as that gentleman approached him, and when Mr. Merrywhistle slowly passed him, his fierce eye came in view and lighted upon the stroller. Before he had left the old man three yards behind him, Mr. Merrywhistle fancied he heard a chuckle. He would have dearly liked to turn back and accost the old man, but a feeling of awkwardness was upon him, and he could not muster sufficient courage. Chance, however, brought about an interview. Not far from him was a building that might have been a palace, it was so grand and light. It was a triumph of architecture, with its beautiful pillars, and its elaborate stonework. Great windows, higher than a man's height, gilt framed, and blazing with a light that threw everything around them in the shade, tempted the passer-by to stop and admire. There were three pictures in the windows, and these pictures were so cunningly surrounded by jets of light, that they could not fail to attract the eye. Awful satires were these pictures. Two of them represented the figure of a man under different aspects. On the left, this man was represented with a miserably-attenuated face, every line in which expressed woe and destitution; his clothes were so ragged that his flesh peeped through; his cheeks were thin, his lips were drawn in, his eyes were sunken; his lean hands seemed to tremble beneath a weight of misery: at the foot of this picture was an inscription, to the effect that it was the portrait of a man who did not drink So-and-so's gin and So-and-so's stout, both of which life's elixirs were to be obtained within. On the right, this same man was represented with full-fleshed face, with jovial eyes, with handsome mouth and teeth, with plump cheeks, with fat hands-his clothes and everything about him betokening worldly prosperity and happiness: at the foot of this picture was an inscription, to the effect that it was the portrait of the same man who (having, it is to be presumed, seen the error of his ways) did drink So-and-so's gin and So-and-so's stout. A glance inside this palace, crowded with Misery, would have been sufficient to show what a bitter satire these pictures were. But the centre picture, in addition to being a bitter satire, was awfully suggestive. It was this:
Whether to the artist or to the manufacturer was due the credit of ingeniously parading 'Old Tom' in a coffin, cannot (through the ignorance of the writer) here be recorded. But there it shone-an ominous advertisement. As Mr. Merrywhistle halted for a moment before these pictures, there issued from the Laboratory of Crime and Disease a man and a woman: he, blotched and bloated; she, worn-eyed and weary-both of them in rags. The woman, clinging to his arm, was begging him to come home-for his sake; for hers; for the children's; for God's! With his disengaged hand he struck at her, and she fell to the ground, bleeding. She rose, however, and wiped her face with her apron, and implored him again and again to come home-and again he struck at her: this time with cruel effect, for she lay in the dust, helpless for a while. A crowd gathered quickly, and a hubbub ensued. In the midst of the Babel of voices, Mr. Merrywhistle, looking down saw the strange old man standing by his side. The same surly, sneering expression was on the old man's countenance, and Mr. Merrywhistle felt half inclined to quarrel with him for it. But before he had time to speak, the old man took the pipe out of his mouth, and pointing the stem in the direction of the chief actors in the scene, said, 'I knew them two when they was youngsters.'
'Indeed,' replied Mr. Merrywhistle, interested immediately, and delighted at the opportunity of opening up the conversation.
'She was a han'some gal; you'd scarce believe it to look at her now. She 'ad eyes like sloes; though whether sloes is bird, beast, or fish, I couldn't tell ye, but I've heard the sayin' a 'undred times. Anyways, she 'ad bright black eyes, and was a good gal too; but she fell in love'-(in a tone of intense scorn) – with that feller, and married him, the fool!'
'What has brought them to this?'
'Gin!' said the old man, expelling the word as if it were a bullet, and bringing his fierce eye to bear with all its force upon Mr. Merrywhistle.
Short as was the time occupied by this dialogue, it was long enough to put an end to the scene before them. The woman was raised to her feet by other women, many of whom urged her to 'Give him in charge, the brute!' but she shook her head, and staggered away in pain. Very quickly after her disappearance the crowd dissolved, by far the greater part of it finding its way through the swing-doors of the gin-palace, to talk of the event over So-and-so's gin and So-and-so's stout. Not that there was anything new or novel in the occurrence. It was but a scene in a drama of real life that had been played many hundred times in that locality. Presently the street was quite clear, and Mr. Merrywhistle and the old man were standing side by side, alone. A handy lamp-post served as a resting-place for the old man, who continued to smoke his pipe, and to chuckle between whiles, as if he knew that Mr. Merrywhistle wanted to get up a conversation, and did not know how to commence. As he saw that the old man was determined not to assist him, and as every moment added to the awkwardness of the situation, Mr. Merrywhistle made a desperate plunge.
'When I was on the Royal Exchange to-day-' he commenced.
The old man took his pipe out of his mouth, and expelled a cloud and a chuckle at the same moment.
'I thought you was a-comin' to that,' he said. 'You owe me a bob.'
'What for?'
'I made a bet with you-to myself-that the first thing you'd speak about was the Royal Exchange. I bet you a bob-to myself-and I won it.'
Without hesitation Mr. Merrywhistle took a shilling from his pocket, and offered it to the old man, who eyed it with his fierce eye for a moment, doubtingly and with curiosity, and then calmly took possession of it, and put it in his waistcoat-pocket.
'When you was, on the Royal Exchange to-day,' he said, repeating Mr. Merrywhistle's words, 'you sor a boy and a girl a-beggin'.'
'No,' exclaimed Mr. Merrywhistle warmly; 'they were not begging.'
'You may call it what you like,' said the old man; 'but I call it beggin'; and so would that identical boy, if I was to ask him. He wouldn't tell you so, though. The boy he looked as if he was goin' to die, and you give him a copper or a bit of silver; and you wasn't pleased because I laughed at you for it. Now, then, fire away.'
'Was that boy starving? Was he as ill as he looked? Was I-'
'Took in?' added the old man, as Mr. Merrywhistle hesitated to express the doubt 'Why? D'ye want your money back? Lord! he's a smart little chap, is Tom Beadle!'
'You know him, then?'
'Know him!' replied the old man, with a contemptuous snort; 'I'd like to be told who it is about 'ere I don't know. And I'd like to know who you are. I'm almost as fond of askin' questions as I am of answering 'em. What's sauce for the goose is sauce for the gander. If you expect Jimmy Wirtue to answer your questions, you must make up your mind to answer his'n.'
'You're Mr. Virtue, then?'
'You're at it agin. No, I'm not Mr. Virtue' (he had to struggle with the 'V' before it would pass his lips), 'but Jimmy Wirtue-and that's not Jimmy Wice. What's your'n?'
'Merrywhistle,' replied that gentleman shortly.
Jimmy Virtue was pleased at the quick answer.
'Merrywhistle!' he exclaimed. 'That's a rum name-rummer than mine. What more would you like to know? What am I? I keep a leavin'-shop. Where do I live? In Stoney-alley. Now, what are you; and where do you live? Are you a Methody parson, or a penny-a-liner, or a detective, or a cove that goes about studyin' human nater, or a feelanthrofist. We've lots o' them knockin' about 'ere.'
Mr. Merrywhistle was constrained to reply, but found himself unexpectedly in a quandary.
'I'm a-a-O, I'm Nothing Particular,' blurting it out almost in desperation.
'You look like it,' chuckled Jimmy Virtue, so tickled by his smart retort as to be satisfied with Mr. Merrywhistle's vague definition
