The Master of the Ceremonies. Fenn George Manville
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“Beg pardon, sir,” said the man, “here is the Major.”
At that moment the gentleman in question entered the room, and the brilliant illumination of the table gave a far better opportunity for judging his appearance than the blind-drawn gloom of Lady Teigne’s drawing-room. He was a strikingly handsome dark man, with a fierce black moustache that seemed to divide his face in half, and then stood out beyond each cheek in a black tuft, hair highly pomatumed and curled, and bright black eyes that seemed to flash from beneath his rather overhanging brows. Five-and-thirty was about his age, and he looked it all, time or dissipation having drawn a good many fine lines, like tracings of future wrinkles, about the corners of his eyes and mouth.
“Colonel – gentlemen, a hundred apologies,” he said. “I’m not often taken like this. We must have a fresh mess-man. Our cooking is execrable.”
“And your digestion so weak,” said the Doctor, sipping his port.
“There, there,” said the Colonel hastily. “I want to get to bed. Take my place, Rockley; keep them alive. Good-night, gentlemen; I know you’ll excuse me. Good-night.”
The Colonel left his seat, faced round, stood very stiffly for a few moments, and then walked straight out of the room, while Major Rockley, who was still far from sober, took his place.
A good many bottles of port had been consumed that night, for in those days it was an English gentleman’s duty to pay attention to his port, and after turning exceedingly poorly, and having to quit the table, the Major began by trying to make up for the past in a manner that would now be classed as loud.
“Gentlemen, pray – pray, pass the decanters,” he cried. “Colonel Mellersh, that port is not to your liking. Smith, some more claret? Mr Linnell, ’pon honour, you know you must not pass the decanter without filling your glass. Really, gentlemen, I am afraid our guests are disappointed at the absence of Colonel Lascelles, and because a certain gentleman has not honoured us to-night. A toast, gentlemen: HRH.”
“HRH” was chorused as every officer and guest rose at the dark, highly-polished mahogany table, liberally garnished with decanters, bottles, and fruit; and, with a good deal of demonstration, glasses were waved in the air, a quantity of rich port was spilled, and the fact was made very evident that several of the company had had more than would leave them bright and clear in the morning.
The mess-room of the Light Dragoon Regiment was handsome and spacious; several trophies of arms and colours decorated the walls; that unusual military addition, a conservatory, opened out of one side; and in it, amongst the flowers, the music-stands of the excellent band that had been playing during dinner were still visible, though the bandsmen had departed when the cloth was drawn.
The party consisted of five-and-twenty, many being in uniform, with their open blue jackets displaying their scarlet dress vests with the ridge of pill-sized buttons closely packed from chin to waist; and several of the wearers of these scarlet vests were from time to time pouring confidences into their neighbours’ ears, the themes being two: “The cards” and “She.”
“Colonel Mellersh, I am going to ask you to sing,” said Major Rockley, after taking a glass of port at a draught, and looking a little less pale.
He turned to a striking-looking personage at his right – a keen, aquiline-featured man, with closely-cut, iron-grey hair, decisive, largish mouth with very white teeth, and piercing dark-grey eyes which had rather a sinister look from the peculiarity of his fierce eyebrows, which seemed to go upwards from where they nearly joined.
“I’m afraid my voice is in no singing trim,” said the Colonel, in a quick, loud manner.
“Come, no excuses,” cried a big heavy-faced, youngish man from the bottom of the long table – a gentleman already introduced to the reader in Lady Teigne’s drawing-room.
“No excuse, Sir Matt,” cried the Colonel; “only an apology for the quality of what I am about to sing.”
There was a loud tapping and clinking of glasses, and then the Colonel trolled forth in a sweet tenor voice an anacreontic song about women, and sparkling wine, and eyes divine, and flowing bowls, and joyous souls, and ladies bright, as dark as night, and ladies rare, as bright as fair, and so on, and so on, the whole being listened to with the deepest attention and the greatest of satisfaction by a body of gentlemen whose thoughts at the moment, if not set upon women and wine, certainly were upon wine and women.
It was curious to watch the effect of the song upon the occupants of the different chairs. The Major sat back slightly flushed, gazing straight before him at the bright face he conjured up; Sir Matthew Bray leaned forward, and bent and swayed his great handsome Roman-looking head and broad shoulders in solemn satisfaction, and his nearest neighbour, Sir Harry Payne, the handsome, effeminate and dissipated young dragoon, tapped the table with his delicate fingers and showed his white teeth. The stout Adjutant bent his chin down over his scarlet waistcoat and stared fiercely at the ruby scintillations in the decanter before him. The gentleman on his left, an insignificant-looking little civilian with thin, fair hair, screwed up his eyes and drew up his lips in what might have been a smile or a sneer, and stared at the gentleman on the Major’s left, holding himself a little sidewise so as to peer between one of the silver branches and the épergne.
The young man at whom he stared was worth a second look, as he leaned forward with his elbows upon the table and his head on one side, his cheek leaning upon his clasped hands.
He was fair with closely curling hair, broad forehead, dark eyes, and what was very unusual in those days, his face was innocent of the touch of a razor, his nut-brown beard curling closely and giving him rather a peculiar appearance among the scented and closely-shaven dandies around.
As the song went on he kept his eyes fixed on Colonel Mellersh, but the words had no charm for him: he was thinking of the man who sang, and of the remarkable qualities of his voice, uttering a sigh of satisfaction and sinking back in his seat as the song ended and there was an abundance of applause.
“Come,” cried Major Rockley, starting up again; “I have done so well this time, gentlemen, that I shall call upon my friend here, Mr Linnell, to give us the next song.”
“Indeed, I would with pleasure,” said the young man, colouring slightly; “but Colonel Mellersh there will tell you I never sing.”
“No; Linnell never sings, but he’s a regular Orpheus with his lute or pipe – I mean the fiddle and the flute.”
“Then perhaps he will charm us, and fancy he has come into the infernal regions for the nonce; only, ’fore gad, gentlemen, I am not the Pluto who has carried off his Eurydice.”
“Really, this is so unexpected,” said the young man, “and I have no instrument.”
“Oh, some of your bandsmen have stringed instruments, Rockley.”
“Yes, yes, of course,” cried the Major. “What is it to be, Mr Linnell? We can give you anything. Why not get up a quintette, and let Matt Bray there take the drum, and charming Sir Harry Payne the cymbals?”
“Play something, Dick,” said Colonel Mellersh quietly.
“Yes, of course,” said the young man. “Will you help me?”
“Oh, if you like,” said the Colonel. “Rockley, ask your men to lend us a couple of instruments.”