh with rain;
Beyond the morning-star, that swings
Its rose of fire above the spire,
Between the morning's watchet wings,
A voice that rings o'er brooks and boughs —
"Arouse! arouse!"
Before the first brown owlet cries
Among the grape-vines on the hill,
And in the dam with half-shut eyes
The lilies rock above the mill;
Beyond the oblong moon, that flies
Its pearly flower above the tower,
Between the twilight's primrose skies,
A voice that sighs from east to west —
"To rest! to rest!"
THE HILLS
There is no joy of earth that thrills
My bosom like the far-off hills!
Th' unchanging hills, that, shadowy,
Beckon our mutability
To follow and to gaze upon
Foundations of the dusk and dawn.
Meseems the very heavens are massed
Upon their shoulders, vague and vast
With all the skyey burden of
The winds and clouds and stars above.
Lo, how they sit before us, seeing
The laws that give all Beauty being!
Behold! to them, when dawn is near,
The nomads of the air appear,
Unfolding crimson camps of day
In brilliant bands; then march away;
And under burning battlements
Of twilight plant their tinted tents.
The faith of olden myths, that brood
By haunted stream and haunted wood,
They see; and feel the happiness
Of old at which we only guess:
The dreams, the ancients loved and knew,
Still as their rocks and trees are true:
Not otherwise than presences
The tempest and the calm to these:
One shouting on them, all the night,
Black-limbed and veined with lambent light:
The other with the ministry
Of all soft things that company
With music – an embodied form,
Giving to solitude the charm
Of leaves and waters and the peace
Of bird-begotten melodies —
And who at night doth still confer
With the mild moon, who telleth her
Pale tale of lonely love, until
Wan images of passion fill
The heights with shapes that glimmer by
Clad on with sleep and memory.
IMPERFECTION
Not as the eye hath seen, shall we behold
Romance and beauty, when we've passed away;
That robed the dull facts of the intimate day
In life's wild raiment of unusual gold:
Not as the ear hath heard, shall we be told,
Hereafter,
