He felt in the next pocket, then in his breast, and lastly looked in his hat, as if expecting to see it there. Then he gazed in the faces of his fellow-candidates, as if to say, “What’s become of it?” But the roll was not forthcoming; and in despair, he now glanced at himself in the glass reflector above the key-board. But nothing was to be seen there but a doleful, hopeless-looking face, seeming to tell him that every chance of success was gone.
But as Jared sat there, in full view of the whole church, he felt a slight vibration in his seat, and heard the air rushing into the wind-chest as the boy toiled on at his task to keep it filled and make no more mistakes, for already, in anticipation, he was suffering from a cut or two of Beadle Purkis’s cane.
Jared gazed up at the towering pipes above his head, down at the keys and stops on either side; and then seemed to come over him the recollection of many a pleasant practice in a dim old church, where he had forgotten the troubles of the present in the concord of sweet sounds he had drawn from the instrument. He grew more agitated, his hands trembled, his cheeks flushed, and his eyes brightened – his whole form seemed to dilate, and he thrust his long fingers through his hair, as if seeking to add to the oddity of his appearance, while the audience ceased their murmuring hum of conversation as they witnessed his strange gestures.
He pulled out a stop here and a stop there, tenderly, as if caressing something he loved. Then pushing off his boots, he thrust in every stop, seized them sharply to draw nearly all out, and struck so wild and thrilling a chord, that his hearers started and craned forward to catch the next notes.
Now there was silence, save the dying vibrations of the chord heard in the distant corners and groinings of the roof, for not a whisper was audible amongst the many listeners assembled.
Still silence, as Jared Pellet sat motionless before the great instrument while you might have counted thirty, for the player was lost in the crowd of recollections the sounds had evoked from the past Competition, the audience, all had faded from his mental vision as once more he leaned forward; and fingers were held up to command silence.
“He’s a lunatic, sir,” said one of the listeners to Mr Timson, as Jared Pellet again bent over the keys.
“Then I should like to be at a concert of such lunatics, sir,” answered Mr Timson, who then gave forth an audible “Hush!” as, in a rapid rolling passage, the huge pedal pipes thundered forth a majestic introduction; when again for a few moments there was a pause, and the organist’s fingers were held crooked in mid-air, till with a spasmodic effort he brought them down upon the keys, to pour forth crashing volley after volley of wondrous chords, from end to end of the key-board, and with the full power of the mighty pipes.
Again a rest, and again crashing forth with wondrous rapidity came the spirit-thrilling passages, till, with suppressed breath, the listeners leaned forward as though overpowered; while, after another slight pause, came wailing and sobbing forth so sweetly mournful, so heavenly a strain, that there were some present who were moved to tears, and two, seated in a pew surrounded by children, joined hands and listened with bended head. So sweet an air had never before pealed through the old aisles of St Runwald’s, and made to tremble the woodwork of the great pews with which it was disfigured; for now the melody was wild and piercing – now subdued and plaintive, to rise soon to the jubilant and hopeful: it was the soul of the true musician pouring forth through the medium of the divine art its every thought and feeling.
Again a pause, and the seven rivals, with parted lips, eagerly clustered round the man who saw them not, who ignored church, audience, self, everything but the majestic instrument before which he was seated; and again and again, although the ten minutes had long expired, the audience listened to the bursts of harmony which swayed them as one man, floating around until the air seemed quivering and vibrating with the songs of a multitude of heaven’s own choristers. Louder and louder, chords grander and more majestic, then softly sweet and dying away, while, after one sweeping crescendo passage, Jared ended with a mighty chord which no other man could have grasped, and the audience seemed to be released from the spell which had bound them, as, stop by stop and interval by interval, the chord was diminished, until the pedal key-note alone vibrated shudderingly through the church.
“Rather warm work that, sir,” said the little churchwarden, leaning over into the vicar’s pew.
“Hush, Timson,” said the vicar; “he has not done.”
But he had, though for a few minutes there was a silence that no one cared to break, till, forgetful of place – everything but the strains they had heard – from the vicar downwards, all joined in one loud burst of applause; while, dull, lustreless, spiritless, Jared Pellet responded to the congratulations of his rivals – one and all too true lovers of their art to withhold the palm where they felt it to be well deserved.
Down in the nave, too, there was a pompous, bustling man, talking loudly to those around, giving people to understand that the performer was his brother – the man who, without hesitation, was elected to the post – and for once in a way, Richard Pellet went and shook hands with Jared, and, as he warmly asked him to dinner, forgot to tell him that he was a fool.
Volume One – Chapter Five.
Saint Runwald’s
There were grand rejoicings in Duplex Street when Jared obtained official announcement, under the hand and seal of Mr Timson the tea-dealer, of his appointment to the post of organist of St Runwald’s, with a salary of fifty pounds a year. To be sure, it was settled before; but Mrs Jared said they might run back, and, after the many disappointments they had had during their married life, it was dangerous to reckon on too much. But now that there was an official appointment in Mr Timson’s round, neat calligraphy, she had no words to say, save those of thankfulness.
Proud! Ay, he was proud, was Jared, for that was an organ to be proud of. It was none of your grand new instruments, full of stops bearing a score of unaccountable names, miserably naked, skeleton-looking affairs, like a conglomeration of Pandean pipes grown out of knowledge, and too big for the society of their old friend the big drum – beggarly painted things, with pipes in blue and red and white, after the fashion of peppermint sticks of the good old times. Why, I hardly believe that Jared, unless prompted thereto by the wolf Poverty, would have struck one of his mighty chords upon them.
But there would have been nothing surprising in Jared’s refusal, since the instrument now placed under his charge was a noble organ in a dark wood case, one which grew richer of tone year by year, while the carved fruit and flowers that clustered around pipes, reflector, music-stand – in fact, wherever a scrap of carving could be placed – were worthy of inspection, without taking into account the shiny Ethiopie cherubs that perched upon their chins, and spread their wings at every available corner.
No; Jared’s was no common organ, as would be declared by any one who had seen the great pipes towering up into the gloom of the roof, and their gilding shedding a rich sunset hue into the farthest corners of the old church. People came miles to hear that organ as soon as Jared became its ruling spirit, and Mrs Nimmer grew hot on Sunday mornings in her endeavours to find sittings for the strangers who flocked in. But the old vicar, the Rev. John Grey, used to chuckle, and think that all was due to his sermons, and wonder whether there could ever be a second St Chrysostom, the golden-mouthed.
Purkis, the beadle, used to wink – that is to say, he would draw a heavy lid over one of his lobster eyes – and say, “I know!” For Jared, in spite of his poverty and large family, had commenced his musical reign by a “donus” of three half-crowns to the beadle, who would boast that he (the beadle) could give people a better service than they could get in any other church in London; and “as to the orgin, why they’d better come and see, that’s all.”
And truly it seemed that Jared could make that instrument thrill beneath his touch, till every passion
