The Life, Studies, and Works of Benjamin West, Esq.. John Galt

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The Life, Studies, and Works of Benjamin West, Esq. - John Galt

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which was cheerfully acceded to, and the Provost immediately wrote to his pupil at New York on the subject. In the mean time, West had heard that there was a vessel at Philadelphia loading for Italy, and had expressed to Mr. William Kelly, a merchant, who was then sitting to him for his portrait, a strong desire to avail himself of this opportunity to visit the fountain-head of the arts. Before this period, he had raised his terms for a half-length to ten guineas, by which he acquired a sum of money adequate to the expenses of a short excursion to Italy. When he had finished Mr. Kelly's portrait, that gentleman, in paying him, requested that he would take charge of a letter to his agents in Philadelphia, and deliver it to them himself on his return to that city, which he was induced to do immediately, on receiving Dr. Smith's letter, informing him of the arrangement made with Mr. Allen. When this letter was opened, an instance of delicate munificence appeared on the part of Mr. Kelly, which cannot be too highly applauded. It stated to the concern to which it was addressed, that it would be delivered by an ingenious young gentleman, who, he understood, intended to visit Rome for the purpose of studying the fine arts, and ordered them to pay him fifty guineas as a present from him towards furnishing his stores for the voyage.

      While waiting till the vessel was clear to sail, West had the gratification to see, in Philadelphia, his old friend Mr. Henry, for whom he had painted the Death of Socrates. Towards him he always cherished the most grateful affection. He was the first who urged him to attempt historical composition; and, above all, he was the first who had made him acquainted with the magnanimous tales of Plutarch; perhaps, the greatest favour which could be conferred on a youthful mind, susceptible of impressions from the sublime and beautiful of human actions, which no author has better illustrated than that celebrated Biographer, who may indeed be regarded, almost without hyperbole, as the recorder of antient worth, and the tutor of modern genius. In his peculiar class, Plutarch still stands alone, at least no author in any of the living languages appears to be yet truly sensible of the secret cause by which his sketches give that direct impulse to the elements of genius, by which the vague and wandering feelings of unappropriated strength are converted into an uniform energy, endowed with productive action. Plutarch, like the sculptors of antiquity, has selected only the great and elegant traits of character; and hence his lives, like those statues which are the models of art, possess, with all that is graceful and noble in human nature, the particular features of individuals. He had no taste for the blemishes of mankind. His mind delighted in the contemplation of moral vigour; and he seems justly to have thought that it was nearly allied to virtue: hence many of those characters whose portraitures in his works furnish the youthful mind with inspiring examples of true greatness, more authentic historians represent in a light far different. It is the aim of all dignified art to exalt the mind by exciting the feelings as well as the judgment; and the immortal lessons of Plutarch would never have awakened the first stirrings of ambition in the innumerable great men who date their career from reading his pages, had he been actuated by the minute and invidious spirit of modern biography. These reflections have occurred the more forcibly at this juncture, as the subject of this narrative was on the point of leaving a country in which were men destined to acquire glory in such achievements as Plutarch would have delighted to record; and of parting from early associates who afterwards attained a degree of eminence in the public service that places them high in the roll of those who have emulated the exploits and virtues of the Heroes of that great Biographer.

      The Artist having embarked with young Allen had a speedy and pleasant passage to Gibraltar; where, in consequence of the war then raging, the ship stopped for convoy. As soon as they came to anchor, Commodore Carney and another officer came on board to examine the vessel's papers. It happened that some time before, the British Government had, on account of political circumstances, prohibited the carrying of provisions into Italy, by which prohibition the ship and cargo would have been forfeited had she been arrested in attempting to enter an Italian port, or, indeed, in proceeding with such an intention. But Captain Carney had scarcely taken his pen to write the replies to the questions which he put to the Master, as to the owners of the vessel and her destination, when he again threw it down, and, looking the other officer full in the face, said, "I am much affected by the situation in which I am now placed. This valuable ship is the property of some of my nearest relations, and the best friends that I have ever had in the world!" and he refrained from asking any more questions. There was, undoubtedly, much generosity in this conduct, for by the indulgence of the crown, all prizes taken in war become the property of the captors; and Captain Carney, rather than enrich himself at the expence of his friends, chose to run the hazard of having his own conduct called in question for the non-performance of his official duty. It perhaps deserves also to be considered as affording a favourable example of that manly confidence in the gentlemanly honour of each other which has so long distinguished the British officers. On the mind of West it tended to confirm that agreeable impression by which so many previous incidents had made him cherish a liberal opinion of mankind. In other respects, Captain Carney happening to be the officer who came on board, was a fortunate circumstance; for on learning that young Allen was in the ship, he invited the passengers to dine on board his frigate; and the company, consisting of the Governor, his staff, and principal officers in the garrison, tended to raise the consideration of the Artist, and his companion in the estimation of the fleet with which their vessel was to proceed to Leghorn. Indeed, throughout his whole life, Mr. West was, in this respect, singularly fortunate; for although the condescensions of rank do not in themselves confer any power on talent, they have the effect of producing that complacency of mind in those who are the objects of them, which is at once the reward and the solace of intellectual exertion, at the same time that they tend to mollify the spirit of contemporary invidiousness. The day after, the fleet sailed; and when they had passed the rock, the captains of the two men of war2 who had charge of the convoy, came on board the American, and invited Mr. Allen and Mr. West to take their passage in one of the frigates; this, however, they declined, but every day, when the weather was favourable, they were taken on board the one ship or the other, to dine; and when the weather did not permit this to be done with pleasure to the strangers, the officers sent them presents from their stock.

      After touching at several parts of the coast of Spain, the ship arrived safely at Leghorn, where mercantile enquiries detained Mr. Allen some time, and West being impatient to proceed to Rome, bade him adieu. Prior to his departure from Philadelphia, he had paid into the hands of old Mr. Allen the money which he thought would be requisite for his expenses in Italy, and had received from him a letter of credit on Messrs. Jackson and Rutherford. When they were made acquainted with the object of his voyage, and heard his history, they showed him a degree of attention beyond even their general great hospitality, and presented him with letters to Cardinal Albani, and several of the most distinguished characters for erudition and taste in Rome; and as he was unacquainted with French or Italian, they recommended him to the care of a French Courier, who had occasion to pass that way.

      When the travellers had reached the last stage of their journey, while their horses were baiting, West walked on alone. It was a beautiful morning; the air was perfectly placid, not a speck of vapour in the sky, and a profound tranquillity seemed almost sensibly diffused over the landscape. The appearance of Nature was calculated to lighten and elevate the spirits; but the general silence and nakedness of the scene touched the feelings with solemnity approaching to awe. Filled with the idea of the metropolitan city, the Artist hastened forward till he reached an elevated part of the high road, which afforded him a view of a spacious champaign country, bounded by hills, and in the midst of it the sublime dome of St. Peter's. The magnificence of this view of the Campagna excited, in his imagination, an agitated train of reflections that partook more of the nature of feeling than of thought. He looked for a spot to rest on, that he might contemplate at leisure a scene at once so noble and so interesting; and, near a pile of ruins fringed and trellissed with ivy, he saw a stone that appeared to be part of a column. On going towards it, he perceived that it was a mile-stone, and that he was then only eight miles from the Capitol. In looking before him, where every object seemed by the transparency of the Italian atmosphere to be brought nearer than it was in reality, he could not but reflect on the contrast between the circumstances of that view and the scenery of America; and his thoughts naturally adverted to the progress of civilization. The sun seemed, to his fancy, the image of truth and knowledge, arising in the East, continuing

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The two frigates, the Shannon, Captain Meadow, since Lord Manvers, whose intimacy still continues with Mr. West, and the Favourite sloop of war, Captain Pownell.