his long legs under the opposite seat, leaned back, smiled like a man who has just thought of a capital joke, and began to softly whistle the Marseillaise.
The faces clouded; the popular air seemed unpleasing to his neighbors; they became nervous – irritable – looking as if they were ready to throw back their heads and howl like dogs at the sound of a barrel organ. He was perfectly aware of this, but did not stop. From time to time he hummed a few of the words: "Liberty, cherished liberty, Fight thou on the side of thy defenders."
They drove at a much quicker pace to-day, the snow being harder; and all the way to Dieppe, during the long, dull hours of the journey, through all the jolting and rattling of the conveyance, in the falling shades of evening and later in the profound darkness, he continued with unabated persistency his vengeful and monotonous whistling; forcing his wearied and exasperated fellow travelers to follow the song from end to end and to remember every word that corresponded to each note.
And Boule de Suif wept on, and at times a sob which she could not repress broke out between two couplets in the darkness.
MISS HARRIET
There were seven of us in a break, four women and three men, one of which latter was on the box seat beside the coachman, and we were following, at a foot pace, the broad highway which serpentines along the coast.
Setting out from Etretat at break of day, in order to visit the ruins of Tancarville, we were still asleep, benumbed by the fresh air of the morning. The women, especially, who were little accustomed to these early excursions, let their eyelids fall and rise every moment, nodding their heads or yawning, quite insensible to the emotion of the breaking of day.
It was autumn. On both sides of the road, the bare fields stretched out, yellowed by the corn and wheat stubble which covered the soil, like a beard that had been badly shaved. The spongy earth seemed to smoke. The larks were singing, high up in the air, while other birds piped in the bushes.
The sun rose at length in front of us, a bright red on the plane of the horizon; and in proportion as it ascended, growing clearer from minute to minute, the country seemed to awake, to smile, to shake itself, stretch itself, like a young girl who is leaving her bed, in her white vapor chemise. The Count of Etraille, who was seated on the box, cried:
"Look! look! a hare!" and he extended his arm towards the left, pointing to a piece of hedge. The animal threaded its way along, almost concealed by the field, raising only its large ears. Then it swerved across a deep rut, stopped, pursued again its easy course, changed its direction, stopped anew, disturbed, spying out every danger, undecided as to the route it should take; when suddenly it began to run with great bounds of the hind legs, disappearing finally, in a large patch of beet-root. All the men had woke up to watch the course of the beast.
René Lemanoir then exclaimed:
"We are not at all gallant this morning," and regarding his neighbor, the little Baroness of Serennes, who struggled against sleep, he said to her in a subdued voice: "You are thinking of your husband, Baroness. Reassure yourself; he will not return before Saturday, so you have still four days."
She responded to him with a sleepy smile: "How rude you are." Then, shaking off her torpor, she added: "Now, let somebody say something that will make us all laugh. You, Monsieur Chenal, who have the reputation of possessing a larger fortune than the Duke of Richelieu, tell us a love story in which you have been mixed up, anything you like."
Léon Chenal, an old painter, who had once been very handsome, very strong, very proud of his physique, and very amiable, took his long white beard in his hand and smiled, then, after a few moments' reflection, he became suddenly grave.
"Ladies, it will not be an amusing tale; for I am going to relate to you the most lamentable love affair of my life, and I sincerely hope that none of my friends have ever passed through a similar experience."
I
I was at the time twenty-five years of age, and I was making daubs along the coast of Normandy. I call "making daubs" that wandering about, with a bag on one's back, from mountain to mountain, under the pretext of studying and of sketching nature. I know nothing more enjoyable than that happy-go-lucky wandering life, in which one is perfectly free, without shackles of any kind, without care, without preoccupation, without thinking even of to-morrow. One goes in any direction one pleases, without any guide, save his fancy, without any counselor save his eyes. One pulls up, because a running brook seduces one, because one is attracted, in front of an inn, by the smell of potatoes frying. Sometimes it is the perfume of clematis which decides one in his choice, or the naïve glance of the servant at an inn. Do not despise me for my affection for these rustics. These girls have a soul as well as feeling, not to mention firm cheeks and fresh lips; while their hearty and willing kisses have the flavor of wild fruit. Love always has its price, come whence it may. A heart that beats when you make your appearance, an eye that weeps when you go away, are things so rare, so sweet, so precious, that they must never be despised.
I have had rendezvoux in ditches in which cattle repose, and in barns among the straw, still steaming from the heat of the day. I have recollections of canvas being spread on rude and elastic benches, and of hearty and fresh, free kisses, more delicate and unaffectedly sincere than the subtle attractions of charming and distinguished women.
But what one loves most amidst all these varied adventures is the country, the woods, the risings of the sun, the twilight, the light of the moon. These are, for the painter, honeymoon trips with nature. One is alone with her in that long and tranquil rendezvous. You go to bed in the fields, amidst marguerites and wild poppies, and, with eyes wide open, you watch the going down of the sun, and descry in the distance the little village, with its pointed clock tower, which sounds the hour of midnight.
You sit down by the side of a spring which gushes out from the foot of an oak, amidst a covering of fragile herbs, upright and redolent of life. You go down on your knees, bend forward, you drink that cold and pellucid water which wets your moustache and nose, you drink it with a physical pleasure, as though you kissed the spring, lip to lip. Sometimes, when you encounter a deep hole, along the course of these tiny brooks, you plunge into it, quite naked, and you feel on your skin, from head to foot, like an icy and delicious caress, the lovely and gentle quivering of the current.
You are gay on the hills, melancholy on the verge of pools, exalted when the sun is crowned in an ocean of blood-red shadows, and when it casts on the rivers its red reflection. And, at night, under the moon, which passes across the vault of heaven, you think of things, and singular things, which would never have occurred to your mind under the brilliant light of day.
So, in wandering through the same country where we are this year, I came to the little village of Benouville, on the Falaise, between Yport and Etretat. I came from Fécamp, following the coast, a high coast, and as perpendicular as a wall, with its projecting and rugged rocks falling perpendicularly into the sea. I had walked since the morning on the shaven grass, as smooth and as yielding as a carpet. And singing lustily, I walked with long strides, looking sometimes at the slow and ambling flight of a gull, with its short, white wings, sailing in the blue heavens, sometimes on the green sea, at the brown sails of a fishing bark. In short, I had passed a happy day, a day of listlessness and of liberty.
I was shown a little farm house, where travelers were put up, a kind of inn, kept by a peasant, which stood in the center of a Norman court, which was surrounded by a double row of beeches.
Quitting the Falaise, I gained the hamlet, which was hemmed in by great trees, and I presented myself at the house of Mother Lecacheur.
She was an old, wrinkled and austere rustic, who seemed always to succumb to the pressure of new customs with a kind of contempt.
It
