The Walking Delegate. Scott Leroy

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dinginess of the sky.

      Foley caught sight of Tom with a riveting gang at the southeast corner of the building, and he started toward him, walking over the five-inch beams with a practiced step, and now and then throwing a word at some of the men he passed, and glancing casually down at the workmen putting in the concrete flooring three stories below. Tom had seen him coming, and had turned his back upon his approach.

      "H'are you, Buck!" shouted one of the gang.

      Though Foley was but ten feet away, it was the man's lips alone that gave greeting to him; the ravenous din of the pneumatic hammer devoured every other sound. He shouted a reply; his lip movements signaled to the man: "Hello, fellows."

      Tom still kept his ignoring back upon Foley. The walking delegate touched him on the shoulder. "I'd like to trade some words with youse," he remarked.

      Tom's set face regarded him steadily an instant; then he said: "All right."

      "Come on." Foley led the way across beams to the opposite corner of the building where there was a platform now deserted by its forge, and where the noise was slightly less dense. For a space the two men looked squarely into each other's face – Tom's set, Foley's expressionless – as if taking the measure of the other; – and meanwhile the great framework shivered, and the air rattled, under the impact of the throbbing hammers. They were strikingly similar, and strikingly dissimilar. Aggressiveness, fearlessness, self-confidence, a sense of leadership, showed themselves in the faces and bearing of the two, though all three qualities were more pronounced in the older man. Their dissimilarity was summed up in their eyes: there was something to take and hold your confidence in Tom's; Foley's were full of deep, resourceful cunning.

      "Well?" said Tom, at length.

      "What's your game?" asked Foley in a tone that was neither friendly nor unfriendly. "Wha' d'youse want?"

      "Nothing, – from you."

      Foley went on in the same colorless tone. "I don't know. Youse've been doin' a lot o' growlin' lately. I've had a lot o' men fightin' me. Most of 'em wanted to be bought off."

      Tom recognized in these words a distant overture of peace, – a peace that if accepted would be profitable to him. He went straight to Foley's insinuated meaning.

      "You ought to know that's not my size," he returned quietly. "You've tried to buy me off more than once."

      The mask went from Foley's face and his mouth and forehead creased into harsh lines. His words came out like whetted steel. "See here. I would pass over the kind o' talkin' youse've been doin'. Somebody's always growlin'. Somebody's got to growl. But what youse said at the meetin' last night, I ain't goin' to stand for that kind o' talk. Youse understand?"

      Tom's legs had spread themselves apart, his black-gloved hands had placed themselves upon his hips, and his brown eyes were looking hard defiance from beneath his cap's peak. "I don't suppose you did like it," he said calmly. "If I remember rightly I didn't say it for the purpose of pleasing you."

      "Youse're goin' to keep your mouth goin' then?"

      "My mouth's my own."

      "Mebbe youse knows what happened to a few other gents that started on the road youse're travelin'?" the steely voice went on insinuatingly. "Duncan – Smith – O'Malley?"

      "Threats, huh?" Tom's anger began to pass his control. He sneered. "Save 'em for somebody that's afraid of you!"

      The cigar that had so far kept its place in Foley's mouth now fell out, and a few lurid words followed it. "D'youse know I can drive youse clean out o' New York? Yes, an' fix youse so youse can't get a job in the iron trade in the country? Except as a scab. Which's just about what you are!"

      The defiant glow in Tom's eyes flared into a blaze of anger. He stepped up to Foley, his fists still on his hips, and fairly thrust his square face into the lean one of the walking delegate.

      "If you think I'm afraid of you, Buck Foley, or your bunch of toughs, you're almighty mistaken! I'm going to say what I think about you, and say it whenever and wherever I please!"

      Foley's face tightened. His hands clenched in his pockets. But he controlled himself. He had the wisdom of a thousand fights, – which is, never to fight unless you have to, or unless there is something to gain. "I've got just one thing to say to youse, an' that's all," he said, and his low, steely voice cut distinctly through the hammer's uproar. "If I hear any more about your talk, – well, Duncan an' O'Malley'll have some new company."

      He turned about shortly, and stepped along beams to a ladder, and down that; leaving Tom struggling with a furious desire to follow and close with him. Out of the building, he made for the office of Mr. Driscoll as rapidly as street car could take him. On leaving the elevator in the Broadway building he strode to a door marked "Driscoll & Co. – Private – Enter Next Door," and without hesitation turned the knob. He found himself in a small room, very neat, whose principal furniture was a letter file and a desk bearing a typewriter. Over the desk was a brown print of William Morris. The room had two inner doors, one, as Foley knew, opening into the general offices, and the other into Mr. Driscoll's private room.

      A young woman rose from the desk. "What is it?" she asked, with a coldness drawn forth by his disregard of the sign on the door.

      "I want to see Mr. Driscoll. Tell him Foley wants to speak to him."

      She went through Mr. Driscoll's door, and Foley heard his name announced. There was a hesitant silence, then he heard the words, "Well, let him come in, Miss Arnold."

      Miss Arnold immediately reappeared. "Will you step in, please."

      As he entered the door Foley put on his hat, which he had removed in the presence of the secretary, pulling it aggressively down over one eye.

      "Hello, Driscoll," he greeted the contractor, who had swung about from a belittered desk; and he closed the door behind him.

      Mr. Driscoll pointed to a chair, but his face deepened a shade. Foley seated himself, and leaned forward with his elbows on his knees, his bony hands clasped.

      "Well, what can I do for you?" queried Mr. Driscoll shortly.

      Foley knew his man. He had met Mr. Driscoll many times at conferences with the Executive Committee of the Iron Employers' Association, and had read him as though he were large print. He noted with satisfaction the color in the contractor's face.

      The walking delegate spoke with extreme deliberation. "I come around, Mister Driscoll, to find out what the hell youse mean by workin' scabs on that St. Etienne job. Youse signed an agreement to work only union men, but if I didn't watch youse, youse'd have your work alive with scabs. Now, damn youse, unless youse get them scabs off that job an' do it quicker'n youse ever done anything before, youse'll wish youse had!"

      Foley made no mistake in his pre-calculation of the effect of this speech. Mr. Driscoll sprang to his feet, with a trembling that his reddish-gray whiskers exaggerated. His glasses tumbled from his nose, and his feet scrunched them unnoted into the rug. "If there's a scab on the job, I didn't know it. If those men're scabs Duffy must have made a mistake. If – "

      "If one o' youse bosses ever breaks a contract, oh, it's always a mistake!"

      "If you'd come around here and talked like a gentleman, I'd had 'em off inside of an hour," Mr. Driscoll roared. "But, by thunder, I don't let any walking delegate insult me and tell me what I've got to do!"

      "Then youse

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