Dorothy, and Other Italian Stories. Woolson Constance Fenimore
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"We shall be going home in 1883, I suppose," Mackenzie had said to the ladies of Villa Dorio; "I shall be obliged to go then; or at least it would be better to go. In the meanwhile, as Dorothy appears to be rather fond of Bellosguardo – don't you think so? – I have had the idea of taking Belmonte for a time. That is, if you yourselves intend to continue here?"
"Oh, we shall continue, we shall continue," Mrs. Tracy had answered, laughing. "For detached American ladies, who haven't yet come to calling themselves old – for the cultivated superfluous and the intelligent remainders – there is nothing like Europe!"
The flat highways down in the Arno Valley, west of Bellosguardo, are deep in dust even as early as April; the villages, consisting for the most part of a shallow line of houses on each side of the road, almost join hands, so that it is not the dust alone that afflicts the pedestrian, but children, dogs, the rinds of fruit and vegetables – all the far-reaching untidiness of a Southern race that lives in the street. The black-eyed women sit in chairs at the edge of the dry gutter, plaiting straw; up to middle-age they are all handsome, with thick hair and soft, dark eyes. On this April afternoon they laughed (waiting with Italian politeness until she had passed) as an Englishwoman trudged by them on her way back to Florence. Her plain dress was short, revealing long shoes white with dust; her unbeautiful face was mottled by the heat; she looked tired enough to lie down and die. But to the straw-plaiting matrons she was simply ridiculous, or else mad; for how otherwise should a foreigner be toiling along their plebeian highway on foot, when she could so easily have a carriage? Felicia was finishing her daily walk of miles – a walk without an object save to tire herself. As she passed the olive-crowned heights of Bellosguardo rising on the right, she lifted her eyes.
"He is there, seeing everybody. All the same people who were there a year ago to-day. And what are they thinking – perhaps saying? 'See this dull, middle-aged man, with that flighty little creature for a wife! She cares nothing for him; she turns him round her finger, and always will.' O fool! fool too noble to see or to doubt; simple, generous nature, never asserting itself, always repressed, that I understood, while all these other people, that girl at the head of them, only laughed at it!"
She hastened on, passed through the city gate, and made her way down the dirty, evil-smelling Borgo San Frediano to San Spirito beyond, where, high up in an old palace, she had a small apartment crowded with artistic trumpery. After climbing the long stairs, and letting herself in with a latch-key, she entered her minute drawing-room, and sank into a chair, her feet, in their dusty shoes, like two blocks of wood on the matting before her. And the plates and the plaques and the pots, the bits of silk and tapestry and embroidery, the old sketches and old busts and old shrines that adorned the walls, looked down upon her with their usual heterogeneous glimmer. This time the glimmer seemed personally sarcastic, seemed inhuman.
While she sat there, the people at Belmonte were beginning to take leave. Rose was to remain (with Miss Jane Wood). As Waddy Brunetti was to remain also, the Misses Sebright looked at Rose with envy. Six of the sisters were now united in a single admiration. For Owen Charrington had gone to Australia before Christmas – it was about the time that Dorothy's engagement had been announced – and he had not returned; admiration could not stretch to the antipodes. Waddy, too, had been absent through January, February, and March; but he was now at home again, so there was some use in going once more to teas and receptions.
"How lovely Mrs. Mackenzie is looking!" said Miss Maria Wood on the way down to Florence.
She had accepted a seat in Mrs. Grimston's carriage, and it was that lady who answered her.
"Yes – fairly; it's her youth more than anything else. Strictly speaking, there are but two kinds of beauty – dimpled youth like that, and the noble outline and bearing that come from distinguished birth."
This was a double shot. For Rose certainly had no dimples, and the birth of distinction pointed of course to the widowed countess. But Julian, who sat facing his mother, had no longer any courage to resist; his poor little eyes, like those of a sick monkey, had shed their two slow tears on Christmas eve, when, at last allowed to retreat to his own (cold) room, he had accepted drearily the tidings of Dorothy's engagement, and had given up his struggle against fate.
Mr. Illingsworth walked down the hill with Mrs. Sebright, her girls following at a little distance, two and two. "Don't I miss one of your charming daughters?" he said, gallantly, as, happening to look back at the turn of a zigzag, he caught sight of the procession coming round the higher bend.
"Dear me! I wish he might miss three or four!" thought the mother. But this was nothing worse on her part than a natural desire to translate three or four of them to richer atmospheres – a Yorkshire country-house, for instance, or a good vicarage; even army life in India would do. Meanwhile she was replying, "Yes – Nora; Nora has been at St. Martin's Orphan House, out in the country, since Christmas. She is greatly interested in the work there; so much so that I have consented to let her remain."
Nora's secret only one person had discovered, and this one was the benevolent stranger, Charlotte Tracy, who had happened to see the expression in the girl's eyes for one instant, when the news of Alan Mackenzie's engagement had come upon her suddenly, and taken her (as it took all Florence) by surprise. The American lady, instantly comprehending, had (while her own face showed nothing) screened Nora skilfully from observation for several minutes. And ever since she had kept her knowledge hidden away very closely in a shaded corner of her heart.
"A true Sister of Charity," Mr. Illingsworth had responded to the mother's reply about the orphan house. But as he said this he was thinking, "And if I had married, as I came so near doing, I, too, might have had at my heels this moment – great heavens! – just such another red-cheeked, affectionate train!"
That evening the ladies who had dined at Belmonte were taking their coffee in the garden; there was no moon, but the splendid stars gave a light of their own as they spangled the dark-blue sky. From the open door of the boudoir at this end of the house, the light, streaming forth, fell upon Dorothy as she sat talking to Rose. After a while the gentlemen joined the ladies; and then Waddy talked to Rose. But while he talked, his eyes followed the hostess, who was now strolling up and down the honeysuckle path with one of her guests. Some one asked Waddy to sing. Nothing loath, he went within, brought out Dorothy's guitar, and sang one of Tosti's serenades. The song and his voice, a melodious tenor, accorded so perfectly with the old Italian garden that there was much applause. And then Waddy, having moved his chair into the shadow of the trees, sent forth after a while from the darkness, unasked, a second song, and this time the words were English:
"Through the long days, the long days and the years,
What will my loved one be,
Parted from me, parted from me,
Through the long days and years?"
The lady who had been strolling with Dorothy had stopped to speak to some one, and for the moment the young wife, who had reached the end of the honeysuckle path, was alone. Mackenzie came up quietly and stood beside her as the song went on. When it had ended, she looked up at him.
"Do you like it so much?" she asked, in surprise, as she saw, in the starlight, the expression of his face.
"It's because I have so much more than I ever dreamed of having, Dorothy," he answered, in a low tone, just touching her hair in the shadow. "A year ago – do you remember? That same song, on the terrace? It expressed what I felt; for then I had no hope. But now – "
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