accustomed to nowadays."
"Never mind, it's the dearest little den in the colonies!"
"That sounds as if you were glad to get back to Riverina?"
"Glad? No one knows how glad I am."
One person knew now. The measure of her gladness was expressed in her face not less than in her tones, and it was no ordinary measure. Over the candle she held in her hand Swift was enabled for the first time to peer unobstructedly into her face. He found it more winsome than ever, but he noticed some ancient blemishes under the memorable eyes. She had, in fact, some freckles, which he recognized with the keenest joy. She might stoop to a veil – she had not sunk to doctoring her complexion; she had come back to the bush an incomplete worldling after all. Yet there was that in her face which made him feel a stranger to her still.
"Do you know," he said, smiling, "that I'm in a great funk of you? I can't say quite what it is, but somehow you're so grand. I suppose it's Melbourne."
Miss Luttrell thanked him, bowing so low that her candle shed grease upon the boards. "You've altered too," she added in his own manner; "I suppose it's being boss. But I haven't seen enough of you to be sure. You evidently told off your new storekeeper to entertain me for the evening. He is a trying young man; he will talk. But of course he is a new chum fresh from home."
"Still he's a very good little chap; but it wasn't my fault that he and I didn't change places. Mr. Luttrell wanted to speak to me about several things, besides glancing through the books; I thought we might have put it off, and I wondered how you were getting on. By the way, it struck me once or twice that your father was coming up to give me the sack; and it's just the reverse, for now I'm permanent manager."
He told her this with a natural exultation, but she did not seem impressed by it. "Do you know why he did come up?" she asked him.
"Yes; for his Easter holidays, chiefly."
"And why I would come with him?"
"No; I'm afraid we never mentioned you. I suppose you came for a holiday too?"
"Shall I tell you why I did come?"
"I wish you would."
"Well, I came to say good-by to Wallandoon," said Christina solemnly.
"You're going to be married!" exclaimed Swift, with conviction, but with perfect nonchalance.
"Not if I know it," cried Christina. "Are you?"
"Not I."
"But there's Miss Trevor of Meringul!"
"I see them once in six months."
"That may be in the bond."
"Well, never mind Miss Trevor of Meringul. You haven't told me how it is you've come to say good-by to the station, Miss Luttrell of Wallandoon."
"Then I'll tell you, seriously: it's because I sail for England on the 4th of May."
"For England!"
"Yes, and I'm not at all keen about it, I can tell you. But I'm not going to see England, I'm going to see Ruth; Australia's worth fifty Englands any day."
Swift had recovered from his astonishment. "I don't know," he said doubtfully; "most of us would like a trip home, you know, just to see what the old country's like; though I dare say it isn't all it's cracked up to be."
"Of course it isn't. I hate it!"
"But if you've never been there?"
"I judge from the people – from the samples they send out. Your new storekeeper is one; you meet worse down in Melbourne. Herbert's going with me; he's going to Cambridge, if they'll have him. Didn't you know that? But he could go alone, and if it wasn't for Ruth I wouldn't cross Hobson's Bay to see their old England!"
The serious bitterness of her tone struck him afterward as nothing less than grotesque; but at the moment he was gazing into her face, thoughtfully yet without thoughts.
"It's good for Herbert," he said presently. "I couldn't do anything with him here; he offered to fight me when I tried to make him work. I suppose he will be three or four years at Cambridge; but how long are you going to stay with Mrs. – Mrs. Ruth?"
"How stupid you are at remembering a simple name! Do try to remember that her name is Holland. I beg your pardon, Jack, but you have been really very forgetful this evening. I think it must be Miss Trevor of Meringul."
"It isn't. I'm very sorry. But you haven't told me how long you think of staying at home."
"How long?" said the young girl lightly. "It may be for years and years, and it may be forever and ever!"
He looked at her strangely, and she darted out her hand.
"Good-night again, Jack."
"Good-night again."
What with the pauses, each of them an excellent opportunity for Christina to depart, it had taken them some ten minutes to say that which ought not to have lasted one. But you must know that this was nothing to their last good-night, on the self-same spot two years before, when she had rested in his arms.
CHAPTER II.
SWIFT OF WALLANDOON
Christina was awakened in the morning by the holland blind flapping against her open window. It was a soft, insinuating sound, that awoke one gradually, and to Christina both the cause and the awakening itself seemed incredibly familiar. So had she lain and listened in the past, as each day broke in her brain. When she opened her eyes the shadow of the sash wriggled on the blind as it flapped, a blade of sunshine lay under the door that opened upon the veranda, and neither sight was new to her. The same sheets of the Australasian with which her own hands had once lined the room, for want of a conventional wallpaper, lined it still; the same area of printed matter was in focus from the pillow, and she actually remembered an advertisement that caught her eye. It used to catch her eye two years before. Thus it became difficult to believe in those two years; and it was very pleasant to disbelieve in them. More than pleasant Christina found it to lie where she was, hearing the old noises (the horses were run up before she rose), seeing the old things, and dreaming that the last two years were themselves a dream. Her life as it stood was a much less charming composition than several possible arrangements of the same material, impossible now. This is not strange, but it was a little strange that neither sweet impossibilities nor bitter actualities fascinated her much; for so many good girls are morbidly introspective. As for Christina, let it be clearly and early understood that she was neither an introspective girl by nature nor a particularly good one from any point of view. She was not in the habit of looking back; but to look back on the old days here at the station without thinking of later days was like reading an uneven book for the second time, leaving out the poor part.
In making, but still more in closing that gap in her life (as you close a table after taking out a leaf) she was immensely helped by the associations of the present moment. They breathed of the remote past only; their breath was sweet and invigorating. Her affection for Wallandoon was no affectation; she loved it as she loved no other place. And if, as she dressed, her thoughts dwelt more on the young manager of the station than on the station itself, that only illustrates the difference between an association and an associate. There is human interest in the one, but it does not follow that Tiny Luttrell was immoderately interested in Jack Swift. Even to herself
