dinner, and, in spite of her lately registered vow never to touch a piano again, went back into the drawing-room and opened it. A modern musician, a modern and ordinary concert-frequenter, indeed, would have pitied the rusticity of her old-fashioned taste, for not only were the works but even the names of later authors unknown to her, and at the present moment she was finding Schumann's Noveletten a source of rapture and mystery to her. But, however old-fashioned in taste, she had the root of the matter in her profound love of melody and her secret, unswerving sense that in music was contained the riddle and the answer of the world. She, even as all others who have felt the incommunicable spell that lies in beauty of sound, knew that to put her feeling into words, or even into the cramping outlines of definite thought, was to distort and parody it, for the essence of the whole matter was that its spell was wordless. Images, of course, thronged in spate through her mind as she played or listened to music; sometimes it was a figure with veiled face that sang; sometimes it was a band of militant spirits who marched; sometimes through many-coloured mists, that grew thinner and more opalescent as a climax approached, there shone an ineffable light. But whatever image there came to her, she felt its inadequacy; it was at the most what a photograph is compared to the landscape which it records. Music was music; to those who understood, that would be a more satisfactory statement than any array of images which it suggested.
To-night as she played she found running, like a strong undertow beneath sunlit and placid surfaces, certain words of her father. Was it, indeed, love that inspired this beauty? If so, how was it that she who so ceaselessly worshipped its manifestation had never a glimpse of the spirit that inspired it?.. He had said more than that. He had said – here the ripple of the triplets enthralled and enchained her for a moment – he had said that for her the love of a common man would interpret things for her.
Elizabeth was playing with divided mind. Her fingers, that is to say, already schooled to the notes, rendered bar after bar to her inner, her contemplative self, while her thoughts, that swarm of active honey-bees that bring the crude treasure to the hive, were busy on their quests. Love, he had said, would teach her. Had love taught Schumann this moon-melody, this star-sown heaven of song?.. Had the thought of Madame Schumann made vocal to him the magic spell?.. This was a thing to smile at. Daddy did not understand, of course, what music was. He did not know how far it transcended in reality all else that can be felt or thought.
But, to do him justice, that was not the sum, the conclusion of his words. The love of a man, he had said, would teach her love, and the dwelling in that would teach her that love had neither end nor beginning, and she would call it by another name.
Instantly and ludicrously an image presented itself, the image of the regimental church, with its pitch-pine pews, its crude windows, its encaustic tiles, its braying harmonium. Yet all these unlovely objects somehow symbolized to her father all and more than all that music symbolized to her. And he was not imaginative; he was not poetical; he was not artistic. But to him, here was the one eternally satisfying answer to all questions that could ever be asked.
Elizabeth's fingers had come to the end of the first Novelette, but her unconscious mind, even as her thinking mind, heeded them no longer. The whole of her mind, conscious and unconscious alike, peered eagerly into this, asking itself what it saw there. And it saw nothing except the coloured glass and the pitch-pine; heard nothing but the wheeze of the harmonium, and the somewhat bucolic merriment of a chant in C major.
She rose from the piano and strolled out into the yellow, honey-coloured moonlight – a moonlight not pale and cold, but partaking of the ardour and the weariness of the Indian day. She recalled all that religion, direct religious worship, that is to say, and adoration of a personal and inner principle, had meant to her life, and, fully honest with herself, she saw how intensely little, how infinitesimally small that had been. There were her childish prayers, first of all, sentences which she could never remember having learned, for they came out of her earliest mists of childhood, and she could no more recollect being taught either them or their meaning than she could recollect being taught to wash her face. They were both on exactly the same plane; they belonged to the ritual of getting up and going to bed. There was washing to be done; there were buttons to be negotiated; there were prayers to be said. She had taken it on trust that these performances had to be gone through; the reason for them had never interested her. Then a further piece of observance had been introduced into the routine of life, and with her best frock and hat she had stood and sat and knelt, sometimes with tedium, sometimes in absorbed attention to interesting members of the congregation, while words were recited, and hymns sung. It was rather pleasant to recognize among the formulas of public worship her own bedside ejaculations, just as it is pleasant to recognize familiar faces in a crowd. It was pleasant also to be encouraged to join her small voice in the more cheerful intervals of singing. Church, in fact, was a not unattractive way of spending an hour on Sunday morning, and was part of Sunday in precisely the same degree and with exactly the same meaninglessness as her prayers were part of the ritual of dressing and undressing. Much of what was recited there was connected with the Jews who had astounding adventures in Egypt and in the wilderness.
She had heard, she had listened, she had been taught, prepared for confirmation, and taken to communion. She supposed that she believed that she was a Christian, but she believed, for that matter, in Australia, and, for that matter, she knew she was English. But neither her belief in Australia nor in the truth of Christianity was coloured with emotion or directed her actions. She would not, as far as she was aware, behave any differently if Australia was suddenly swallowed up in the ocean, or if the historical facts on which Christianity was based were proved to be fallacious. In no way did either fact enter into her life. She was not, for instance, kind and honest and truthful because she was a Christian.
But she knew that in beauty she sought a meaning that she had never yet found, that at times she agonized to discover, and catch hold of, something on which to rest, from which to derive…
She had wandered down the length of the dusky garden alleys between the roses and yellow mimosas until she had come to the low stone wall at the bottom of her father's garden. Here the cantonments ended, and half a mile of dry dusty land lay between her and the native city, which rose a black blot against the blue of the night sky. A few low huts of cattle-tenders were scattered about, and the feather-like plumes of tamarisk, and clear-cut aloes broke the level monotony. One such aloe close at hand flowered a few days before, and now the great stalk, fifteen feet high, with its cluster of blossoms at the end of the horizontal twigs, stood like a telegraph pole across the face of the moon, and Elizabeth wondered at this prodigious force that from the empty air and barren soil raised in so few days this triumphant engine and distributor of life. For years this plant had silently and slowly grown, a barren growth in a barren land; then suddenly it had been caught in the whirlpool of production, of fruition, and with a stupendous output, which should cause its own exhausted death, had erected that beacon flame with that torch of transmitted life. Had it felt a death-bed revelation, as it were? Was it satisfied to bear witness to life and to die? What did it mean? What did it all mean?
A small trodden track lay just below the three-foot wall on which she leaned, and at the moment she heard something stir there close to her. Looking over, she saw that an old man was squatting there. He had a long white beard that fell nearly to his waist; he was naked but for the loin-cloth about his middle, and by his side lay a tall crutch and an empty begging-bowl of wood. But round his shoulders, which glistened in the moonlight, she saw that there was bound the three-fold cord that marks a Brahmin.
Apparently he heard her movement as she leaned over, and turned his head towards her. Deadly weakness and exhaustion were printed there, but more clearly than that there shone from it a quiet indwelling joy, an expression of rapture, of ecstasy.
Elizabeth spoke to him in the vernacular.
"You want food?" she said.
"I want nothing, lady," said he.
Elizabeth suddenly felt that there was something here for her; that this aged, quiet face, so full of joy, so shadowed
