a sinking heart that the paper might have been sold, and that my new friends would go away. I thought that Anthy might be carrying out some new and vigorous plan of reconstruction, only somehow I could not feel Anthy's hand in the changes I had seen.
It was all very vivid to me; I had, indeed, a feeling, that afterward became familiar enough, that the Star was a living being, struggling, hoping, suffering, like one of us. In truth, it was just that.
No sooner had I turned in at the gate than I perceived that some mysterious and revolutionary force had really been at work. The gate itself had acquired two hinges where one had been quite sufficient before, and inside the office – what a change was there! It was not so much in actual rearrangement, though the editorial desk looked barren and windswept; it was rather in the general atmosphere of the place. Even Tom, the cat, showed it: when I came in at the door he went out through the window. He was scared! No more would he curl himself contentedly to sleep in editorial chairs; no more make his bed in the office wastebasket. Though it was still early in the morning, Fergus was not reading "Tom Sawyer." No, Fergus was hard at work, and didn't even look around when I came in.
Anthy was there, too, in her long crisp gingham apron, which I always thought so well became her. She had just put down her composing stick, and was standing quite silent, with a curious air of absorption (which I did not then understand), before the dingy portrait of Lincoln on the wall just over the cases. On her desk, not far away, a book lay open. I saw it later: it was Rand's "Modern Classical Philosophers." It represented Anthy's last struggling effort to keep on with her college work. In spite of all the difficulties and distractions of the printing-office, she had never quite given up the hope that some day she might be able to go back and graduate. It had been her fondest desire, the deepest purpose of her heart.
As she glanced quickly around at me I surprised on her face a curious look. How shall I describe it? – a look of exaltation, and of anxiety, too, I thought. But it passed like a flash, and she gave me a smile of friendly recognition, and stepped toward me with the frank and outright way she had. It gave me a curious deep thrill, not, I think, because she was a woman, a girl, and so very good to look upon, but because I suddenly saw her, the very spirit of her, as a fine, brave human being, fighting one of the hard and bitter fights of our common life. I do not pretend to know very much about women in general, and I think perhaps there is some truth in one of Nort's remarks, made long afterward:
"David's idea of generalizing about women," said that young upstart, "is to talk about Anthy without mentioning her name."
Is yours any different, Nort? – or yours?
Yes, I think it is true; and this I know because I know Anthy, that, however beautiful and charming a woman may be, as a woman, that which finally rings all the bells in the chambers of the souls of men are those qualities which are above and beyond womanly charm, which are universal and human: as that she is brave, or simple, or noble in spirit.
That Anthy was deeply troubled on that summer morning I saw plainly when the Captain came, in the keen glance she gave him. He, too, seemed somehow changed, so unlike himself as to be almost gloomy. He gave me a sepulchral, "Good morning, sir," and sat down at his desk without even lighting his pipe.
Something tremendous, I could feel, was taking place there in the printing-office, and I said to Anthy – we had been talking about the paragraphs I brought in:
"What's been happening to the Star since I was here before?"
"You've discovered it, too!" she said with a whimsical smile. "Well, we're just now in process of being modernized." At this I heard Fergus snort behind me.
"Bein' busted, you mean," said he.
Fergus, besides being temperamentally unable to contain his opinions, had been so long the prop of the mechanical fortunes of the Star that he was a privileged character.
"I knew something was the matter," I said. "As I was coming in I felt like saying, 'Fee, fie, fo, fum, I smell the blood of an Englishmun.'"
"Plain Yankee this time," said Fergus.
"Now, Fergus!" exclaimed Anthy severely. "You see," she continued, "we positively had to do something. The paper has been going downhill ever since my father's death. Father knew how to make it pay, even with half the families in town taking the cheap city dailies. But times are changing, and we've got to modernize or perish."
While she spoke with conviction, her words lacked enthusiasm, and they had, moreover, a certain cut-and-dried sound. "Times are changing. Modernize or perish!"
Anthy did not know it, of course, but she was living at the psychological moment in our history when the whole country was turning for salvation to that finished product, that perfect flower, of our institutions, the Practical Business Man. Was a city sick, or a church declining in its membership, or a college suffering from slow starvation, or a newspaper down with neurasthenia, why, call in a Practical Business Man. Let him administer up-to-date remedies; let him hustle, push, advertise.
It was thus, as an example of what the historian loves to call "remote causes," that Mr. Ed Smith came to Hempfield and the Star. He was a graduate of small-town journalism in its most progressive guises, and if any one was ever entitled to the degree of P. B. M. cum laude, it was Ed Smith.
He had come at Anthy's call – after having made certain eminently sound and satisfying financial arrangements. When it came finally to the issue, Anthy had seen that the only alternative to the extinction of the Star was some desperate and drastic remedy. And Ed Smith was that desperate and drastic remedy.
"I felt," she said to me, "that I must do everything I could to keep the Star alive. My father devoted all his life to it, and then, there was Uncle Newt – how could Uncle Newt live without a newspaper?"
I did not know until long afterward what the sacrifice had meant to Anthy. It meant not only a surrender of all her immediate hopes of completing her college work, but she was compelled to risk everything she had. First, she had borrowed all the money she could raise on the old home, and with this she paid off the accumulated debts of the Star. With the remainder, which Ed Smith spoke of as Working Capital, she plunged into the unknown and venturesome seas of modernized journalism.
She had not gone to these lengths, however, without the advice of old Judge Fendall of Hempfield, one of her father's close friends, and a man I have long admired at a distance, a fine, sound old gentleman, with a vast respect for business and business men. Besides this, Anthy had known Ed for several years; he had called on her father, had, indeed, called on her.
It was bitter business for the old Captain to find himself, after so many glorious years, fallen upon such evil days. I have always been amused by the thought of the first meeting between Ed Smith and the Captain, as reported afterward by Fergus (with grim joy).
"Do you know," Ed asked the Captain, "the motto that I'd print on that door?"
The Captain didn't.
"Push," said he dramatically; "that's my motto."
I can see the old Captain drawing himself up to his full stature (he was about once and a half Ed's size).
"Well, sir," said he, "we need no such sign on our door. Our door has stood wide open to our friends, sir, for thirty years."
When the old Captain began to be excessively polite, and to address a man as "sir," he who was wise sought shelter. It was the old Antietam spirit boiling within him. But Ed Smith blithely pursued his way, full of confidence in himself and in the god he worshipped, and it was one of Anthy's real triumphs, in those days of excursions
