Overland Tales. Clifford Josephine
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"Oh! it is pitiful," cried Nora, hardly aware of the quotation. "Even this proud avenue of olives, towering so high above all, has been cut up and laid out in building-lots."
"The advance of civilization," Brother Ben informed her; and, in reply, Nora pointed silently into a yard, where a half-grown palm-tree stood among heaps of refuse cigar-ends and broken bottles. The house to which the yard belonged was occupied as a bar-room, and one of its patrons, a son of Old Erin, to all appearances, lay stretched near the palm, sleeping off the fumes of the liquor imbibed at the bar.
They laughed at Nora's illustration, and decided to move from so untoward a spot that very afternoon, even if they should have to use their tent and camp out all night.
More flowers, and brighter they grew as our friend travelled farther South. On the plain the meadow-lark sang its song in the dew and the chill of the morning, and high on the mountain, in the still noonday, the lone cry of the hawk came down from where the bird lived in solitary grandeur. Wherever our friends went they were made welcome. Not a Spanish house dare the Don pass without stopping, at least for refreshments. He had compadres and comadres everywhere, and whether they approved of his intimate relations with the "Gringas" or not, they showed always the greatest respect, extended always the most cheerful hospitality.
At last they approached Santa Barbara, its white, sun-kissed mission gleaming below them in the valley as they descended the Santa Inez Mountains. Stately business houses and lovely country-seats, hidden in trees and vines – the wide sea guarding all. But they tarried not. Don Pedro announced that he had promised to make a stay of several weeks at his particular friend's, Don Enrico del Gada. He was proud to introduce them to this family, he said. They would become acquainted with true Castilians – would be witness to how Spanish people lived in the Southern country; rich people – that is – . They had always been rich, but through some mismanagement (through the knavery of some American, Nora interpreted it), they were greatly in danger of losing their whole estate. A small portion of their rancho had been sold to a company of land-speculators, and now they were trying to float the title to this portion over the whole of the Tappa Rancho.
"Pure Castilian blood," the Don affirmed; "fair of skin, hair lighter than Nora's tresses, and eyes blue as the sky. Such the male part of the family. The female portion – mother and daughter – were black-eyed, and just a trifle darker; but beauties, both. The daughter, Narcissa (Nora fancied that a sudden twinge distorted the Don's features as he spoke the name), was lovely and an angel; not very strong, though – a little weak in the chest."
All the evening the Del Gadas formed the subject of conversation, so that it is hardly surprising that morning found Nora arrayed with more care than usual, if possible, and looking handsome enough to gratify the heart of the most fastidious lover.
A two hours' ride brought them to the immediate enclosure of the comfortable ranch house, and with a sonorous "buénos dias caballeros!" the Don had led his party into the midst of a ring formed by the host, his son, and other invited guests. Some of them had just dismounted, and the spurs were still on their boots; some had red silk scarfs tied gracefully around the hips, and all were handsome, chivalrous, picturesque-looking men. Don Enrico advanced to assist Anna, while Don Manuel, his son, strode toward Leonora's horse and had lifted her from the saddle before Don Pedro could tell what he was about. Such clear blue eyes as he had! All the sunshine of his native Spain seemed caught in them; and his hand was so white! Nora's own could hardly vie with it.
His head was uncovered when he conducted her to the veranda, where the ladies were assembled. His mother, a beauty still, dark-eyed, full-throated, and with the haughty look and turn of the head that is found among the Spanish people; the sister a delicate, slender being, large-eyed, with hectic roses on her cheeks. Nora detected a strange glimmer in her eye and a convulsive movement of the lips as she addressed a question in a low tone to her brother, after the formal introduction was over.
"You must excuse my sister," he apologized to Nora, "she speaks no English. She wanted to know whether you had ridden Rosa. Long ago she tried to ride the horse, but could not, as she is not strong. When Don Pedro was here last she wanted to try again; but he would not consent. I suppose she is astonished at your prowess."
Nora watched the darkened, uneasy eyes of the girl; she thought she knew better than the unsuspecting brother what had prompted the question.
The Del Gada family, their house, their style of living, was all the Don had claimed for them. The first day or two were devoted mainly to out-of-door entertainments; the orange-groves, the vineyards, the almond-plantation on the ranch were visited, and a ride to the mission of Santa Barbara, whose Moorish bell-towers haunted Nora's brain, was planned and undertaken.
The warm light of the spring-day shed a soft glimmer over crumbling remnants of the monuments that the patient labor of the mission fathers have left behind them – monuments of rock and stone, shaped by the hands of the docile aborigines into aqueducts and fountains, reservoirs and mill-house; monuments, too, of living, thriving trees, swaying gently in the March wind, many of them laden with promises of a harvest of luscious apricot or honey-flavored pear. The hands that planted them have long fallen to dust; the humble adobe that gave shelter to the patient toiler is empty and in ruins, but the trees he planted flourish, and bear fruit, year after year; and from the shrine where he once knelt to worship his new-found Saviour, there echoes still the Ave and the Vesper-bell, though a different race now offers its devotion.
A day or two later, winter seemed to have returned in all its fury; the rain poured ceaselessly, and swelled the creeks till their narrow banks could hold the flood no longer; the wind tore at the roses, hanging in clusters of creamy white and dark crimson, on trellises and high-growing bush, and scattered showers of snow from almond and cherry trees. The fireplaces in the Del Gada mansion were once more alive and cheerful with a sparkling fire. It made little difference to the company assembled at the ranch; it gave Nora and Sister Anna an opportunity of seeing more of the home-life of the family, and impressed them with the excellence of the haughty-looking woman at the head of the establishment. No New England matron could be a more systematic housekeeper, could be more religiously devoted to the welfare of her family and servants. "And the romance of it all," Nora often repeated. Night and morning the far-sounding bell on the little chapel in the garden called the members of the house to worship; and Donna Incarnacion, kneeling, surrounded by her family and servants, read in clear tones the litanies and prayers. Once a week the priest from the neighboring mission visited the house, and then the large drawing-room was fitted up with altar and lights and flowers, and neighbors, high and low, of all degrees, attended worship.
This, however, did not prevent the family from being as jolly as Spanish people can well be, in this same drawing-room, when Mass was over, and "the things cleared away." Of cold or rainy nights the company resorted to this room, where they had music, conversation, refreshments. But everything had a dash of romance to Nora's unbounded delight. Refreshments were brought in on large trays, borne by dusk, dark-clad women; trays loaded with oranges, pomegranates, figs, the product of the orchards surrounding the house; and wine, sparkling red and clear amber, pressed from grapes gathered in the vineyard that crept close up to the door. It was not only California, but the South, of which Don Pedro had always spoken with such enthusiasm.
"And how enthusiastic he does grow sometimes," said Nora one evening, in the large drawing-room where they were all assembled.
Manuel, who performed on the piano as well as the flute, had just finished a piece of music which Nora had taken from her trunk for him to play, and she had insisted on turning the leaves for him. Don Pedro sat near, and Nora looking up, had caught his eye. "See the enthusiasm in his face," she said to Manuel. "How fond all of you Spaniards are of music."
"You are mistaken in two points, Donna Leonora," the young man replied. "Don Pedro is no Spaniard, he is a Mexican; and he has not grown enthusiastic over the music