The Amethyst Box. Green Anna Katharine
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I reached out my hand and touched him on the arm.
"This dream-maiden was a woman?" I inquired. "One of the women now in this house."
He replied reluctantly.
"She was a young woman and she wore a long cloak. My dream ends there. I can not even say whether she was fair or dark."
I recognized that he had reached the limit of his explanations, and, wringing his hand, I started for the nearest window, which proved to be that of the music-room. I was about to enter when I saw two women crossing to the opposite doorway, and paused with a full heart to note them, for one was Mrs. Lansing and the other Dorothy. The aunt had evidently come for the niece and they were leaving the room together. Not amicably, however. Harsh words had passed, or I am no judge of the human countenance. Dorothy especially bore herself like one who finds difficulty in restraining herself from some unhappy outburst, and as she disappeared from my sight in the wake of her formidable companion my attention was again called to her hands, which she held clenched at her sides.
I was stepping into the room when my impulse was again checked. Another person was sitting there, a person I had been most anxious to see ever since my last interview with Sinclair. It was Gilbertine Murray, sitting alone in an attitude of deep, and possibly not altogether happy thought.
I paused to study the sweet face. Truly she was a beautiful woman. I had never before realized how beautiful. Her rich coloring, her noble traits and the spirited air, which gave her such marked distinction, bespoke at once an ardent nature and a pure soul.
I did not wonder that Sinclair had succumbed to charms so pronounced and uncommon, and as I gazed longer and noted the tremulous droop of her ripe lips and the faraway look of eyes which had created a great stir in the social world when they first flashed upon it. I felt that if Sinclair could see her now he would never doubt her again, despite the fact that the attitude into which she had fallen was one of great fatigue, if not despondency.
She held a fan in her hand, and as I stood looking at her she dropped it. As she stooped to pick it up, her eyes met mine, and a startling change passed over her. Springing up, she held out her hands in wordless appeal – then let them drop again as if conscious that I would not be likely to understand either herself or her mood. She was very beautiful.
Entering the room, I approached her. Had Sinclair managed to have his little conversation with her? Something must have happened, for never had I seen her in such a state of suppressed excitement, and I had seen her many times, both here and in her aunt's house when I was visiting Dorothy. Her eyes were shining, not with a brilliant, but a soft light, and the smile with which she met my advance had something in it strangely tremulous and expectant.
"I am glad to have a moment in which to speak to you alone," I said. "As Sinclair's oldest and closest friend, I wish to tell you how truly you can rely both on his affection and esteem. He has an infinitely good heart."
She did not answer as brightly and as quickly as I expected. Something seemed to choke her, something which she finally mastered, though only by an effort which left her pale, but self-contained and even more lovely, if that is possible, than before.
"Thank you," she then said, "my prospects are very happy. No one but myself knows how happy." And she smiled again, but with an expression which recalled to my mind Sinclair's fears.
I bowed; some one was calling her name; evidently our interview was to be short.
"I am obliged," she murmured. Then quickly, "I have not seen the moon to-night. Is it beautiful? Can you see it from this veranda?"
But before I could answer, she was surrounded and dragged off by a knot of young people, and I was left free to keep my engagement with Sinclair.
I did not find him at his post nor could any one tell me where he had vanished.
It was plain that his conduct was looked upon as strange, and I felt some anxiety lest it should appear more so before the evening was over. I found him at last in his room sitting with his head buried in his arms. He started up as I entered.
"Well?" he asked sharply.
"I have learned nothing decisive."
"Nor I."
"I exchanged some words with both ladies and I tackled Beaton; but the matter remains just about where it was. It may have been Dorothy who took the box and it may have been Gilbertine. But there seems to be greater reason for suspecting Dorothy. She lives a hell of a life with that aunt."
"And Gilbertine is on the point of escaping that bondage. I know; I have thought of that. Walter, you are a generous fellow;" and for a moment Sinclair looked relieved. Before I could speak, however, he was sunk again in his old despondency. "But the doubt," he cried, "the doubt! How can I go through this rehearsal with such a doubt in my mind? I can not and will not. Go tell them I am ill and can not come down again to-night. God knows you will tell no untruth."
I saw that he was quite beside himself, but ventured upon one remonstrance.
"It will be unwise to rouse comment," I said. "If that box was taken for the death it holds, the one restraint most likely to act upon the young girl who retains it will be the conventionalities of her position and the requirements of the hour. Any break in the settled order of things – anything which would give her a moment by herself – might precipitate the dreadful event we fear. Remember, one turn of the hand and all is lost. A drop is quickly swallowed."
"Frightful!" he murmured, the perspiration oozing from his forehead. "What a wedding-eve! And they are laughing down there; listen to them. I even imagine I hear Gilbertine's voice. Is there unconsciousness in it or just the hilarity of a distracted mind bent on self-destruction? I can not tell; the sound conveys no meaning to me."
"She has a sweet, true face," I said, "and she wears a very beautiful smile to-night."
He sprang to his feet.
"Yes, yes; a smile that maddens me; a smile that tells me nothing, nothing! Walter, Walter, don't you see that, even if that cursed box remains unopened and nothing ever comes of its theft, the seeds of distrust are sown thick in my breast, and I must always ask: 'Was there a moment when my young bride shrank from me enough to dream of death?' That is why I can not go through the mockery of this rehearsal."
"Can you go through the ceremony of marriage?"
"I must – if nothing happens to-night."
"And then?"
I spoke involuntarily. I was thinking not of him, but of myself. But he evidently found in my words an echo of his own thought.
"Yes, it is the then," he murmured. "Well may a man quail before that then."
He did go down stairs, however, and later on, went through the rehearsal very much as I had expected him to do, quietly and without any outward show of emotion.
As soon as possible after this the company separated, Sinclair making me an imperceptible gesture as he went up stairs. I knew what it meant, and was in his room as soon as the fellows who accompanied him had left him alone.
"The danger is from now on," he cried, as soon as I had closed the door behind me. "I shall not undress to-night."
"Nor I."
"Happily