The Landleaguers. Trollope Anthony

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means that I'm to go away."

      "Not in the least. I shall go into the next room where the piano lives, and you can come or not just as you please. I shall be squalling all the time, and as we do have the grandeur of two rooms for the present, you might as well use them. But when he comes we must take care and see that matters go right. You had better leave us alone at first, that I may sing to him. Then, when that's over, do you be in waiting to be called in. I mean to have a little bit of business with my trusted agent, manager, and parent in music, 'Mahomet M. M.'"

      She went to the instrument, and practised there till half-past eleven, at which hour Mr. Moss presented himself. "You'll want to hear me sing of course," she said without getting up from the music-stool.

      "Just a bar or two to know how you have improved. But it is hardly necessary. I see from the motion of your lips that you have been keeping your mouth open. And I hear from the tone of your voice, that it is all there. There is no doubt about you, if you have practised opening your mouth."

      "At any rate you shall hear, and if you will stand there you shall see."

      Then the music lesson began, and Mr. Moss proved himself to be an adept in his art. Rachel did not in the least doubt his skill, and obeyed him in everything as faithfully as she would have done, had he been personally a favourite with her. "Allow me to express my great delight and my strong admiration for the young débutante. As far as Miss O'Mahony is concerned the word failure may be struck out of the language. And no epithet should be used to qualify success, but one in the most superlative degree. Allow me to – " And he attempted to raise her hand to his lips, and to express his homage in a manner certainly not unusual with gentlemen of his profession.

      "Mr. Moss," said the young lady starting up, "there need be nothing of that kind. There had better not. When a young woman is going to be married to a young man, she can't be too careful. You don't know, perhaps, but I'm going to be Mrs. Jones. Mr. Jones is apt to dislike such things. If you'll wait half a moment, I'll bring papa in." So saying she ran out of the room, and in two minutes returned, followed by her father. The two men shook hands, and each of them looked as though he did not know what he was expected to say to the other. "Now then, father, you must arrange things with Mr. Moss."

      Mr. Moss bowed. "I don't exactly know what I have got to arrange," said Mr. O'Mahony.

      "We've got to arrange so that we shan't get into debt with Mr. Moss."

      "There need not be the least fear in the world as to that," said Mr. Moss.

      "Ah; but that's just what we do fear, and what we must fear."

      "So unnecessary, – so altogether unnecessary," said Mr. Moss, expecting to be allowed to be the banker for the occasion. "If you will just draw on me for what you want."

      "But that is just what we won't do." Then there was a pause, and Mr. Moss shrugged his shoulders. "It's as well to understand that at the beginning. Of course this place is too expensive for us and we must get out of it as soon as possible."

      "Why in such a hurry?" said Mr. Moss raising his two hands.

      "And we must send back the piano. It was so good of you to think of it! But it must go back."

      "No, no, no!" shouted Mr. Moss. "The piano is my affair. A piano more or less for a few months is nothing between me and Erard's people. They are only too happy."

      "I do not in the least doubt it. Messrs. Erard's people are always glad to secure a lady who is about to come out as a singer. But they send the bill in at last."

      "Not to you; – not to you."

      "But to you. That would be a great deal worse, would it not, father? We might as well understand each other."

      "Mr. O'Mahony and I will understand each other very well."

      "But it is necessary that Miss O'Mahony and you should understand each other also. My father trusts me, and I cannot tell you how absolutely I obey him."

      "Or he you," said Mr. Moss laughing.

      "At any rate we two know what we are about, sir. You will not find us differing. Now Mr. Moss, you are to pay me twenty shillings a day."

      "Till Christmas; – twenty shillings a night till Christmas."

      "Of course we cannot live here on twenty shillings a day. The rooms nearly take it all. We can't live on twenty shillings a day, anyhow."

      "Then make it forty shillings immediately after the Christmas holidays."

      "I must have an agreement to that effect," said Rachel, "or we must go back to Ireland. I must have the agreement before Christmas, or we shall go back. We have a few pounds which will take us away."

      "You must not speak of going away, really, Miss O'Mahony."

      "Then I must have an agreement signed. You understand that. And we shall look for cheaper rooms to-day. There is a little street close by where we can manage it. But on the one thing we are determined; – we will not get into debt."

      CHAPTER VIII.

      CHRISTMAS-DAY, 1880

      On Christmas-day Rachel O'Mahony wrote a letter to her lover at Morony Castle:

Cecil Street, Christmas-day, 1880.

      Dearest Frank,

      You do love me, don't you? What's the use of my loving you, and thinking that you are everything, only that you are to love me? I am quite content that it should be so. Only let it be so. You'll ask me what reason I have to be jealous. I am not jealous. I do think in my heart that you think that I'm – just perfect. And when I tell myself that it is so, I lay myself back in my chair and kiss at you with my lips till I am tired of kissing the space where you ain't. But if I am wrong, and if you are having a good time of it with Miss Considine at Mrs. McKeon's ball, and are not thinking a bit of me and my kisses, what's the use? It's a very unfair bargain that a woman makes with a man. "Yes; I do love you," I say, – "but – " Then there's a sigh. "Yes; I'll love you," you say – "if – " Then there's a laugh. If I tell a fib, and am not worth having, you can always recuperate. But we can't recuperate. I'm to go about the world and be laughed at, as the girl that Frank Jones made a fool of. Oh! Mr. Jones, if you treat me in that way, won't I punish you? I'll jump into the lough with a label round my neck telling the whole story. But I am not a bit jealous, because I know you are good.

      And now I must tell you a bit more of my history. We got rid of that lovely hotel, paying £6 10s., when that just earned £1. And I have brought the piano with me. The man at Erard's told me that I should have it for £2 10s. a month, frankly owning that he hoped to get my custom. "But Mr. Moss is to pay nothing?" I asked. He swore that Mr. Moss would have to pay nothing, and leave what occurred between him and me. I don't think he will. £30 a year ought to be enough for the hire of a piano. So here we are established, at £10 a month – the first-floor, with father's bedroom behind the sitting-room. I have the room upstairs over the sitting-room. They are small stumpy little rooms, – "but mine own." Who says – "But mine own?" Somebody does, and I repeat it. They are mine own, at any rate till next Saturday.

      And we have settled this terrible engagement and signed it. I'm to sing for Moss at "The Embankment" for four months, at the rate of £600 a year. It was a Jew's bargain, for I really had filled the house for a fortnight. Fancy a theatre called "The Embankment"! There is a nasty muddy rheumatic sound about it; but it's very prettily got up, and the exits and entrances are also good. Father goes with me every night, but I mean to let him off

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