only a little low-spirited to-day. Have you called on Uncle Robert lately?”
“Without you? No.”
“Then let’s go.”
Gertrude jumped at the suggestion, and half an hour later the sisters were making their way along Wimpole Street the gloomy, to stop at last before the most wan-looking of all the dreary houses in that most dreary street. It was a house before which no organ-man ever stopped to play, no street vendor to shout his wares, nor passer-by to examine from top to bottom; the yellow shutters were closed, and the appearance of the place said distinctly “out of town.” The windows were very dirty, but that is rather a fashion in Wimpole Street, where the windows get very dirty in a month, very much dirtier in two months, and as dirty as possible in three. They, of course, never get any worse, for when once they have arrived a this pitch they may go for years, the weather rather improving them, what with the rain’s washing and the sun’s bleaching.
The paint of the front door was the worst part about that house, for the sun had raised it in little blisters, which street boys could not bear to see without cracking and picking off in flakes; and the consequence was that the door looked as if it had had a bad attack of some skin disease, and a new cuticle of a paler hue was growing beneath the old.
Wimpole Street was then famous for the knockers upon its doors. They were large and resounding. In fact, a clever manipulator could raise a noise that would go rolling on a still night from nearly one end of the street to the other. For, in their wisdom, our ancestors seized the idea of a knocker on that sounding-board, a front door, as a means to warn servants downstairs that someone was waiting, by a deafening noise that appealed to those in quite a different part of the place. But this was not allowed at the house with the blistered front door, for a great staple had been placed over one side for years, and when you had passed the two great iron extinguishers that were never used for links, and under the fantastic ironwork that had never held a lamp since the street had been lit with gas, and, ascending three steps, stood at the door, you could only contrive quite a diminutive kind of knock, such as was given upon that occasion by Renée, for Gertrude was carrying a large bouquet of flowers.
The knock was hard enough to bring a little bleached, sparrow-like man, dressed in black, to the door, and his colourless face, made more pallid by a little black silk cap he wore, brightened as he held his head first on one side, then on the other, his triangular nose adding to his sparrow-like appearance, and giving a stranger the idea that he would never kiss anyone, but would peck.
“How is my uncle this morning, Vidler?” said Gertrude.
“Capital, miss,” said the little man, holding wide the door for the ladies to enter, and closing it quickly, lest, apparently, too much light should enter at the same time.
For the place was very gloomy and subdued within. The great leather porter’s chair, the umbrella-stand, and the pictures all looked sombre and black. Even the two classical figures holding lamps, that had not been lighted for a quarter of a century at least, were swarthy, and a stranger would have gone stumbling and feeling his way along; but not so Vidler, Captain Robert Millet’s handy servant. He was as much at home in the gloom as an owl, and in a quick, hurried way that was almost spasmodic he led the visitors upstairs, but only to stop on the first landing.
“If I might make so bold, Miss Gertrude,” he said, holding his head on one side. “I don’t often see a flower now.”
The girl held up the bouquet, and the little man had a long sniff with a noise as if taking a pinch of snuff, said, “Thank you, miss,” and went on up to the back drawing-room door, which was a little lighter than the staircase, for the top of the shutters of one of the three tall narrow windows was open.
A glance round the room showed that it was scrupulously clean. Time had blackened the paint and ceiling, but everything that could be cleaned or polished was in the highest state of perfection.
For Valentine Vidler and his wife Salome, being very religious and conscientious people, told themselves and one another nearly every day that as the master never supervised anything it was the more their duty to keep the place in the best of order. For instance, Vidler would say:
“I don’t think I shall clean all that plate over this week, Salome. It’s as bright as it can be.”
When to him Salome: “Valentine, there’s One above who knows all, and though your master may not know that you have not cleaned the plate, He will.”
“That’s very true, Salome,” the little man would say with a sigh, and then set to work in a green baize apron, and was soon be-rouged up to the eyes as he polished away.
Another day, perhaps, it would be Salome’s turn; for the temptation, as she called it, would attack her. The weather would be hot, perhaps, and a certain languid feeling, the result of a want of change, would come over her.
“Valentine,” she would say, perhaps, “I think the big looking-glass in the drawing-room will do this week; it’s as clean as clean.”
“Hah!” would say Valentine, with a sigh, “Satan has got tight hold of you again, my dear little woman. It is your weakness that you ought to resist. Do you think the Lord cannot see those three fly-specks at the bottom corner? Resist the temptation, woman; resist it.”
Then little Salome, who was a tiny plump downy woman, who somehow reminded people of a thick potato-shoot that had grown in the dark, would sigh, put on an apron that covered her all over except her face, climb on a pair of steps, and polish the great mirror till it was as clear as hands could make it.
She was a pleasant-faced little body, and very neatly dressed. There was a little fair sausage made up of rolled-up hair on each side of her face, two very shiny smooth surfaces of hair over her forehead, and a neat little white line up the centre, the whole being surmounted by one of those quaint high-crowned caps which project over to the front. In fact, there was, in spite of the potato-shoot allusion, a good deal of resemblance in little Mrs Vidler to a plump charity child, especially as she wore an apron with a bib, a white muslin kerchief crossed over her bosom, and a pair of muslin sleeves up to her elbows.
The little woman was in the drawing-room armed with a duster as Valentine showed up the young ladies, and she faced round and made two little bobs, quite in the charity-school-child fashion, as taught by those who so carefully make it the first duty of such children to obey their pastors and masters, and order themselves lowly and reverently, and make bobs and bows to – all their betters.
“Why, my dears, I am glad you’re come,” she exclaimed. “Miss Renée – there, I beg your pardon – Mrs Morrison, what an age it is since I saw you! And only to think you are a married lady now, when only the other day you two were little things, and I used to bring you one in each hand, looking quite frightened, into this room.”
“Ah yes, Salome, times are changed,” said Renée sadly. “How is uncle?”
“Very well, my dear,” said the little woman, holding her head on one side to listen in the same birdlike way adopted by her husband. “He’s not in his room yet. But what beautiful flowers!”
She, too, inhaled the scent precisely in her husband’s fashion, before fetching a china bowl from a chiffonier, and carefully wiping it inside and out, though it was already the perfection of cleanliness.
“A jug of clean water, if you please, Vidler,” she said softly.
“Yes, my dear,” said the little man, smiling at the sisters, and giving his hands a rub together, before obeying his wife.
“I was so sorry, Miss Renée –
