grew quiet once more and she returned to her own reflections.
In spite of her pallor she did not seem in the least unhealthy, only tired and down-hearted. For her eyes, though light in color, were clear and bright, and the lips of her large, firmly modeled mouth bright red. She wore a handsome and becoming gray cloth dress and a soft white blouse, her gray hat having a white feather stuck through a band of folded silk. The coolness and simplicity of her toilet was refreshing in the warmth of the late June day and a pleasant contrast to the brighter colors affected by the German Frauen and Fräulein.
Finally the girl opened her roll of music and taking out a sheet began slowly reading it over to herself. Then her dejection appeared to deepen, for eventually the tears rolled down her cheeks. She continued holding up her music in order to shield herself from observation. Even when she was disturbed by hearing some one sit down beside her on the bench, she did not dare turn her head.
But the figure deliberately moved closer and before she could protest had actually taken the sheet of paper out of her hands.
"Esther, my dear, what is the matter with you? Have you no home and no friends, that you have to shed your tears in the public streets?" a slightly amused though sympathetic voice demanded.
Naturally Esther started. But the next instant she was shaking her head reproachfully. "Dr. Ashton, however in the world did you manage to discover me?" she demanded. "I am resting here for the special pleasure of being miserable all by myself. For I knew if I went back to the pension Betty and your mother would find me out. And the worst of it is that neither one of them understands in the least why I am unhappy. Betty is really angry and I am afraid that Mrs. Ashton thinks I am stupid and ungrateful."
Instead of replying, Richard Ashton picked up Esther's hand and slipped it through his own arm. He looked a good deal older than his companion. For he was now a graduated physician with three years of added foreign experience, and besides his natural seriousness he wore the reserved, thoughtful air peculiar to his profession. So his present attitude toward Esther Crippen seemed that of an older friend.
"I don't know what you are talking about or what dark secret you seem to be trying to conceal," he returned. "All that I do know is that I have been sent out to find you and that you are please to come home with me. Betty and mother have been expecting you to return from your music lesson for an hour. And Betty is so in the habit of getting herself lost or of mixing up in some adventure where she does not belong, that she is convinced a like fate has overtaken you. Then I believe that something or other has happened which she has not confided to me, but which she is dying to tell you. There are times, Esther, when I wish that our sister, Betty, was not quite so pretty. I am always afraid that some day or other these German students, whom she seems to have for her friends, will be involved in a duel over her. And if that happens I shall very promptly send her home."
Dick and Esther had now left the broad, park-like square and had turned into a narrower side street adjoining it. Ordinarily any such suggestion concerning Betty would have aroused Esther's immediate interest and protest. However, whatever was now on her mind was troubling her too much for her to pay any real attention to what Dick had just said. So they walked on for another block in silence, until finally Esther spoke in her old timid, hesitating manner, quite unconsciously locking her hands together, as she had on that day, long ago, of her first meeting with Richard Ashton.
"I am sorry to be so stupid and unentertaining. It was good of you to come and look for me," she began apologetically. "I wish I could stop thinking of what troubles me, but somehow I can't. For Betty will insist on my doing a thing that I simply know I shall not be able to do. And I do hate having to argue."
They were still some distance from the German pension where Dick, his mother and sister and Esther were boarding, so the young man did not make haste to continue their conversation, as he and Esther knew each other too intimately to consider silences.
"Look here, Esther," Richard Ashton finally began, "you know that Betty considers me the worst old gray-beard and lecturer on earth. So I am going to be true to my reputation and lecture you. Why do you allow yourself to be so much influenced by Betty? Don't you realize every now and then that you are the older and that the Princess ought to come around to your way of thinking? Why don't you tell her this time that you are right and she is wrong and that you won't hear anything more on the subject that is worrying you."
Esther laughed, swerving suddenly to get a swift view of the earnest face of her companion. How often he had befriended her, ever since those first days of shy misery and rapture when she had made her original appearance in the Ashton home, little realizing then that the Betty whom she already adored was her own sister.
"I am not really afraid of the Princess, you know, Mr. Dick," she replied, laughing and using an odd, old-fashioned title that she had once given him. "The truth is that if you were able to guess what I have on my mind you might also disagree with me. Because in this particular instance there is a possibility that Betty may be right in her judgment and I in the wrong."
They had walked by this time a little distance beyond the crowded portion of the big city. Now the houses were private residences and boarding places. Finally they stopped before a tall yellow building, five stories in height, with red and yellow flowers growing in a narrow strip along its front. Before an open window on the third floor a girl could be seen sitting with a book in her lap. But she must have become at once aware of the presence of the young man and his companion, because the instant that Dr. Ashton's hand touched the door knob, she disappeared.
CHAPTER V
Changes
Dick Ashton's laughing wish that his sister Betty were a little less pretty was not so unreasonable as you might suppose, had you seen her on this particular late June afternoon as she ran down the narrow, ugly hall of the German pension to greet her brother and sister.
She had on a pale blue muslin dress open at the throat with a tiny frill of lace. Her red bronze hair had coppery tones in it as well as pure gold and was parted a little on one side and coiled up in the simplest fashion at the back of her head. The darkness of her lashes and the delicate lines of her brows gave the gray of her eyes a peculiar luster like the shine on old silk. And this afternoon her cheeks were the deep rose color that often accompanies this especial coloring.
She put one arm around Esther, drawing her into their sitting room, while Dick followed them. It was an odd room, a curious mixture of German and American taste and yet not unattractive. The ceiling was high, the furniture heavy and dark, and the walls covered with a flowered yellow paper. But the two girls had removed the paintings of unnatural flowers and fruits that once decorated them, and instead had hung up framed photographs of the famous pictures that had most pleased them in their visits to different art galleries. There was Franz Hals' "Smiling Cavalier" gazing down at them with irresistible camaraderie in his eyes which followed you with their smile no matter in what portion of the room you chanced to be. On an opposite wall hung a Rembrandt painting of an old woman, and further along the magical "Mona Lisa." In all the history of art there is no more fascinating story than that relating to this great picture by Leonardo da Vinci. For the woman who was the original of the picture was a great Italian princess whom many people adored because of her strange beauty. She had scores of lovers of noble blood and lowly, but no one is supposed to have understood the secret of her inscrutable smile, not even the artist who painted it. This picture was first the property of Italy and then carried away to hang for many years in the most celebrated room in the great gallery of the Louvre in Paris. From there it was stolen by an Italian workman, taken back into Italy and later restored to the French Government. But before Mona Lisa's return to her niche in the Louvre she made a kind of triumphal progress through the great cities of her former home, Rome, Florence and Venice. And in each place men, women and little children came flocking in thousands to pay their tribute to beauty. And so for those of us who think of beauty as a passing,
