Blake's Burden. Bindloss Harold
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"He couldn't have got in unless the doctors were satisfied with him," said Mrs. Ashborne.
"That's true, but both mental and physical traits have a way of lying dormant while we're young and of developing later. Bertram has shown himself a capable officer, but to my mind, he looked more like a soldier when he was at Sandhurst than he does now."
A few minutes later Mrs. Chudleigh came out of the hotel with Sedgwick and stopped to speak to Mrs. Keith.
"I came up by the last train and heard that you were here. Captain Sedgwick travelled with me, but he's going on to Toronto to-morrow. I suppose you have seen the Challoners? Such a number of English people in the town! But isn't this a curious place to spend the evening?"
"It's cool," said Mrs. Keith. "I like fresh air."
Mrs. Chudleigh, glanced towards Millicent, who was distributing a basket of peaches among a group of untidy, emigrant children.
"That's a charming picture, isn't it? Miss Graham fits the part very well, but I suppose you're responsible."
There was a sneer in her tone and Sedgwick broke in: "Miss Graham's a very nice girl; you can see that she's sorry for the dirty little beggars. They don't look as if they'd had a happy time, and a liner's crowded steerage isn't a luxurious place."
"Since you feel so pitiful, it would be more to the purpose if you gave them something," Mrs. Chudleigh rejoined.
"A good idea!" said Sedgwick coolly. "I'll carry it out."
He crossed the grass and scattered a few small coins among the children, who clustered round him, after which he stood talking to Millicent, while Mrs. Chudleigh watched him with an impatience she did not try to hide.
"It's a new role for Sedgwick," she remarked. "When he has finished, we are going into the cathedral to hear the music. I'm fond of churches, and we spent the afternoon in Notre Dame."
Mrs. Ashborne said it was worth seeing and conversation languished for the next three or four minutes, after which Mrs. Chudleigh moved forward imperiously and took Sedgwick away. Mrs. Keith turned to her companion with an amused expression.
"I daresay you noticed that he didn't mind keeping her waiting."
"I thought he meant to flout her when he acted on her suggestion, and I half expected something of a scene," said Mrs. Ashborne. "The woman has a temper."
Mrs. Keith smiled. "The man is a fortune hunter, but he's taking the right way. She's used to admiration, and her other suitors have, no doubt, deferred to her. It's a change to be defied instead of courted, and though it makes her angry I imagine it strengthens his hold. If he shows his is the firmer hand, she'll give in."
"You're taking it for granted that she's in love with him."
"It looks like it," Mrs. Keith replied. "He has his attractions and has done one or two dashing things of the kind that catches the public eye. However, I have some English letters to write, and I think we'll go in."
Next evening, about an hour before sunset, Challoner and his wife leaned upon the rails of a wooden gallery built out from the rock on the summit of the green mountain that rises close behind Montreal. It is a view-point that visitors frequent, and they gazed with appreciation at the wide landscape. Wooded slopes led steeply down to the stately colleges of McGill and the rows of picturesque houses along Sherbrook Avenue; lower yet, the city, shining in the clear evening light, spread across the plain, dominated by its cathedral dome and the towers of Notre Dame. Green squares with trees in them checkered the blocks of buildings; along its skirts, where a haze of smoke hung about the wharves, the great river gleamed in a broad silver band. On the farther bank the plain ran on again, fading from green to grey and purple until it melted into the distance and the hills on the Vermont frontier cut, faintly blue, against the sky.
"How beautiful this world is!" Challoner exclaimed. "I have seen grander sights and there are more picturesque cities than Montreal – I'm looking forward to showing you the work of the Moguls in India – but happiness such as I've had of late casts a glamour over everything. It wasn't always so with me; I've had my bad hours when I was blind to beauty."
Though Blanche Challoner was very young and much in love, she ventured a smiling rebuke.
"You shouldn't wish to remember them; I'm afraid, Bertram, there's a melancholy strain in you, and I don't mean to let you indulge in it. Besides, how could you have had bad hours? You have been made much of and given everything you could wish for since you were a boy. Indeed, I sometimes wonder how you escaped from being spoiled."
"When I joined it, I hated the army; that sounds like high treason, doesn't it? However, I got used to things and made art my hobby instead of my vocation. You won't mind if I confess that a view of this kind makes me long to paint?"
"Oh! no; I intend to encourage you. You mustn't waste your talent. When we stay among the Rockies we will spend the days in the most beautiful places we can find and I shall take my pleasure in watching you at work. But didn't your fondness for sketching amuse the mess?"
"I used to be chaffed about it and repaid my tormentors by caricaturing them. On the whole, they were very good-natured."
"I expect they admired the drawings; they ought to have done. You have talent. Indeed, I never quite understood why you became a soldier."
"I think it was from a want of moral courage; you have seen that determination is not among my virtues," Challoner replied. "It's as much to the purpose that you don't know my father very well. Though he's fond of pictures, he looks upon artists and poets as a rather effeminate and irresponsible set, and I must own that he has met one or two unfavourable specimens. Then he couldn't imagine the possibility of a son of his not being anxious to follow the family profession, and, knowing how my defection would grieve him, I let him have his way. There has always been a Challoner fighting or ruling in India since John Company's time."
"They must have been fine men by their portraits. There's one of a Major Henry Challoner I fell in love with. He was with Outram, wasn't he? You have his look, though there's a puzzling difference. I think these men were bluffer and blunter than you are. You're gentler and more sensitive; in a way, finer drawn."
"My sensitiveness has not been a blessing," said Challoner soberly.
"But it makes you lovable," Blanche declared. "There must have been a certain ruthlessness about those old Challoners which you couldn't show. After all, their pictures suggest that their courage was of the unimaginative, physical kind."
A shadow crept into Challoner's face, but he banished it.
"I am happy in having a wife who won't see my faults." Then he added humorously: "After all, however, that's not good for one."
Blanche gave him a tender smile, but he did not see it, for he was gazing at a man who came down the steps from the neighbouring cable railway. The newcomer was about thirty years of age, of average height, and strongly made. His face was deeply sunburned and he had eyes of a curious dark-blue with a twinkle in them and dark lashes, though his hair was fair. As he drew nearer, Blanche was struck by something that suggested the family likeness of the Challoners. He had their firm mouth and wide forehead, but by no means their somewhat austere expression. He looked as if he went careless through life and could be readily amused. Then he saw Bertram, and, starting, made as if he would pass the entrance to the gallery, and Blanche turned her surprised glance upon her husband. Bertram's