East Angels: A Novel. Woolson Constance Fenimore
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The old black woman sent the results of her labors to the house on the wall, in the charge of Telano Johnson, a tall, slender colored boy of eighteen summers, whose spotless white linen jacket and intense gravity of demeanor gained him the favor of even Celestine. "He has manners like the Governor of Vermont and all his staff, I do declare!" was the secret thought of this good woman. Telano, who had never seen a white servant before, treated Celestine with profound respect; his inward belief was that she was a witch, which would account for her inexplicable leanness, and the conciseness of her remarks, the latter most singular of all to Telano, who had the usual flowery fluency of his race. He carried a Voudoo charm against her, and brandished it when she was not looking; in addition, he often arranged, swiftly and furtively, in a corner of the dining-room when he came to lay the cloth, a little pile of three minute twigs crossed in a particular fashion, and sprinkled with unknown substances which he also took from his pocket, the whole a protection from her supposed incantations against him. Minerva meanwhile had no suspicion of these pagan rites, she continued to be pleased with Telano, and had a plan for teaching him to read. The boy sang with the charming sweetness so common among the Africans, and once, after listening, duster in hand, in spite of herself, for a quarter of an hour, as he carolled over the dishes he was washing in his pantry, she went so far as to appear at his pantry door to ask, briefly, if he knew a favorite song of her youth, "The Draggle-tail Gypsies, Oh!" Telano did not know it. And she said she would sing it to him some day. Whereupon Telano, as soon as possible afterwards, took flight in his long white apron back to the Seminole House for a fresh charm against her; he was convinced that the singing of this strange bony woman would finish him, would be the worst spell of all.
"That's a very good black boy we've got to wait at table and do the chores," Celestine remarked approvingly to her mistress, as she brought a shawl of different thickness, suitable to the dew in the air, to put round her. "He's a deal sight more serious-minded than the rantum-scootum boys one has to put up with in a wanderin' life like this. He's spry, yet he's steady too; and he sings like a bobolink, though his songs are most dreadful as to words. There's one, 'O Lord, these bones of mine! O Lord, these BONES of mine! O Lord, these BONES of mine!'" – Celestine sang this quotation in a high chanting voice, with her eyes closed and her face screwed up tightly, which was her usual expression when musical. "And I suppose it refers to rheumatism," she added, descending to her ordinary tones; "but it's very irreverent. He doesn't know 'The Draggle-tail Gypsies,' nor yet 'Barbara Allen,' nor yet 'I'll Make You a Present of a Coach and Six;' but I'm going to sing 'em to him some day. I feel that I must do my duty by him, poor neglected African. Have you any objections to my teaching him to read?"
"No, provided he doesn't read my books," Mrs. Rutherford answered.
"He will read in McGuffey's Third Reader," responded Celestine.
Winthrop had retained his bachelor quarters at the Seminole; the house over the old monks' passage was not large, and Mrs. Rutherford was fond of space. She liked open doors in all directions, she liked to have several sitting-rooms; she liked to leave her book in one, her fan in another, her scent-bottle or handkerchief in a third, and have nobody disturb them.
"I don't detect in you, Aunt Katrina, any signs of the ruin you mentioned," her nephew said, as they sat together, that first evening, on the piazza.
The light from the room within shone across Mrs. Rutherford's face and the soft waves of her silvery hair as, with a pink shawl thrown round her, she sat leaning back in an easy-chair. "Celestine repairs the breaches so cleverly that no doubt I continue to present a fair appearance to the world," she answered, drawing the shawl more closely round her shoulders, and then letting her hands drop on its pink fringes.
Mrs. Rutherford's hands always took statuesque positions; but probably that was because they were statuesque hands. They were perfect in shape according to sculptors' rules, full and white, one ringless, its beautiful outlines unmarred, the other heavily weighted with gems, which flashed as she moved.
"But pray don't imagine, my dear boy," she continued, "that I enjoy my ill health, as so many women do. On the contrary, I dislike it – dislike it so much that I have even arranged with Margaret that she is never to ask me (save when we are alone) any of those invalid questions – whether I have slept well, how my cough is, if there isn't a draught, and that sort of thing. I used to think that talking with a mother when her children were in the room, was the most trying thing, conversationally; she listens to you with one ear, but the other is listening to Johnnie; right in the midst of something very pathetic you are telling her, she will give a sudden, perfectly irrelevant smile, over her baby's last crow, and your best story is hopelessly spoiled because she loses the point (though she pretends she hasn't) while she rearranges the sashes of Ethel and Tottie (they are always rearranging them), who are going out to walk with their nurse. Still, bad as this is, I have come to the conclusion, lately, that invalid-questions are worse, because they are not confined to the hours when children are about; and so I have given Margaret my directions."
"Which are to be mine too, I suppose," said Winthrop, smiling. "Mrs. Harold looks well."
"Yes, Margaret always looks the same, I think. She has not that highly colored, robust appearance that some women have, but her health is absolutely perfect; it's really quite wonderful," said the aunt. She paused; then sighed. "I almost think that it has been like an armor to her," she went on. "I don't believe she feels little things as some of us do, some of us who are perhaps more sensitive; she is never nervous, never disturbed, her temper is so even that it is almost exasperating. She thinks as well of everything, for instance, in an east wind as in any other."
"A great gift in some climates; but here it will have less play. Gracias air isn't easterly, it bends towards one – yields, melts."
"I wish Margaret could yield – melt," said Mrs. Rutherford, with another sigh. "You see my mind still broods upon it, Evert; seeing you, my other boy, brings it all back."
"I don't know, but I suppose you do, whether Lanse has made any overtures lately?" said Winthrop, after a moment of silence.
"I know nothing, she is the most reticent woman living. But it would not be like him; with his pride – you know his pride – he would never speak first, never urge."
"A man might speak first to his wife, I should suppose," replied Winthrop, a stern expression showing itself for a moment in his gray eyes. "It need not be urging, it might be a command."
"Lanse would never do that. It would show that he cared, and – well, you know his disposition."
"I used to think that I knew it; but of late years I have doubted my knowledge."
"Don't doubt it, Evert," said Mrs. Rutherford, earnestly, laying her hand on his arm, "he is just what you think, just what he always was. We understand him, you and I – we comprehend him; unfortunately, Margaret cannot."
"I have never pretended to judge Mrs. Harold," answered Evert Winthrop (but he looked as if he might have, if not a judgment, at least an opinion); "I know her too slightly."
"Yet you have seen a good deal of her since you came back from Europe," remarked his aunt.
"I have seen enough to know that she is, at least, a very good niece to you," he answered.
His feeling against Margaret Harold was strong, it was founded upon some of the deepest beliefs of his nature. But these beliefs were his own, in their very essence they were personal, private, he could not have discussed them with any one; especially would he never have discussed them with his aunt,