style, his unequalled contributions to scholarship, and his awakening of that interest in mythological science without which his adversaries would probably never have existed.
Most of Chapter XII. appeared in the ‘Contemporary Review,’ and most of Chapter XIII. in the ‘Princeton Review.’
REGENT MYTHOLOGY
Between 1860 and 1880, roughly speaking, English people interested in early myths and religions found the mythological theories of Professor Max Müller in possession of the field. These brilliant and attractive theories, taking them in the widest sense, were not, of course, peculiar to the Right Hon. Professor. In France, in Germany, in America, in Italy, many scholars agreed in his opinion that the science of language is the most potent spell for opening the secret chamber of mythology. But while these scholars worked on the same general principle as Mr. Max Müller, while they subjected the names of mythical beings – Zeus, Helen, Achilles, Athênê – to philological analysis, and then explained the stories of gods and heroes by their interpretations of the meanings of their names, they arrived at all sorts of discordant results. Where Mr. Max Müller found a myth of the Sun or of the Dawn, these scholars were apt to see a myth of the wind, of the lightning, of the thunder-cloud, of the crépuscule, of the upper air, of what each of them pleased. But these ideas – the ideas of Kuhn, Welcker, Curtius (when he appeared in the discussion), of Schwartz, of Lauer, of Bréal, of many others – were very little known – if known at all – to the English public. Captivated by the graces of Mr. Max Müller’s manner, and by a style so pellucid that it accredited a logic perhaps not so clear, the public hardly knew of the divisions in the philological camp. They were unaware that, as Mannhardt says, the philological school had won ‘few sure gains,’ and had discredited their method by a ‘muster-roll of variegated’ and discrepant ‘hypotheses.’
Now, in all sciences there are differences of opinion about details. In comparative mythology there was, with rare exceptions, no agreement at all about results beyond this point; Greek and Sanskrit, German and Slavonic myths were, in the immense majority of instances, to be regarded as mirror-pictures on earth, of celestial and meteorological phenomena. Thus even the story of the Earth Goddess, the Harvest Goddess, Demeter, was usually explained as a reflection in myth of one or another celestial phenomenon – dawn, storm-cloud, or something else according to taste.
Again, Greek or German myths were usually to be interpreted by comparison with myths in the Rig Veda. Their origin was to be ascertained by discovering the Aryan root and original significance of the names of gods and heroes, such as Saranyu – Erinnys, Daphne – Dahanâ, Athene – Ahanâ. The etymology and meaning of such names being ascertained, the origin and sense of the myths in which the names occur should be clear.
Clear it was not. There were, in most cases, as many opinions as to the etymology and meaning of each name and myth, as there were philologists engaged in the study. Mannhardt, who began, in 1858, as a member of the philological school, in his last public utterance (1877) described the method and results, including his own work of 1858, as ‘mainly failures.’
But, long ere that, the English cultivated public had, most naturally, accepted Mr. Max Müller as the representative of the school which then held the field in comparative mythology. His German and other foreign brethren, with their discrepant results, were only known to the general, in England (I am not speaking of English scholars), by the references to them in the Oxford professor’s own works. His theories were made part of the education of children, and found their way into a kind of popular primers.
For these reasons, anyone in England who was daring enough to doubt, or to deny, the validity of the philological system of mythology in general was obliged to choose Mr. Max Müller as his adversary. He must strike, as it were, the shield of no Hospitaler of unsteady seat, but that of the Templar himself. And this is the cause of what seems to puzzle Mr. Max Müller, namely the attacks on his system and his results in particular. An English critic, writing for English readers, had to do with the scholar who chiefly represented the philological school of mythology in the eyes of England.
Like other inquiring undergraduates in the sixties, I read such works on mythology as Mr. Max Müller had then given to the world; I read them with interest, but without conviction. The argument, the logic, seemed to evade one; it was purely, with me, a question of logic, for I was of course prepared to accept all of Mr. Max Müller’s dicta on questions of etymologies. Even now I never venture to impugn them, only, as I observe that other scholars very frequently differ, toto cælo, from him and from each other in essential questions, I preserve a just balance of doubt; I wait till these gentlemen shall be at one among themselves.
After taking my degree in 1868, I had leisure to read a good deal of mythology in the legends of all races, and found my distrust of Mr. Max Müller’s reasoning increase upon me. The main cause was that whereas Mr. Max Müller explained Greek myths by etymologies of words in the Aryan languages, chiefly Greek, Latin, Slavonic, and Sanskrit, I kept finding myths very closely resembling those of Greece among Red Indians, Kaffirs, Eskimo, Samoyeds, Kamilaroi, Maoris, and Cahrocs. Now if Aryan myths arose from a ‘disease’ of Aryan languages, it certainly did seem an odd thing that myths so similar to these abounded where non-Aryan languages alone prevailed. Did a kind of linguistic measles affect all tongues alike, from Sanskrit to Choctaw, and everywhere produce the same ugly scars in religion and myth?
The ugly scars were the problem! A civilised fancy is not puzzled for a moment by a beautiful beneficent Sun-god, or even by his beholding the daughters of men that they are fair. But a civilised fancy is puzzled when the beautiful Sun-god makes love in the shape of a dog. 8 To me, and indeed to Mr. Max Müller, the ugly scars were the problem.
He has written – ‘What makes mythology mythological, in the true sense of the word, is what is utterly unintelligible, absurd, strange, or miraculous.’ But he explained these blots on the mythology of Greece, for example, as the result practically of old words and popular sayings surviving in languages after the original, harmless, symbolical meanings of the words and sayings were lost. What had been a poetical remark about an aspect of nature became an obscene, or brutal, or vulgar myth, a stumbling block to Greek piety and to Greek philosophy.
To myself, on the other hand, it seemed that the ugly scars were remains of that kind of taste, fancy, customary law, and incoherent speculation which everywhere, as far as we know, prevails to various degrees in savagery and barbarism. Attached to the ‘hideous idols,’ as Mr. Max Müller calls them, of early Greece, and implicated in a ritual which religious conservatism dared not abandon, the fables of perhaps neolithic ancestors of the Hellenes remained in the religion and the legends known to Plato and Socrates. That this process of ‘survival’ is a vera causa, illustrated in every phase of evolution, perhaps nobody denies.
Thus the phenomena which the philological school of mythology explains by a disease of language we would explain by survival from a savage state of society and from the mental peculiarities observed among savages in all ages and countries. Of course there is nothing new in this: I was delighted to discover the idea in Eusebius as in Fontenelle; while, for general application to singular institutions, it was a commonplace of the last century. 9 Moreover, the idea had been widely used by Dr. E. B. Tylor in Primitive Culture, and by Mr. McLennan in his Primitive Marriage and essays on Totemism.
This idea I set about applying to the repulsive myths of civilised races, and to Märchen, or popular tales, at the same time combating the theories which held the field – the theories of the philological mythologists as applied to the same matter. In journalism I criticised Mr. Max Müller, and I admit that, when comparing the mutually destructive competition of varying etymologies, I did not abstain from
Suidas,
See Goguet, and Millar of Glasgow, and Voltaire.
