glancing at the room door to see if any one was coming, lifted down a cage containing perhaps a score; but the gentleman seemed hard to please, pointing out failings here and there in the various birds, till he seemed to fix the poor girl with his stare, though she kept striving to master her trepidation, and to hide from her unpleasant visitor the fact that his presence caused her dread.
“I say,” he whispered, suddenly; “I say,” and he leaned across the counter.
The movement seemed to break the spell, for Patty now made an effort to retreat to the back room; but, in a moment, the fellow had stretched out one long, gorilla-like arm, effectually barring her way, when hawk and dove seemed to stand in the naturalist’s shop, eye to eye, the weak quailing before the strong.
A loud rustle of a newspaper within ended the scene, for, starting at the sound, the rough visitor turned his attention to the birds once more, and re-commenced his fault-finding, giving Patty time to recover herself, and to redden with anger at what she was ready to call her cowardice when there was some one in the next room.
“You see it ain’t for myself,” said the fellow, once more fixing his gaze on Patty, but turning the cage round the while; “it wouldn’t matter if I wanted it; but he’ll have to come and pick one for hisself. I don’t think I’ll take one to-day.”
Patty was about to take back the cage, but with a grin and a repetition of the hard breathing, the fellow drew it farther away.
There was again the rustling of the newspaper. A moment after, the proprietor was heard to rise, and then he jerked himself into the shop, to attend to the customer.
Patty, glad to get away, hurried into the back room, when a sharp piece of bargaining ensued between customer and dealer, ending, as might have been foreseen, in the former finding all possible fault, and then declining to purchase, as he went outside to stand staring heavily through the window, ostensibly at its contents, but really to see if Patty returned.
Volume One – Chapter Fourteen.
Janet
Mr D. Wragg rented the whole of the house in Brownjohn Street, and his lodgers were confined to Mrs Winks and the little Frenchman, the attics being used for store purposes – old cages, birdseed, bundles of herbs, bags of feathers, cobwebs, and dust.
These attics formed a part of the house rigidly tabooed by the dealer, who only gave a comical twitch to his countenance, and jerked his body from head to heel when Mrs Winks complained that she had not had a bit of sleep for the howlings of some dreadful dog there confined.
Patty did not return into the shop, but began slowly to ascend the stairs, pausing at the first landing to fall into an attitude of attention, holding the balustrade and listening eagerly, as from below came the twittering of birds, and from above – in long-drawn, nerve-thrilling tones – sounds that seemed to have a strange effect upon the girl, as she stood in the full light of the landing-window, her eyes half-closed, her face upturned, and her lips parted, as though to give passage to a sigh.
But there was no sigh, no utterance, no motion; only the same strained aspect of attention, as still, from above stairs, came the sounds – now low, almost to fading away, now powerful and loud – but always with the same effect, that of chaining Patty to where she stood.
She might well listen as if entranced, for from above, with every note given with a feeling that seemed to find its echo in the listener’s ears, came floating softly down, the melody of “Ah, non giunge!” evidently played upon a violin of fine and sonorous tone, every bar sweet, pure, and clear, and softened by the distance into a strain which seemed to have floated into the dingy house from some brighter region.
Then, after a pause of a few moments, there was a change, the player turning off into a wild and eccentric variation upon the theme, now loud and sparkling in the major key – now plaintive and thrilling in the minor.
But this lasted only a short time, for as Patty once more began to ascend the stairs, the violinist dashed off into a French mazurka, with such spirit and brilliancy, that the notes seemed to be trilling out in joyous laughter, setting Patty’s head nodding to the gay refrain.
The next minute she had opened a door and stood in the presence of the player, who put down her instrument upon the table, and moved slowly across the room to catch the young girl’s extended hands, and apologise for not coming down again.
Canau’s room was bare and cheerless; a table, a few chairs, a couple of roughly-made music-stands, and a pile of torn, stained, yellow-leaved, printed, and manuscript music, were the principal objects that met the gaze; but Patty – whose presence lent a brightness to the blank place – seemed to have no eye for aught but the swarthy, deformed girl, whom she kissed affectionately.
Perhaps no greater contrast could have been seen than the sweet happy face of Patty, with her bright brown hair and peachy complexion – peachy with its soft down, and contrasts of creamy white and delicate pink; and that of Janet – she was known by no other name – the dark, deformed girl, who had been brought up by Monsieur Canau, the little French musician, now taking his morning promenade and indulging in his only extravagance – his second cigarette – a pinch of the commonest tobacco, rolled in one of the gummed squares of tissue-paper prepared for him by the girl who shared his poverty and had been taught his art.
The vital spark of life was bright and vivid, shooting keenly now from two dark eyes; but as for the fleshly case that held this vital spark, the wonder was that it should possess any shape at all, so fearful a moulding must it have received in its early plastic days, and not that the poor girl’s head should be close down between her shoulders, and that in form she should be diminutive and shrunken.
“I was tired of waiting, and had been listening ever so long,” said Patty, drawing a little white finger across the violin-strings. “I wish I were clever, too, and could play.”
“Nonsense!” exclaimed the other, harshly. “I’m ashamed of it sometimes. It isn’t a woman’s instrument; but it pleases him for me to play, and I get to like it now; one seems almost able to make it speak and tell one’s feelings – sending them floating away into the air,” she continued, dreamily gazing before her. “It makes one think and think, and seem to be living another kind of life; and I am far away from here, Patty, sometimes when I am playing, – perhaps along with you and the little innocent children, and your father and mother, – perhaps far away in the country, amongst the flowers, where there’s no noise in the streets, no shouting, shrieks, oaths, nor misery, nor dirt. There!” she said, suddenly, as if she had been brought back to the present, “I know what you are thinking.”
“Indeed!” laughed Patty.
“Yes; you think I’m odd and strange in my way. Ah! I wish I were like you.”
“And sometimes,” rejoined Patty softly, turning very serious, and stooping to pass one arm round the deformed girl, and bending so that her cheek touched the other’s dark sallow face, – “sometimes, Jenny, I wish that I were like you – oh! yes – so much – so much; for I’m not happy, Jenny – not happy!”
She repeated these words in a quiet thoughtful way, sinking at last upon her knees by the other’s side, when, laying her hand, long and bony of finger, upon the bonny little head, Janet pressed it closely to her misshapen breast, from which burst sigh after sigh, till, waking as it were from her dreamy thoughts, Patty forced a smile, and springing up, kissed Janet again and again.
“There! what nonsense!” she cried, lightly. “I’m crying too, and pray what about? Let’s see how these goldfish are. Why, quite lively,” she exclaimed, drawing her friend to the window,
