the manuscript with discouraging promptness. Rejected short stories and verse began to accumulate on her desk. Sunday newspaper specials came home with "return" written in blue pencil across the neatly typed page. Courteous refusal blanks came in almost every mail, and still Helen did not utterly despair. She had put into her work all that was best of her life and strength, and it was inconceivable that she should fail.
Two more publishing houses returned her novel without comment, and with a sort of blind faith, she sent it out again. This time, too, it came back, but with a kindly comment by the reader. "You cannot write until you have lived," was his concluding sentence. Helen sat stiff and still with the letter crumpled in her cold fingers.
Slowly the bitter truth forced itself upon her consciousness. "I have failed," she said aloud, "I have failed – failed – failed." A dry tearless sob almost choked her, and with sudden passionate hatred of herself and her work, she threw her manuscript into the fire. The flames seized it hungrily. Then, someway, the tears came – a blessed rush of relief.
Hilliard found her there when he came at dusk, with a bunch of roses by way of a peace offering. The crumpled letter on the floor and the shrivelled leaves of burned paper in the fireplace afforded him all the explanation he needed. He sat down on the couch beside her and took her trembling hands in his.
The coolness of his touch roused her, and she sighed, burying her tear-stained face in the roses. "I have failed," she said miserably, "I have failed."
He listened without comment to the pitiful little story of hard work and bitter disappointments. "I've given up everything for my art," she said, with a little quiver of the lips, "why shouldn't I succeed in it?"
The temptation to take her in his arms temporarily unmanned him. He left her abruptly and stood upon the hearth rug.
"You are trying to force the issue," he said quietly. "You ar'n't content to be a happy, normal woman, and let art take care of itself. You should touch life at first hand, and you are not living. You are simply associating with a lot of hysterical failures who call themselves 'Bohemians.' Art, if it is art, will develop in whatever circumstances it is placed. Why shouldn't you just be happy and let the work take care of itself? Write the little things that come to you from day to day, and if a great utterance is reserved for you, you cannot but speak it, when the time comes for it to be given to the world."
Helen stared at him for a moment, and then the inner tension snapped. "You are right," she said, sadly, instinctively drawing toward him. "I am forcing the issue."
They stood looking into each other's eyes. Helen saw the strong, self-reliant man who seemed to have fully learned the finest art of all – that of life. She felt that it might be possible to love him, if she could bring herself to yield the dazzling vista of her career. All unknowingly, he had been the dearest thing in the world to her for some little time. Bohemia's glittering gold suddenly became tinsel. There came a great longing to "touch life at first hand."
He saw only the woman he loved, grieved, pained, and troubled; tortured by aspirations she could not as yet attain, and stung by a self-knowledge that came too late. A softer glow came into Helen's face and the lover's blind instinct impelled him toward her with all his soul in his eyes.
"Sweetheart," he said huskily.
Helen stopped him. "No," she said humbly, "I must say it all myself. You are right, and I am wrong. I must live before I am a woman and I must be a woman before I can be an artist. I have cared for you for a long time, but I have been continually fighting against it – I see it all now. I will be content to be a happy woman and let the work take care of itself. Faulty, erring and selfish, I see myself, now, but will you take me just as I am?"
The last smouldering spark of fire had died out and left the room in darkness. Helen's face showing whitely in the shadow was half pleading, and wholly sweet.
Speechless with happiness, he could not move. A thousand things struggled for utterance, but the words would not come. She waited a moment, and then spoke again.
"Have I not humbled myself enough? Is there anything more I can say? I should not blame you if you went away, I know I deserve it all." The old tide of longing surged into the man's pulses again, and broke the spell which lay upon him. With a little cry, he caught her in his arms. She gave her lips to his in that kiss of full surrender which a woman gives but once in her life, then, swinging on silent hinges, the doors of her Bohemia closed forever.
A Minor Chord
One afternoon before Christmas, a man with bowed head and aimless step walked the crowded streets of a city. The air was clear and cold, the blue sky was dazzlingly beautiful, the sun shone brightly upon his way, yet in his face was unspeakable pain.
His thoughts were with the baby daughter whom he had seen lowered into the snow, only a few hours before. He saw it all, – the folds of the pretty gown, the pink rose in the tiny hands, and the happy smile which the Angel of the Shadow had been powerless to take away.
"You will forget," a friend had said to him.
"Forget," he said to himself again and again. "You can't forget your heart," he had answered, "and mine is out there under the snow."
Through force of habit, he turned down the street on which stood the great church where he played the organ on Sundays and festival days. He hesitated a moment before the massive doorway, then felt in his pocket for the key, unlocked the door and went in. The sun shone through the stained glass windows and filled the old church with glory, but his troubled eyes saw not. He sat down before the instrument he loved so well and touched the keys with trembling fingers. At once, the music came, and to the great heart of the organ which swelled with pity and tenderness, he told his story. Wild and stormy with resentment at first, anger, love, passion, and pain blended together in the outburst which shook the very walls of the church.
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