eight months ago. But the day Evie and I were tied up, the first of last week, Lady Denin married her cousin, d’Arcy of the – th Gurkhas. Quick work – what? No heartbreak there!”
As there came no answer, Severne supposed that his visitor felt no interest in this bit of gossip apropos of war widows. He glanced up from his hard, flat pillow at the other man, and saw what he took for a far-away look on the scarred face. To change the subject to one more congenial, the aviator began to chat of things at the front; but almost instantly the English-speaking nurse intervened. The two invalids had talked long enough. Both must rest. They could see each other again next day.
Without any protest, and scarcely saying good-by, Denin dragged himself back to his own part of the ward. “‘Nobody home!’ The poor fellow looks as if he wasn’t all there yet.” Severne excused the seeming rudeness of the nameless one.
Denin had not had his full hour of freedom from bed, but he declared that he was tired and that his head ached, so he was allowed to lie down. He turned his face to the wall, and appeared to sleep, but never had he been more vividly awake.
His plan had fallen into ruin with one bewildering crash. The corner-stone had been torn out from the foundation. His duty – or what he had seen as his duty – was changed. After all, Barbara had not been disappointed in her cousin. She had found him her “knight and her hero” as of old. She had loved the man so passionately that she had given herself to him after only eight months of widowhood. If he had heard this thing of a woman other than Barbara, Denin would have been revolted. It could only have looked like an almost defiant admission that there was no love in the first marriage – nothing but interest. He could not, would not, however, think that Barbara’s act was a proof of hardness. Lying on his bed, with his face to the blank white wall, he began to make desperate excuses for the girl.
She had married him by special license at three days’ notice eight months ago, hurried into a decision by his love, and perhaps the glamour of war’s red light. Her mother, too, had given her no peace until she made up her mind. For the hundredth time he assured himself of that fact. And as for the well-nigh indecent haste of the second wedding; why, after all, was it so much worse than the first?
Her marriage with him, John Denin, had been a marriage only in name. She was left a girl, with no memories of wifehood. No doubt this new giving of herself had been another “war wedding.” Trevor d’Arcy in his picture looked like a man who would do his best to seize whatever he wanted. He had of course been going away, perhaps after being wounded and nursed by Barbara. It would be natural, very natural, for her to feel that she would be happier when d’Arcy was at the front, if they belonged to each other. Denin told himself savagely that it would be brutal to blame the girl. She had a right to love and joy, and she should have both, unspoiled. He would be damned sooner than snatch happiness from Barbara, and drag her through the dust of shame, a woman claimed as wife by two men.
“This decides things for me, then, forever and ever,” he thought, a strange quietness settling down upon him, like a cloud in which a man is lost on a mountain-top. “She’s free as light. John Denin died last August in France.”
CHAPTER IV
But the man in the German hospital did not die. He could not, unless he put an end to his own life, and to do that had always seemed to Denin an act of cowardice and weakness. He remembered reading as a boy, how Plato said that men were “prisoners of the gods” and had no right to run away from fate. For some reason those words had made a deep imprint upon his mind at the time, and the impression remained. His soul dwelt in his body as a prisoner of the gods, a prisoner on parole.
Life – mere physical life – rose again in his veins as the days went on, rose in a strong current, as the sap rises in trees when winter changes to spring. He was discharged from the hospital as cured, and interned in a concentration camp in Germany not far from the Dutch frontier. Though he had given his parole to the gods, he would not give it to the Germans. He meant to escape some day if he could. He limped heavily, and had not got back the full strength of his once shattered right hand, so there was no hope of returning to fight under a new name. Had there been a chance of that, he would have wished to join the French Foreign Legion, where a man can be of use as a soldier, while lost to the world. As it was, he made no definite plans, but set about earning money in order not to be penniless if the day ever came when he could snatch at freedom.
He had always had a marked talent for quick character-sketches and a bold kind of portraiture. He could catch a likeness in a moment. With charcoal he dashed off caricatures of his fellow prisoners, on the whitewashed wall of the room which he shared with several British soldiers. The striking cleverness of the sketcher was noticed by the man in charge who spoke to some one higher in authority; and officers came to gaze gravely at the curious works of art. Denin had rechristened himself by this time “John Sanbourne.” Sanbourne seemed to him an appropriate name for one without an aim in life, and as for “John,” without that standby he would have felt like a man who has thrown away his clothes. Sanbourne’s charcoal sketches, therefore, began to be talked about; and officers brought him paper and colored chalks, bargaining with him for a few German war notes, to take their portraits. By the end of May he had saved up two hundred marks, accumulated in this way, charging from five to twenty marks for a sketch, according to size and detailed magnificence of uniform.
Not having given his parole, he was carefully watched at first, but as time went on his lameness, his exemplary conduct, and air of stoical resignation deceived his guards. One dark night he slipped away, contrived to pass the frontier, bribed a Dutch fisherman to sell him clothing, and after a week of starvation and hardship limped boldly into Rotterdam. There he parted with the remainder of his earnings (save a few marks) for a third-class ticket to New York, trusting to luck that he might earn money on board as he had earned money in camp, enough at least to be admitted as an emigrant into the United States. Those few marks which he kept, he invested in artist’s materials, and on shipboard soon made himself something of a celebrity in a small way. He was nicknamed “the steerage Sargent,” and with an hour or two of work every day put together nearly sixty American dollars during the voyage. That sum satisfied him. He refused further commissions, for a great new obsession dominated his whole being, preoccupying every thought. Absorbed in it, he found his portrait-making exasperating work. Something within him that he did not understand but was forced to obey, commanded the writing of a book – the book, not of his life or of his outside experiences, but of his heart.
He had no idea of publishing this book after it was written. Indeed, at the beginning, such an idea would have been abhorrent to him. It would have been much like profaning a sanctuary. But there were thoughts which seemed to be in his soul, rather than in his brain, so intimate a part of himself were they; and these thoughts beat with strong wings against the barrier of silence, like fierce wild birds against the bars of a cage.
So ignorant was John Denin of book-writing that he did not know at all how long it would take to put on paper what he felt he had to give forth. He knew only that he must say what was in him to say; and every moment when he was not writing he chafed to get back to his book again. Indeed, it was but his body which parted from the manuscript even when he ate, or walked, or slept. His real self was writing on and on, every instant, after he had gone to bed, and most of all, while he dreamed. The idea for the book, when it sprang into his mind, was full-grown as Minerva born from the brain of Jove. Denin felt as if he were a sculptor who sees his statue buried deep in a marble block, and has but to hew away the stone to set the image free. He got up each morning at dawn, bathed, dressed hurriedly, and worked till breakfast time, when a cup of tea and a piece of bread were all he wanted or felt he had time to take. Then, in some out-of-the-way, uncomfortable corner where his fellow travelers of the steerage were not likely to interrupt him, he wrote on often till evening, without stopping to eat at noon. He used ship’s stationery begged from the second class, sheets off his own drawing pads, and small blank books that happened to be for sale in the wonderful collection of things ships’ barbers always have. Sometimes he scribbled
