chamber which formed the upper portion of the well. He saw nothing but the ordinary characters of psychostasia, – Osiris the judge seated on his throne in the regulation attitude, holding the crook in the one hand, the whip in the other, and the goddesses of Justice and Truth leading the spirit of the dead to the tribunal of Amenti. Suddenly he seemed to be struck with a new idea, and turned sharply around. His long experience as an excavator recalled to him a somewhat analogous case. In addition, the desire of earning the thousand guineas of his lordship spurred up his faculties. He took a pick-axe from the hands of a fellah, and began, walking backward, to strike sharply right and left on the surface of the rock, often at the risk of damaging some of the hieroglyphs or of breaking the beak or the wing-sheath of the sacred hawk or the scarabæus.
The wall, thus questioned, at last answered the hammer and sounded hollow. An exclamation of triumph broke from the Greek and his eyes flashed; the doctor and the nobleman clapped their hands.
"Dig here," said Argyropoulos, who had recovered his coolness, to his men.
An opening large enough to allow a man to pass through was made. A gallery running within the mountain around the obstacle which the well offered to the profane, led to a square hall, the blue vault of which rested upon four massive pillars ornamented by the red-skinned, white-garmented figures which so often show, in Egyptian frescoes, the full bust and the head in profile. This hall opened into another, the vault of which was somewhat higher and supported by two pillars only. Various scenes – the mystic bark, the bull Apis bearing the mummy towards the regions of the West, the judgment of the soul and the weighing of the deeds of the dead in the supreme scales, the offerings to the funeral divinities – adorned the pillars and the hall. They were carved in flat, low relief with sharp outline, but the painter's brush had not completed the work of the chisel. By the care and delicacy of the work might be judged the importance of the personage whose tomb it had been sought to conceal from the knowledge of men.
After having spent a few moments in examining these carvings, which were in the purest manner of the fine Egyptian style of the classical age, the explorers perceived that there was no issue from the hall, and that they had reached a sort of blind place. The air was becoming somewhat rarified, the torches burned with difficulty and further augmented the heat of the atmosphere, while the smoke formed a dense pall. The Greek gave himself to the devil, but that did no good. Again the walls were sounded without any result. The mountain, thick and compact, gave back but a dead sound; there was no trace of a door, of a passage, or of any sort of opening.
The young nobleman was plainly discouraged, and the doctor let fall his arms by his side. Argyropoulos, who feared losing his thousand guineas, exhibited the fiercest despair. However, the party was compelled to retreat, for the heat had become absolutely suffocating.
They returned to the outer hall, and there the Greek, who could not make up his mind to see his golden dream vanish in smoke, examined with the most minute attention the shafts of the pillars to make certain that they did not conceal some artifice, that they did not mask some trap which might be discovered by displacing them; for in his despair he mingled the realism of Egyptian architecture with the chimerical constructions of the Arab tales. The pillars, cut out of the mountain itself, in the centre of the hollowed mass, formed part of it, and it would have been necessary to employ gunpowder to break them down. All hope was gone.
"Nevertheless," said Rumphius, "this labyrinth was not dug for nothing. Somewhere or another there must be a passage like the one which goes around the well. No doubt the dead man was afraid of being disturbed by importunate persons and he had himself carefully concealed; but with patience and perseverance you can get anywhere. Perhaps a slab carefully concealed, the joint of which cannot be seen, owing to the dust scattered over the ground, covers some descent which leads, directly or indirectly, to the funeral hall."
"You are right, doctor," said Evandale; "those accursed Egyptians jointed stones as closely as the hinges of an English trap. Let us go on looking."
The doctor's idea struck the Greek as sound, and he made his fellahs walk about every part and corner of the hall, tapping the ground. At last, not far from the third pillar a dull resonance struck on the practised ear of the Greek. He threw himself on his knees to examine the spot, brushing away with the ragged burnouse one of his Arabs had thrown him the impalpable dust of thirty-five centuries. A black, narrow, sharp line showed, and, carefully followed out, marked out on the ground an oblong slab.
"Did I not tell you," cried the enthusiastic doctor, "that the passage could not end in this way?"
"I am really troubled," said Lord Evandale, in his quaint, phlegmatic British fashion, "at disturbing the last sleep of the poor unknown body which did expect to rest in peace until the end of the world. The dweller below would willingly dispense with our visit."
"The more so that a third party is lacking to make the presentation formal," replied the doctor. "But do not be anxious, my lord, I have lived long enough in the days of the Pharaohs to present you to the illustrious personage who inhabits this subterranean passage."
Crow-bars were applied to the narrow fissure, and after a short time the stone moved and was raised. A staircase with high, steep steps, sinking into darkness, awaited the impatient travellers, who rushed down pell-mell. A sloping gallery painted on both walls with figures and hieroglyphs came next, then at the end of the gallery some more steps leading to a short corridor, a sort of vestibule to a hall in the same style as the first one, but larger and upborne by six pillars cut out of the living rock. The ornamentation was richer, and the usual motives of funeral paintings were multiplied on a yellow background. To the right and to the left opened in the rock two small crypts or chambers filled with funeral statuettes of enamelled ware, bronze, and sycamore wood.
"We are in the antechamber of the hall where the sarcophagus is bound to be!" cried Rumphius, his clear gray eyes flashing with joy from below his spectacles, which he had pushed back over his forehead.
"Up to the present," said Lord Evandale, "the Greek has kept his word. We are the first living men who have penetrated so far since the dead, whoever he may be, was left with eternity and the unknown in this tomb."
"Oh, he must be some great personage," replied the doctor; "a king or a king's son, at the very least. I shall tell you later when I have deciphered his cartouche. But first let us enter this hall, the finest, the most important, which the Egyptians called the Golden Hall."
Lord Evandale walked ahead, a few steps before the less agile scholar, though perhaps the latter deferentially wished to leave the pleasure of the discovery to the young nobleman.
As he was about to step across the threshold, Lord Evandale bent forward as if something unexpected had struck him. Though accustomed not to manifest his emotions, he was unable to repress a prolonged and thoroughly British "Oh!" On the fine gray powder which covered the ground showed very distinctly, with the imprint of the toes and the great bone of the heel, the shape of a human foot, – the foot of the last priest or the last friend who had withdrawn, fifteen hundred years before Christ, after having paid the last honours to the dead. The dust, which in Egypt is as eternal as granite, had moulded the print and preserved it for more than thirty centuries, just as the hardened diluvian mud has preserved the tracks of the animals which last traversed it.
"See," said Evandale to Rumphius, "that human footprint which is directed towards the exit from the hypogeum! In what narrow passage of the Libyan chain rests the mummified body that made it?"
"Who knows?" replied the scholar. "In any case, that light print, which a breath would have blown away, has lasted longer than empires, than religions and monuments believed eternal. The noble dust of Alexander was used perhaps to stop a bung-hole, as Hamlet says, but the footprint of this unknown Egyptian remains on the threshold of a tomb."
Urged by a curiosity which did not allow them much time for recollection, the nobleman
