Mrs. Tree. Richards Laura Elizabeth Howe

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said, 'we do not move,

      Though we approve;

      For one alone we leave our seats:

      "Keats!"'"

      There was a silence after the reading of the poem. Mr. Homer, slightly flushed with his own emotions, gazed eagerly at Miss Phœbe, who sat very erect, the tips of her fingers pressed together, her whole air that of a judge about to give sentence. Miss Vesta looked somewhat disturbed, yet she was the first to speak, murmuring softly, "The feeling is very genuine, I am sure, Cousin Homer!" But Miss Phœbe was ready now.

      "Cousin Homer," she said, "since you ask for criticism, I feel bound to give it. You speak of the 'sacred' Nine. The word sacred appears to me to belong distinctly to religious matters; I cannot think that it should be employed in speaking of pagan divinities. The expression – I am sorry to speak strongly – shocks me!"

      Mr. Homer looked pained, and opened and shut his mouth several times.

      "It is an expression that is frequently used, Cousin Phœbe," he said. "All the poets make use of it, I assure you."

      "I do not doubt it in the least," said Miss Phœbe. "The poets – with a few notable exceptions – are apt to be deplorably lax in such matters. If you would confine your reading of poetry, Cousin Homer, to the works of such poets as Mrs. Hemans, Archbishop Trench, and the saintly Keble, you would not incur the danger of being led away into unsuitable vagaries."

      "But Keats, Cousin Phœbe," began Mr. Homer; Miss Phœbe checked him with a wave of her hand.

      "Cousin Homer, I have already intimated to you, on several occasions, that I cannot discuss the poet Keats with you. I am aware that he is considered an eminent poet, but I have not reached my present age without realizing that many works may commend themselves to even the most refined of the masculine sex which are wholly unsuitable for ladies. We will change the subject, if you please; but before doing so, let me earnestly entreat you to remove the word 'sacred' from your poem."

      CHAPTER III.

      INTRODUCING TOMMY CANDY AND SOLOMON, HIS GRANDFATHER

      "Here's that boy again!" said Direxia Hawkes.

      "What boy?" asked Mrs. Tree; but her eyes brightened as she spoke, and she laid down her book with an expectant air.

      "Tommy Candy. I told him I guessed you couldn't be bothered with him, but he's there."

      "Show him in. Come in, child! Don't sidle! You are not a crab. Come here and make your manners."

      The boy advanced slowly, but not unwillingly. He was an odd-looking child, with spiky black hair, a mouth like a circus clown, and gray eyes that twinkled almost as brightly as Mrs. Tree's own.

      The gray eyes and the black exchanged a look of mutual comprehension. "How do you do, Thomas Candy?" said Mrs. Tree, formally, holding out her little hand in its white lace mitt. It was afternoon, and she was dressed to receive callers.

      "Shake hands as if you meant it, boy! I said shake hands, not flap flippers; you are not a seal. There! that's better. How do you do, Thomas Candy?"

      "How-do-you-do-Missis-Tree-I'm-pretty-well-thank-you-and-hope-you-are-the-same."

      Having uttered this sentiment as if it were one word, Master Candy drew a long breath, and said in a different tone, "I came to see the bird and hear 'bout Grampy; can I?"

      "May I, not can I, Tommy Candy! You mayn't see the bird; he's having his nap, and doesn't like to be disturbed; but you may hear about your grandfather. Sit down on the stool there. Open the drawer, and see if there is anything in it."

      The boy obeyed with alacrity. The drawer (it belonged to a sandalwood table, inlaid with chess-squares of pearl and malachite), being opened, proved to contain burnt almonds in an ivory box, and a silver saucer full of cubes of fig-paste, red and white. Tommy Candy seemed to find words unequal to the situation; he gave Mrs. Tree an eloquent glance, then obeyed her nod and helped himself to both sweetmeats.

      "Good?" inquired Mrs. Tree.

      "Bully!" said Tommy.

      "Now, what do you want to hear?"

      "About Grampy."

      "What about him?"

      "Everything! like what you told me last time."

      There was a silence of perfect peace on one side, of reflection on the other.

      "Solomon Candy," said Mrs. Tree, presently, "was the worst boy I ever knew."

      Tommy grinned gleefully, his mouth curving up to his nose, and rumpled his spiky hair with a delighted gesture.

      "Nobody in the village had any peace of their lives," the old lady went on, "on account of that boy and my brother Tom. We went to school together, in the little red schoolhouse that used to stand where the academy is now. We were always friends, Solomon and I, and he never played tricks on me, more than tying my pigtail to the back of the bench, and the like of that; but woe betide those that he didn't take a fancy to. I can hear Sally Andrews now, when she found the frog in her desk. It jumped right into her face, and fell into her apron-pocket, – we wore aprons with big pockets then, – and she screamed so she had to be taken home. That was the kind of prank Solomon was up to, every day of his life; and fishing for schoolmaster's wig through the skylight, and every crinkum-crankum that ever was. Master Bayley used to go to sleep every recess, and the skylight was just over his head. Dear me, Sirs, how that wig did look, sailing up into the air!"

      "I wish't ours wore a wig!" said Tommy, thoughtfully; then his eyes brightened. "Isaac Weight's skeered of frogs!" he said. "The apron-pockets made it better, though, of course. More, please!"

      "Isaac Weight? That's the deacon's eldest brat, isn't it?"

      "Yes'm!"

      "His grandfather was named Isaac, too," said Mrs. Tree. "This one is named for him, I suppose. Isaac Weight – the first one – was called Squash-nose at school, I remember. He wasn't popular, and I understand Ephraim, his son, wasn't either. They called him Meal-bag, and he looked it. Te-hee!" she laughed, a little dry keckle, like the click of castanets. "Did ever I tell you the trick your grandfather and my brother played on old Elder Weight and Squire Tree? That was great-grandfather to this present Weight boy, and uncle to my husband. The old squire was high in his notions, very high; he thought but little of Weights, though he sat under Elder Weight at that time. The Weights were a good stock in the beginning, I've been told, but even then they had begun to go down-hill. It was one summer, and Conference was held here in Elmerton. The meetings were very long, and every soul went that could. Elmerton was a pious place in those days. The afternoon sessions began at two o'clock and lasted till seven. Their brains must have been made of iron – or wood." Mrs. Tree clicked her castanets again.

      "Well, sir, the last day there was a sight of business, and folks knew the afternoon meeting would be extra long. Elder Weight and his wife (she was a Bonny; he'd never have been chosen elder if it hadn't been for her) were off in good season, and locked the door behind them; they kept no help at that time. The squire was off too, who but he, stepping up the street – dear me, Sirs, I can see him now, in his plum-colored coat and knee-breeches, silk stockings and silver buckles to his shoes. He had a Malacca cane, I remember, with a big ivory knob on it, and he washed it night and morning as if it were a baby. He was a very particular man, had his shirt-frills done up with a silver friller. Well, those boys, Solomon Candy and Tom Darracott (that was my brother), watched

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