Room Number 3, and Other Detective Stories. Green Anna Katharine
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"I think so."
"You have not. There is such a room. I could not have dreamed it."
Silence met this suggestion.
Throwing up her hands like one who realises for the first time that the battle is for life, she let an expression of her despair and desolation rush in frenzy from her lips:
"It's a conspiracy. The whole thing is a conspiracy. If my mother had had money on her or had worn valuable jewelry, I should believe her to have been a victim of this lying man and woman. As it is, I don't trust them. They say that my poor mother was found lying ready dressed and quite dead in the wood. That may be true, for I saw men bringing her in. But if so, what warrant have we that she was not lured there, slaughtered, and made to seem the victim of accident by this unscrupulous man and woman? Such things have been done; but for a daughter to fabricate such a plot as they impute to me is past belief, out of Nature and impossible. With all their wiles, they cannot prove it. I dare them to do so; I dare any one to do so."
Then she begged to be allowed to search the house for the room she so well remembered. "When I show you that," she cried, with ringing assurance, "you will believe the rest of my story."
"Shall I take the young lady up myself?" asked Mr. Quimby. "Or will it be enough if my wife accompanies her?"
"We will all accompany her," said the coroner.
"Very good," came in hearty acquiescence.
"It's the only way to quiet her," he whispered in Mr. Hammersmith's ear.
The latter turned on him suddenly.
"None of your insinuations," he cried. "She's as far from insane as I am myself. We shall find the room."
"You, too," fell softly from the other's lips as he stepped back into the coroner's wake. Mr. Hammersmith gave his arm to Miss Demarest, and the landlady brought up the rear.
"Upstairs," ordered the trembling girl. "We will go first to the room I occupied."
As they reached the door, she motioned them all back, and started away from them down the hall. Quickly they followed. "It was around a corner," she muttered broodingly, halting at the first turning. "That is all I remember. But we'll visit every room."
"We have already," objected the coroner, but meeting Mr. Hammersmith's warning look, he desisted from further interference.
"I remember its appearance perfectly. I remember it as if it were my own," she persisted, as door after door was thrown back and as quickly shut again at a shake of her head. "Isn't there another hall? Might I not have turned some other corner?"
"Yes, there is another hall," acquiesced the landlord, leading the way into the passage communicating with the extension.
"Oh!" she murmured, as she noted the increased interest in both the coroner and his companion; "we shall find it here."
"Do you recognise the hall?" asked the coroner as they stepped through a narrow opening into the old part.
"No, but I shall recognise the room."
"Wait!" It was Hammersmith who called her back as she was starting forward. "I should like you to repeat just how much furniture this room contained and where it stood."
She stopped, startled, and then said:
"It was awfully bare; a bed was on the left – "
"On the left?"
"She said the left," quoth the landlord, "though I don't see that it matters; it's all fancy with her."
"Go on," kindly urged Hammersmith.
"There was a window. I saw the dismal panes and my mother standing between them and me. I can't describe the little things."
"Possibly because there were none to describe," whispered Hammersmith in his superior's ear.
Meanwhile the landlord and his wife awaited their advance with studied patience. As Miss Demarest joined him, he handed her a bunch of keys, with the remark:
"None of these rooms are occupied to-day, so you can open them without hesitation."
She stared at him and ran quickly forward. Mr. Hammersmith followed speedily after. Suddenly both paused. She had lost the thread of her intention before opening a single door.
"I thought I could go straight to it," she declared. "I shall have to open all the doors, as we did in the other hall."
"Let me help you," proffered Mr. Hammersmith. She accepted his aid, and the search recommenced with the same results as before. Hope sank to disappointment as each door was passed. The vigour of her step was gone, and as she paused heartsick before the last and only remaining door, it was with an ashy face she watched Mr. Hammersmith stoop to insert the key.
He, on his part, as the door fell back, watched her for some token of awakened interest. But he watched in vain. The smallness of the room, its bareness, its one window, the absence of all furniture save the solitary cot drawn up on the right (not on the left, as she had said), seemed to make little or no impression on her.
"The last! the last! and I have not found it. Oh, sir," she moaned, catching at Mr. Hammersmith's arm, "am I then mad? Was it a dream? Or is this a dream? I feel that I no longer know." Then, as the landlady officiously stepped up, she clung with increased frenzy to Mr. Hammersmith, crying, with positive wildness, "This is the dream! The room I remember is a real one and my story is real. Prove it, or my reason will leave me. I feel it going – going – "
"Hush!" It was Hammersmith who sought thus to calm her. "Your story is real and I will prove it so. Meanwhile trust your reason. It will not fail you."
He had observed the corners of the landlord's hitherto restrained lips settle into a slightly sarcastic curl as the door of this room closed for the second time.
II
"The girl's beauty has imposed on you."
"I don't think so. I should be sorry to think myself so weak. I simply credit her story more than I do that of Quimby."
"But his is supported by several witnesses. Hers has no support at all."
"That is what strikes me as so significant. This man Quimby understands himself. Who are his witnesses? His wife and his head man. There is nobody else. In the half-hour which has just passed I have searched diligently for some disinterested testimony supporting his assertion, but I have found none. No one knows anything. Of the three persons occupying rooms in the extension last night, two were asleep and the third overcome with drink. The maids won't talk. They seem uneasy, and I detected a sly look pass from the one to the other at some question I asked, but they won't talk. There's a conspiracy somewhere. I'm as sure of it as that I am standing here."
"Nonsense! What should there be a conspiracy about? You would make this old woman an important character. Now we know that she wasn't. Look at the matter as it presents itself to an unprejudiced mind. A young and susceptible girl falls in love with a man, who is at once a gentleman and a scamp. She may have tried to resist her feelings, and she may not have. Your judgment and mine would probably differ on this point.