The Dreamers: A Club. Bangs John Kendrick

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gentleman who secured the ball numbered two will make himself known, we will proceed.”

      Hudson Rivers rose up. “I have number two,” he said, “but I have nothing to relate. The coffee I drank kept me awake all night, and when I finally slept, along about six o’clock next morning, it was one of those sweet, dreamless sleeps that we all love so much. I must therefore ask to be excused.”

      “But how shall you be represented in the book?” asked Mr. Harry Snobbe.

      “He can do the table of contents,” suggested St. Vincent.

      “Or the fly-leaves,” said Tenafly Paterson.

      “No,” said Huddy; “I shall ask that the pages I should have filled be left blank. There is nothing helps a book so much as the leaving of something to the reader’s imagination. I heard a great critic say so once. He said that was the strong point of the French writers, and he added that Stockton’s Lady or the Tiger took hold because Stockton didn’t insist on telling everything.”

      “It’s a good idea,” said Mr. Jones. “I don’t know but that if those pages are left blank they’ll be the most interesting in the book.”

      Mr. Rivers sat down with a smile of conscious pride, whereupon Mr. Tenafly Paterson rose up.

      “As I hold the number three ball, I will give you the fruits of my dinner. I attribute the work which I am about to present to you to the mince-pie. Personally, I am a great admirer of certain latter-day poets who deal with the woes and joys of more or less commonplace persons. I myself would rather read a sonnet to a snow-shovel than an ode to the moon, but in my dream I seem to have conceived a violent hatred for authors of homely verse, as you will note when I have finished reading my dream-poem called ‘Retribution.’”

      “Great Scott!” murmured Billie Jones, with a deep-drawn sigh. “Poetry! From Tenafly Paterson! Of all the afflictions of man, Job could have known no worse.”

      “The poem reads as follows,” continued Paterson, ignoring the chairman’s ill-timed remark:

RETRIBUTION

      Writ a pome about a kid.

      Finest one I ever did.

      Heaped it full o’ sentiment —

      Very best I could invent.

      Talked about his little toys;

      How he played with other boys;

      How the beasts an’ birdies all

      Come when little Jamie’d call.

      ’N’ ’en I took that little lad,

      Gave him fever, mighty bad.

      ’N’ ’en it sorter pleased my whim

      To have him die and bury him.

      It got printed, too, it did

      That small pome about the kid,

      In a paper in the West;

      Put ten dollars in my vest.

      Every pa an’ ma about

      Cried like mighty – cried right out.

      I jess took each grandma’s heart,

      Lammed and bruised it, made it smart;

      ’N’ everybody said o’ me,

      “Finest pote we ever see,”

      ’Cept one beggar, he got mad.

      Got worst lickin’ ever had;

      Got my head atween his fists,

      Called me “Prince o’ anarchists.”

      Clipped me one behind my ear —

      Laid me up for ’most a year.

      “’Cause,” he said, “my poetry

      ’D made his wife an’ mother cry;

      “’Twarn’t no poet’s bizness to

      Make the wimmin all boo-hoo.”

      ’N’ ’at is why to-day, by Jings!

      I don’t fool with hearts an’ things.

      I don’t care how high the bids,

      I’ve stopped scribblin’ ’bout dead kids;

      ’R if I haven’t, kinder sorter

      Think ’at maybe p’r’aps I’d oughter.

      The lines were received with hearty appreciation by all save Dobbs Ferry, who looked a trifle gloomy.

      “It is a strange thing,” said the latter, “but that mince-pie affected me in precisely the same way, as you will see for yourselves when I read my contribution, which, holding ball number four as I do, I will proceed to give you.”

      Mr. Ferry then read the following poem, which certainly did seem to indicate that the man who prepared the fatal pie had certain literary ideas which he mixed in with other ingredients:

      I bought a book of verse the other day,

      And when I read, it filled me with dismay.

      I wanted it to take home to my wife,

      To bring a bit of joy into her life;

      And I’d been told the author of those pomes

      Was called the laureate of simple homes.

      But, Jove! I read, and found it full of rhyme

      That kept my eyes a-filling all the time.

      One told about a pretty little miss

      Whose father had denied a simple kiss,

      And as she left, unhappy, full of cares,

      She fell and broke her neck upon the stairs.

      And then he wrote a lot of tearful lines

      Of children who had trouble with their spines;

      And ’stead of joys, he penned so many woes

      I sought him out and gave him curvature ’f the nose;

      And all the nation, witnessing his plight,

      Did crown me King, and cry, “It served him right.”

      “A remarkable coincidence,” said Thomas Snobbe. “In fact, the coincidence is rather more remarkable than the poetry.”

      “It certainly is,” said Billie Jones; “but what a wonderfully suggestive pie, considering that it was a mince!”

      After which dictum the presiding officer called upon the holder of the fifth ball, who turned out to be none other than Bedford Parke, who blushingly rose up and delivered himself of what he called “The Overcoat, a Magazine Farce.”

      IV

      BEING THE CONTRIBUTION OF MR. BEDFORD PARKE

THE OVERCOATA FARCE. IN TWO SCENESSCENE FIRST Time: Morning at Boston

      Mrs. Robert Edwards. “I think it will rain to-day, but there is no need to worry about that. Robert has his umbrella and his mackintosh, and I don’t think he is idiotic enough to lend both of them. If he does, he’ll get wet, that’s all.” Mrs. Edwards is speaking to herself

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