as it turned out, you didn't take him. Were you much at Appleyard afterward?"
"No. One of Staffer's friends offered me a pretty good post abroad, and everybody thought I ought to seize the chance, but I didn't. In consequence, a kind of coolness grew up and I haven't stayed long at Appleyard since. Dick sends a message and Elsie writes long letters now and then."
Whitney stood up and stretched himself. A rhythmic throb of engines stole out of the silence, and, some distance off, a yellow and a green light moved across the level sea. Overhead, the topsail cut black against the sky, and the water had grown more luminous in the eddying wake. To the east, a thin, silver moon was shining above the dim heights of Cumberland. Tiny ripples lapped the Rowan's side, but the breeze was faint and everything was still.
"The flood will take us to Rough Firth, and we may as well stand on," Andrew said. "You can go below. I'll call you if you're wanted."
Carefully lowering his head, Whitney crept into the small cabin and lighted the lamp. Its illumination showed the oilskins swinging against the forecastle bulkhead, and the narrow table on top of the centerboard trunk, which ran up the middle of the floor. On each side were lockers that served as seats, and two folding cots were strapped against the skin of the boat. Whitney let one down and got into it with his clothes on: he had found that this was prudent when cruising in small vessels. There was a rack, loaded with odds and ends, a few inches above his head; and a smell of tarred rope, paraffin and mildewed canvas came out of the forecastle; but this did not trouble him, and he was soon asleep.
In the meanwhile, Andrew sat at the helm, his mind busy with gloomy thoughts.
CHAPTER IV
APPLEYARD
It was a stormy evening when Whitney caught his first glimpse of Appleyard. He felt disappointed. He had expected to see an ancient Border tower with modern additions; but the low, straight-fronted house did not look much more than a century old. It was solidly built of gray granite, with mullioned windows and a small pepper-box turret at one end, but while it made no pretense of architectural beauty, Whitney admitted that it had some charm. For one thing, Appleyard stood boldly on the breast of a knoll, with dark firs packed closely about it, and the landscape it commanded was ruggedly wild. Bleak pastures and lonely moorland, stained a purple-red, rolled back to the hills that melted into leaden cloud in the north. To the south, a strip of green littoral was dotted with white farmsteads and traversed by the curves of a river that flashed where it caught the light.
Beyond this level strip, the Solway sands ran far out to sea, glowing red in the angry sunset and pierced by channels of slate-green water. In the distance, a narrow white line showed where their edge was washed by the receding tide. On the western shore of the wide estuary, Criffell's lonely height stood out, a harsh dark-blue, against a saffron glare.
The car sped across an iron bridge spanning a ravine where hazel, mountain-ash, and scrub oak grew among the stones, skirted a broad lawn, and stopped at the door. Whitney was presented to Mrs. Woodhouse and Staffer, who welcomed him cordially, and then he shook hands with Dick. They entered the house at once, and Whitney found himself in a large, square hall, which looked older than the rest of the building. The light was dim, for the windows were narrow and were placed unusually high in the massive walls. A wood fire burned in the big, old-fashioned hearth, but the place felt chilly and especially cheerless.
Dick took them up a staircase that led to a gallery at the back of the hall.
"Your kit arrived from Glasgow, and I think you'll find all you want laid out in your rooms," he said. "Dinner will be ready as soon as you have changed."
They went along a passage, and Whitney was glad to be left alone in his room. It was his first visit to an old Scottish house, and although not an antiquarian he was capable of receiving impressions from places, and he wanted to discover what influence Appleyard had on him. He noted that a fire was laid ready in the grate, although it was August and until that morning the weather had been warm. The room was rather bare, but the few articles of old-fashioned furniture were solid and were made on a good model. They were marked by a certain austerity of taste, and he thought of them as business-like. The plain, self-colored rugs and curtains had a similar effect. Everything that utility demanded was there, but he marked the absence of luxury and ornament.
The walls were very thick, and there were seats in the deep window recesses. Opening one of the casements, Whitney stopped a minute and looked out. He could see a stretch of wet sands that were now growing dim, and the faint line of surf, and then, by turning sharply, black hills running back into gathering cloud. The air was unusually keen, and although darkness was fast coming on, the distance was clean-cut and sharp. The landscape somehow harmonized with the house; it was perhaps a trifle harsh, but it had a peculiarly distinctive character.
Andrew came in while Whitney was dressing, and finding him not ready, he went down first.
There was no one in the hall when Andrew reached it, and he was satisfied to be alone as he stood by the hearth, looking about. A lamp had been lighted, but the illumination did not carry far, and the high roof and the corners were shadowy. The hall occupied the lower story of the old central tower, which had served as a fort in bygone years but had since been partly rebuilt and incorporated in the house. Andrew knew its history, for he loved Appleyard. He was, in some respects, truer to the type of the men who had built and fought for it than Dick. He was not jealous of his cousin, but it was hard to feel himself a mere passing guest in the old house, and a vague discontent tempered his satisfaction at coming home. Besides, he was poor, and was condemned by an accident to a life of obscurity. He wondered why Elsie had not been there to welcome him, as she had always done on previous visits. He remembered her frank regret when he last went away. Indeed, he had often pictured her as she stood by the lodge gate, a slender, fresh-faced girl, with ruffled hair and a hint of tears in her blue eyes. She was as graceful as a fawn; but her beauty as yet was immature.
Andrew heard a sound behind him, and turning from the fire he saw a girl coming down the stairs. She stood out against the dark-paneled walls, for her pale green dress caught the light and shimmered. It went well with her auburn hair, emphasizing the pure white and pink of her skin; and it matched her eyes, which had the changing color of the sea. The immature grace Andrew had known had gone; there was something of distinction in her carriage.
While he gazed at her, she came toward him with a frank smile of pleasure.
"It's very nice to have you back," she said. "I couldn't get home until a few minutes after you arrived. Roy lost a shoe as I was driving up the Lockerbie road."
Andrew took her hand and held it for a moment, but the only remark he could think of was:
"You have Roy yet?"
Elsie laughed as if she understood, and rather liked, his embarrassment.
"Oh, yes. He's still going strong, and when Kevan re-shod him he brought me home in record time. But you're very brown and looking well."
"It's good to be back at Appleyard," he said quietly.
"You're still very fond of it? So am I, though that may seem curious, because I'm really an outsider."
"That applies to me more than to you, because the old place would never be the same without you."
Elsie looked at him as he stood, gravely quiet, studying her.
"Well," she said, "Appleyard is Dick's. His father was a true Johnstone, his mother a Jardine, but you make one feel that you're more at home here than he is. I can't account for it. Can you?"
"I might blame your imagination," he answered, smiling.
