added to my learning touching the kingly pastime of dog-fighting. When two dogs have “fought to a turn,” that is, locked themselves in a grip, not deadly to either if persisted in, and which still prevents further fighting, – as in the case of Spot and Pincher, – a responsibility rests with the call of “Time” on the dog that “turns.” In this instance, Pincher. At the call of “Time” Spot would be held by his handler, standing in plain view of Pincher, but in his corner. It was incumbent on Pincher – as a proof of good faith – to cross the pit to get at him. If Pincher failed when released on call of “Time” to come straight across to Spot, and come at once; if he looked to right or left or hesitated even for the splinter of a second, he was a beaten dog. The battle was against him.
“Time!” called the referee.
Just prior to the call I heard Martin whisper huskily over his shoulder to a rough customer who sat just back of and above him, at Spot’s corner of the pit:
“Stand by wit’ that glim now!” Martin muttered without turning his head.
At the call “Time!” McDermot released Pincher across in his corner. Pincher’s eyes were riveted on Spot, just over the way, and there’s no doubt of Pincher’s full purpose to close with him at once. There was no more of hesitation in his stout heart than in Spot’s, who stood mouth open and fire-eyed, waiting.
But a strange interference occurred. At the word “Time!” the rough customer chronicled slipped the slide of a dark lantern and threw the small glare of it squarely in Pincher’s eyes. It dazed Pincher; he lost sight of Spot; forgot for a moment his great purpose. There stood poor Pincher, irresolute, not knowing where to find his enemy; thrall to the glare of the dark lantern.
“Spot win!” declared the referee.
At that moment the dark-lantern rough-customer closed the slide and disappeared.
Few saw the trick or its effects. Certainly the referee was guiltless. But McDermot, who had had the same view of the dark lantern Pincher had, and on whom for a moment it had similar effect, raised a great clamour. But it was too late; Martin had claimed the thousand dollars from the stake-holder, and with it in his pocket was already in a carriage driving away, with Spot wrapped up in a lap robe occupying the front seat.
“Let McDermot holler!” said Martin, with much heat, when I mentioned the subject the next day. “Am I goin’ to lose a fight and five hundred dollars, just because some bloke brings a dark lantern to d’ pit and takes to monkeyin’ wit’ it? Not on your life!”
MULBERRY MARY
Chucky d’ Turk” was the nom de guerre of my friend. Under this title he fought the battles of life. If he had another name he never made me his confidant concerning it. We had many talks, Chucky and I; generally in a dingy little bar on Baxter Street, where, when I wearied of uptown sights and smells, I was wont to meet with Chucky. Never did Chucky call on me nor seek me. From first to last he failed not to conduct himself towards me with an air of tolerant patronage. When together I did the buying and the listening, and Chucky did the drinking and the talking. It was on such occasion when Chucky told me the story of Mulberry Mary.
“Mary was born in Kelly’s Alley,” remarked Chucky, examining in a thoughtful way his mug of mixed ale; “Mary was born in Kelly’s Alley, an’ say! she wasn’t no squealer, I don’t t’ink.
“When Mary grows up an’ can chase about an’ chin, she toins out a dead good kid an’ goes to d’ Sisters’ School. At this time I don’t spot Mary in p’ticler; she’s nothin’ but a sawed-off kid, an’ I’m busy wit’ me graft.
“D’ foist I really knows of Mary is when she gets married. She hooks up wit’ Billy, d’ moll-buzzard; an’ say! he’s bad.
“He gets his lamps on Mary at Connorses spiel, Billy does; an’ he’s stuck on her in a hully secont. It’s no wonder; Mary’s a peach. She’s d’ belle of d’ Bend, make no doubt.
“Billy’s graft is hangin’ round d’ Bowery bars, layin’ for suckers. An’ he used to get in his hooks deep an’ clever now an’ then, an’ most times Billy could, if it’s a case of crowd, flash quite a bit of dough.
“So when Billy sees Mary at Connorses spiel, like I says, she’s such a bute he loses his nut. You needn’t give it d’ laugh! Say! I sees d’ map of a skirt – a goil, I means – on a drop curtain at a swell t’eatre onct, an’ it says under it she’s Cleopatra. D’ mark nex’ me says, when I taps for a tip, this Cleopatra’s from Egypt, an’ makes a hit in d’ coochee coochee line, wit’ d’ high push of d’ old times, see! An’ says this gezeybo for a finish: ‘This Cleopatra was a wonder for looks. She was d’ high-roller tart of her time, an’ d’ beauti-fulest.’
“Now, all I got to say is,” continued Chucky, regarding me with a challenging air of decision the while; “all I has to utter is, Mary could make this Cleopatra look like seven cents!
“Well,” resumed Chucky, as I made no comment, “Billy chases up to Mary an’ goes in to give her d’ jolly of her life. An’, say! she’s pleased all right, all right; I can see it be her mug.
“An’ Billy goes d’ limit. He orders d’ beers; an’ when he pays, Billy springs his wad on Mary an’ counts d’ bills off slow, Linkin’ it’ll razzle-dazzle her. Then Billy tells Mary he’s out to be her steady.
“‘I’ve got money to boin,’ says Billy, ‘an’ what you wants you gets, see!’ An’ Billy pulls d’ long green ag’in to show Mary he’s dead strong, an ‘d’ money aint no dream.
“But Mary says ‘Nit! couple of times nit!’ She says she’s on d’ level, an’ no steady goes wit’ her. It’s either march or marry wit’ Mary. An’ so she lays it down.
“That’s how it stands, when d’ nex’ news we hears Billy an’ she don’t do a t’ing but chase off to a w’ite-choker; followin’ which dey grabs off a garret in d’ Astorbilt tenement, an’ goes to keepin’ house.
“But Mary breaks in on Billy’s graft. She says he’s got to go to woik; he’ll get lagged if he don’t; an’ she won’t stand for no husband who spends half d’ time wit’ her an ‘d’ rest on d’ Island. So he cuts loose from d’ fly mob an’ leaves d’ suckers alone, an’ hires out for a tinsmith, see!
“An’ here’s d’ luck Billy has. It’s d’ secont day an’ he’s fittin’ in d’ tin flashin’ round a chimbley on a five-story roof; an’ mebby it’s because he aint used to woik, or mebby he gets funny in his cupolo, bein’ up so high; anyhow he dives down to d’ pavement, an’ when he lands, you bet your life! Billy’s d’ deadest t’ing that ever happened.
“Mary goes wild an’ wrong after that. In half of no time Mary takes to chasin’ up to Mott Street an’ hittin’ d’ pipe. There’s a Chink up there who can cook d’ hop out o’ sight, an’ it aint long before Mary is hangin’ ‘round his joint for good. It’s then dey quits callin’ her Mulberry Mary, an’ she goes be d’ name of Mollie d’ Dope.
“Mary don’t last in d’ Chink swim more’n a year before there’s bats in her belfry for fair; any old stiff wit’ lamps could see it; an’ so folks gets leary of Mary.
“It runs on mebby two years after Billy does that stunt from d’ roof, see! when there’s a fire an’ all d’ kids run an’ screeched, an’ all d’ folks hollered, an’ all d’ engines comes an’ lams
