under his nose," I explained.
"Roger Odell's nose!" Price gasped. "Where – where – "
"Was it? On the Monarchic. And I didn't pull it; neither did he pull mine. I even have hopes that the two features may come to terms. To-morrow, at exactly this hour, you're due to know why. But meanwhile I want you to promise me patience, blind faith and – unquestioning help. There's no time to waste over it, so here goes! Who's the most influential man you know in New York?"
"George Gould," he said.
"Pooh! a mere millionaire. He's no use to me. Do you know anyone in the police force – high enough up to do you a favour?"
Price pondered for an instant. "I know Sam Yelverton. Is that name familiar to you?"
"It is. Think we'll find him in now if you take me to call?"
"If this is our lucky day we shall."
"Let's put it to the test. I've noticed that New York has taxis as well as London."
"And you'll notice the difference when you've paid for one. But this is on me."
The omen of luck was good, for we found our man at the police head-quarters, and, true to his promise, Carr Price sat as still and expressionless as an owl while I did the talking. I had been introduced to the great Sam Yelverton by my own request as the author of The Key, and it really was a stroke of luck that he had read and liked it. He looked interested when I said that I'd got an idea for my book from a cause célèbre in New York – "The Callender-Graham affair," I explained.
"Ah, the latchkeys in the dead men's pockets!" he caught me up.
"Exactly. Now it's a question of a play by Mr. Price, on the same lines as my book and with the same title, soon, very soon, to be produced at the Felborn Theatre. It will be of the greatest assistance to him and to me in working out an important detail if I can have Ned Callender-Graham's latchkeys – anyhow, the smaller one – in my hands for a few hours to-day. Indeed, I'm afraid we can't get much 'forrarder' if you refuse."
(This was the literal truth, for, unless I could obtain the more important of those two keys and do with it what I hoped to do, I should be unable to "deliver the goods" to Roger Odell. I should stand with him where I had stood before the "hold up" interview, and the play would be pigeon-holed indefinitely. Price's eyes were starting from his head, but he kept his tongue between his teeth.)
Mr. Yelverton seemed amused. "I guess I may be able to manage that," he said, "if one or both of those keys are still in our hands, as I believe they are. If I do the trick for you I'll expect a box for the play on the first night, eh?"
"It's a bargain, isn't it, Carr?" said I.
The dazed Price assented.
"Oh, and by the way, Mr. Yelverton" – I arrested the famous man as he picked up the receiver of his desk telephone – "if the letters and the empty envelopes found on the bodies of the two brothers are still among your police archives, would it be possible for me to have a look at them?"
Yelverton – a big man with a red face and the keenest eyes I ever saw, deep set between cushiony lids – threw me a quick glance. "You do remember the details of that case pretty well, Lord John!" he said.
"I'm an amateur follower in your famous footsteps," I reminded him. He smiled, called up a number and began telephoning. I admired the clear way in which he put what he wanted – or what I wanted – without wasting a word. He asked not only for the keys, but for the whole dossier in the double case of the Callender-Graham brothers. Then came a moment of waiting in which my heart ticked like a clock; but I contrived to answer Mr. Yelverton's mild questions about our weather on shipboard. At last a sharp ring heralded an end of suspense.
"Sorry, Lord John," the big man began, taking the receiver from the generous shell of his ear. "They're sending round the dossier, but our chaps have got none of the Callender-Graham 'exhibits in their possession – haven't had for nearly a year. I feared it was likely to be so. You see, there was no proof that any crime had been committed on either of the two brothers; in fact, the theory was against it. When the police definitely dropped the case – or cases – the family was entitled to all personal property of the deceased. Everything found on the body of Ned Callender-Graham was handed over to the relatives by their request, as had been done a few weeks after the elder brother's death, even the letters and those empty envelopes you were intelligent enough to single out for observation. We had done the same, naturally, but, in every sense of the word" – he grinned – "there was nothing in 'em."
"The keys on Ned's body were handed over to the Misses Callender, then?" I inquired, stiffening the muscles of my face to mask my disappointment.
"Yes. Perhaps, as you remember so much, you recall the fact that the first two keys were given to the relatives. Miss Marian Callender and her niece believed that Ned had Perry's keys in his pocket, which would mean there were but the two. The Callender ladies are the sole surviving relatives, or, anyhow, the nearest ones. But I've saved my bit of good news from head-quarters till the last. They 'phoned that there are duplicate keys. I thought I recalled something of the sort. Not sure but I suggested making them myself. That pretty millionairess girl might get herself engaged a third time, and if there were any more dead men found with latchkeys in their pockets, sample specimens might be very handy for our fellows."
Sam Yelverton finished with a laugh; but I couldn't echo it. I thought of Odell, of Grace Callender's lovely face and her young, spoilt life. I remembered the cruel nicknames "Belladonna" and "Poison Flower." If even the police prepared for a third tragedy, in case she thought again of marriage, no wonder the poor girl refused the man she loved.
"Will duplicates do for you, or do I lose my stage-box?" the big man asked.
I said aloud that I thought duplicates would answer my purpose, and silently to myself I said that they must do so.
Ten minutes later a policeman of some rank (what rank I couldn't tell, he being my first American specimen) brought in a parcel of considerable size. It contained many affidavits concerning the Callender-Graham tragedy; and on the top of these documents was a small, neatly labelled packet containing two keys.
The larger was entirely commonplace; and even the smaller one was at first glance a rather ordinary latchkey, of the Yale order. To an experienced and observant eye, however, it was of curious workmanship.
"Not a Yale, you see," said Yelverton, taking a magnifying glass from a small drawer of his tidy desk and passing it on to me. "What do you make of the thing?"
"Foreign, isn't it?" I remarked carelessly.
"Yes, we thought so. German – or Italian. Both the brothers had travelled abroad. On a Yale you would read the words 'Yale paracentric,' and a number. There's neither name nor number on that." He flung a gesture toward the key in my hand.
"May I take it away and keep it till to-morrow morning, to work out my plot with?" I asked. "The big one I don't care about. I give you my word I'll send this back in twenty-four – no, let's say twenty-five hours. I have an engagement for the twenty-fourth hour."
"All right," replied Yelverton good-naturedly. "You might bring the box-ticket with you. Ha, ha!"
"I will," I laughed. "And as to the dossier, may I sit somewhere out of your way and glance through it in case there's anything we can work up to strengthen the realism of our scenario? Of course, we'll guarantee to use nothing that might recall the Callender-Graham case to the public or dramatic critics."
"You
