The Life, Studies, and Works of Benjamin West, Esq.. John Galt

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The Life, Studies, and Works of Benjamin West, Esq. - John Galt

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piece in the same room with the sublime painting of "Christ Rejected," on which occasion the Painter declared to him that there were inventive touches of art in his first and juvenile essay, which, with all his subsequent knowledge and experience, he had not been able to surpass.

      Chap. II

      The Artist visits Philadelphia. – His second Picture. – Williams the Painter gives him the works of Fresnoy and Richardson. – Anecdote of the Taylor's Apprentice. – The Drawings of the Schoolboys. – Anecdote relative to Wayne. – Anecdote relative to Mr. Flower. – Anecdote relative to Mr. Ross, – Anecdote of Mr. Henry. – The Artist's first Historical Picture. – Origin of his Acquaintance with Dr. Smith of Philadelphia. – The friendship of Dr. Smith, and the character of the early companions of West. – Anecdote of General Washington.

      In the course of a few days after the affair of the painting, Mr. Pennington paid another visit to Mr. West; and was so highly pleased with the effect of his present, and the promising talents of his young relation, that he entreated the old gentleman to allow Benjamin to accompany him for a few days to Philadelphia. This was cheerfully agreed to, and the Artist felt himself almost, as much delighted with the journey as with the box of colours. Every thing in the town filled him with astonishment; but the view of the shipping, which was entirely new, particularly attracted his eye, and interested him like the imaginary spectacles of magic.

      When the first emotions of his pleasure and wonder had subsided, he applied to Mr. Pennington to procure him materials for painting. That gentleman was desirous of getting possession of the first picture, and had only resigned what he jocularly alleged were his just claims, in consideration of the mother's feelings, and on being assured that the next picture should be purposely painted for him. The materials were procured, and the Artist composed a landscape, which comprehended a picturesque view of a river, with vessels on the water, and cattle pasturing on the banks. While he was engaged in this picture, an incident occurred which, though trivial in itself, was so much in unison with the other circumstances that favoured the bent of his genius, that it ought not to be omitted.

      Samuel Shoemaker1 , an intimate friend of Mr. Pennington, one of the principal merchants of Philadelphia, happened to meet in the street with one Williams, a Painter, carrying home a picture. Struck by the beauty of the performance, he enquired if it was intended for sale, and being told that it was already disposed of, he ordered another to be painted for himself. When the painting was finished, he requested the Artist to carry it to Mr. Pennington's house, in order that it might be shewn to young West. It was very well executed, and the boy was so much astonished at the sight of it, that his emotion and surprise attracted the attention of Williams, who was a man of observation, and judged correctly in thinking that such an uncommon manifestation of sensibility in so young a boy, indicated something extraordinary in his character. He entered into conversation with him, and enquired if he had read any books, or the lives of great men, The little amateur told him that he had read the Bible, and was well acquainted with the history of Adam, Joseph, David, Solomon, and the other great and good men whose actions are recorded in the Holy Scriptures. Williams was much pleased with the simplicity of the answer; and it might have occurred to him that histories more interesting have never been written, or written so well. Turning to Mr. Pennington, who was present, he asked if Benjamin was his son; advising him at the same time to indulge him in whatever might appear to be the bent of his talents, assuring him that he was no common boy.

      This interview was afterwards much spoken of by Williams, who in the mean time lent him the works of Fresnoy and Richardson on Painting, and invited him to see his pictures and drawings. The impression which these books made on the imagination of West finally decided his destination. He was allowed to carry them with him into the country; and his father and mother, soon perceiving a great change in his conversation, were referred to the books for an explanation of the cause. They read them for the first time themselves, and treasuring in their minds those anecdotes of the indications of the early symptoms of talent with which both works abound, they remembered the prophetic injunction of Edmund Peckover.

      The effect of the enthusiasm inspired by Richardson and Fresnoy may be conceived from the following incident. Soon after the young Artist had returned to Springfield, one of his schoolfellows, on a Saturday's half holiday, engaged him to give up a party at trap-ball to ride with him to one of the neighbouring plantations. At the time appointed the boy came, with the horse saddled. West enquired how he was to ride; "Behind me," said the boy; but Benjamin, full of the dignity of the profession to which he felt himself destined, answered, that he never would ride behind any body. "O! very well then," said the good-natured boy, "you may take the saddle, and I will get up behind you." Thus mounted, they proceeded on their excursion; and the boy began to inform his companion that his father intended to send him to be an apprentice. "In what business?" enquired West; "A taylor," answered the boy. "Surely," said West, "you will never follow that trade;" animadverting upon its feminine character. The other, however, was a shrewd, sound-headed lad, and defended the election very stoutly, saying that his father had made choice of it for him, and that the person with whom he was to learn the business was much respected by all his neighbours. "But what do you intend to be, Benjamin?" West answered, that he had not thought at all on the subject, but he should like to be a painter. "A painter!" exclaimed the boy, "what sort of a trade is a painter? I never heard of such a thing." "A painter," said West, "is a companion for Kings and Emperors." "Surely you are mad," replied the boy, "for there are no such people in America." "Very true," answered Benjamin, "but there are plenty in other parts of the world." The other, still more amazed at the apparent absurdity of this speech, reiterated in a tone of greater surprise, "You are surely quite mad." To this the enthusiast replied by asking him if he really intended to be a taylor. "Most certainly," answered the other. "Then you may ride by yourself, for I will no longer keep your company," said West, and, alighting, immediately returned home.

      The report of this incident, with the affair of the picture, which had occasioned his absence from school, and visit to Philadelphia, made a great impression on the boys in the neighbourhood of Springfield. All their accustomed sports were neglected, and their play-hours devoted to drawing with chalk and oker. The little president was confessedly the most expert among them, but he has often since declared, that, according to his recollection, many of his juvenile companions evinced a degree of taste and skill in this exercise, that would not have discredited the students of any regular academy.

      Not far from the residence of Mr. West a cabinet-maker had a shop, in which Benjamin sometimes amused himself with the tools of the workmen. One day several large and beautiful boards of poplar tree were brought to it; and he happening to observe that they would answer very well for drawing on, the owner gave him two or three of them for that purpose, and he drew figures and compositions on them with ink, chalk, and charcoal. Mr. Wayne, a gentleman of the neighbourhood, having soon after occasion to call at his father's, noticed the boards in the room, and was so much pleased with the drawings, that he begged the young Artist to allow him to take two or three of them home, which, as but little value was set on them, was thought no great favour, either by the painter or his father. Next day Mr. Wayne called again, and after complimenting Benjamin on his taste and proficiency, gave him a dollar for each of the boards which he had taken away, and was resolved to preserve. Doctor Jonathan Moris, another neighbour, soon after, also made him a present of a few dollars to buy materials to paint with. These were the first public patrons of the Artist; and it is at his own request that their names are thus particularly inserted.

      About twelve months after the visit to Philadelphia, Mr. Flower, one of the Justices of the county of Chester, who possessed some taste in painting, requested Mr. West to allow Benjamin to spend a few weeks at his house. A short time before, this gentleman had met with a severe domestic misfortune in the loss of a wife, to whom he was much attached; and he resolved to shew his respect to her memory by devoting his attention exclusively to the improvement of his children: for this purpose he had sent to England for a governess qualified to undertake the education of his daughters, and he had the good fortune to obtain a lady eminently fitted for the trust. She arrived

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This gentleman was afterwards introduced by Mr. West to the King, at Windsor, as one of the American Loyalists.