back and before Iola got to the doorway, there was a moment when I saw into the room. It looked real artistic, flowered cretonne curtains, wicker chairs with cushions and low bookcases around the walls, the whole lit up by the yellow glow of lamps. But I wasn't interested in the furniture – what caught my eye was a couch just opposite the open door, on which a woman was lying.
There was a lamp on a stand beside her and its light fell full over her. If I hadn't known Carol Whitehall was there I'd have guessed right off it was she from the likeness to her mother. She had just the same hair and deep, rich-looking eyes except in her the hair was black as night and the eyes were young. She had a newspaper in her hand and as the doors opened she'd looked up, intent and questioning, and I saw she was beautiful. She was like a picture, leaning forward with that inquiring expression, her features clear in the flood of soft light. I got an impression of her then that I've never forgotten – of force and strength. It didn't come from anything especial in her face, but from something in her general makeup, something vivid and warm, like she was alive straight through.
They stayed in the room some time while I sat waiting. I'd sized up everything in sight, especially two little glass lamps on the sideboard that I thought would be a nice present for Babbitts to give me on my next birthday, when the doors slid back and Iola came in. She didn't say anything and seemed in a hurry to be off. Mrs. Whitehall showed us out, very polite but depressed, and when the door was shut on us and we stole down the stairs, I felt the worst had come. In the vestibule I looked at Iola and said: "Well?"
She was struggling with her umbrella, her face bent over it.
"Fired!" she answered in a husky voice.
The rain was coming down in torrents, and wanting to cuddle up comforting against her, I didn't raise my umbrella and we walked up the street, squeezed together, with the downpour spattering around us. Believe me, the water fell under Iola's umbrella pretty nearly as heavy as it did outside it. Miss Whitehall was broke. Mr. Harland had been her financial backer and now she was ruined and the business would close. The surprise and horror of the whole thing had prostrated her and as soon as she was better she'd wind up the Azalea Woods Estates and try and sublet her offices, on which she had still a six months' lease.
"She was awful sweet," Iola sobbed. "She gave me a full month's salary and said she'd meant to keep me forever. Oh, Molly, why did it have to happen?"
I squeezed her and said:
"That's all right, dearie. We'll all hustle and get you another job. I got lots of money and what's mine's yours – the way it always is between good and true friends."
But Iola wouldn't be comforted.
"I can't take your money. I never took a cent yet. And I thought I was fixed for life. I thought even if the business didn't pan out big she'd marry Mr. Barker and get a place for me."
"Marry Mr. Barker!" I cried out astonished.
"Yes – that's what I thought was coming."
Believe me, I was surprised. She'd never dropped a hint of it.
"Why didn't you tell me that before?" I asked.
"Because Tony Ford told me not to. He said I wasn't to tell anybody – that Barker being such a big bug it would get in the papers and that might break it all up."
"But are you sure? Did he act like he was in love with her?"
We were passing one of those arc lights on Park Avenue, and the scornful look she cast at me, tears and all, was plain.
"Wouldn't you think a man was in love – even if he was a magnate – who'd buy a house and lot just for an excuse to see a lady?"
"Did you ever hear him making love to her?"
"No – but I didn't need to. I've been made love to enough myself to know the signs without hearing. First it was all business, and I believed it was only that. Then, one day when Mr. Ford was out, he came in and lingered round making conversation. You know the way they do it, and for all he was a magnate Mr. Barker was just the same as the errand boy. That's the way it is with men – they got no variety. He wanted to know about her home and the farm and before that. Oh, Indiana, a fine state, Indiana! It made me laugh to see him with his hook nose and gray hair handing out the same line of talk that Billy Dunn gave me when I was in the linen envelope place."
"Did she seem to care for him?"
"Not at first. She was very formal, just a bow and then right off about the bungalow. But he had the symptoms from the start – looking at her like he couldn't take his eyes off and not caring whether the bungalow was as small as a hencoop or as big as the Waldorf.
"They went along that way for a while then something happened – a fight, I guess when Tony Ford and I weren't there. Anyhow, after it she was so cold and distant you'd wonder he had the nerve to come. Then one afternoon he came in and asked her low – I heard him – if he could have a few words with her in the private office. She hesitated but I guess she couldn't see her way to refusing, so in they went and had a long powwow. Whatever it was they said to each other it smoothed out all the wrinkles. After that she was as different to him as summer is to winter. In my own mind I thought they were engaged, for she'd brighten up when he came in and smile. I never saw her smile like that at anyone, and once when they thought I couldn't hear I heard him call her 'dear.' They'd go into the private office and talk. Gee! how they talked! And always low like they were afraid Tony Ford and I might overhear. And on the top of all that he disappears."
"Perhaps that's why she's been sick."
"Sure it is. It's bad enough to lose your own money, but wouldn't it make you sick to lose millions, let alone the man you're in love with, even if he has a nose you could hang an umbrella on?"
"Poor thing!" I said, for I could see now what the lady lying on the couch had been up against.
"We're all poor things," said Iola, beginning to get sorry for herself again. "Miss Whitehall, and the man that's dead, and Tony Ford who's lost his job, and me, poor unfortunate me, that I thought was on velvet for the rest of my days."
Babbitts didn't get home till late that night, but I was so full of what Iola had said that I waited up for him. When he did come, he hadn't but one kiss, when I pulled away from him and told him.
"Doesn't it seem to you, Soapy," I said, "that that story ought to go back to Mr. Whitney?"
He looked at me sideways with a sly, questioning glance.
"Why?" he asked.
"Why, if Barker's in love with her don't you think maybe he'll try and creep back or get in touch with her some way?"
He burst out laughing.
"Oh, Morningdew, there's a lot of nice things about you, but one of the nicest is that you never disappoint a fellow. I was wondering if you'd see it. Go back to Mr. Whitney? It'll go back the first thing tomorrow morning and you'll take it."
CHAPTER V
MOLLY TELLS THE STORY
The next morning Babbitts and I started out for the offices of Whitney & Whitney. They're far downtown, near Wall Street, way up in the top of a skyscraper where the air is good even in summer. I'd been in them before, and it was funny as we shot up in the elevator to think of those first visits, when I was so scared of Mr. Whitney – "the chief," as Jack Reddy calls him, and it's his name all right.
We
